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Set in fourth-century B.C. Greece, The Mask of Apollo is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theater's golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the center of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato's friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos' eyes, the reader watches as the clash between the two looses all the pent-up violence in the city.
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This was interesting but not as compelling as I have found some of Renault's other books. The shoehorning in of information about ancient theater and about various famous figures (most notably Plato) did not feel entirely natural. The idea seemed to be to follow how Plato's ideas about the good ruler were worked out in a real life context, through the story of a ruler who tried to overcome the tyranny in Syracuse, first through philosophy and then through force. This did not have a happy ending.