Ratings29
Average rating3.4
Monsieur Perdu can prescribe the perfect book for a broken heart. But can he fix his own?
Monsieur Perdu calls himself a literary apothecary. From his floating bookstore in a barge on the Seine, he prescribes novels for the hardships of life. Using his intuitive feel for the exact book a reader needs, Perdu mends broken hearts and souls. The only person he can’t seem to heal through literature is himself; he’s still haunted by heartbreak after his great love disappeared. She left him with only a letter, which he has never opened.
After Perdu is finally tempted to read the letter, he hauls anchor and departs on a mission to the south of France, hoping to make peace with his loss and discover the end of the story. Joined by a bestselling but blocked author and a lovelorn Italian chef, Perdu travels along the country’s rivers, dispensing his wisdom and his books, showing that the literary world can take the human soul on a journey to heal itself.
Internationally bestselling and filled with warmth and adventure, The Little Paris Bookshop is a love letter to books, meant for anyone who believes in the power of stories to shape people’s lives.
Reviews with the most likes.
This book is lyrical. It made me cry at the end, but not too much.
It was a good read but for some reason it wasn't what I was expecting. I liked the characters. I thought maybe the story could have been a bit shorter.
If you're a fan of romance novels and dream of lazy summers on the French countryside, you'll love this book. While I do dream of sultry days in southern France and quite enjoyed that imagery, I really don't like sappy, cheesy romance novels and this book definitely falls into that category. It was saved by some beautiful writing and a certain French je-ne-sais-quoi that added an allure, but otherwise I felt unenthused by my reading experience. Interesting back cover copy that ultimately led to my disappointment.
Featured Series
2 primary booksJean Perdu is a 2-book series with 2 primary works first released in 2013 with contributions by Nina George and Simon Pare.