The Night Circus by Erin Morgenstern

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway—a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love—a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands. True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus per formers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead. Written in rich, seductive prose, this spell-casting novel is a feast for the senses and the heart. - Publisher.

This book did not disappoint!!

I enjoyed this book, I really did. The prose was eloquent and wonderful, and the overall storyline was something to be sought after. But at the same time, I felt like there was MORE prose than story. More fluff than not. I love words and how they can be strung together to make beautiful sentences, but those sentences have to mean something. So...why 2 stars? Well, I thought it was an enjoyable book, but it lacked substance. If there had been a bit more substance, I would've given it a 3. If the substance had been overflowing while also including the prose, I would've given it a 4 or 5. Sadly, the prose was there - strong as ever - but the story easily lost me and I felt like I could've been way stronger. So it all leveled out to a 2. I think some could enjoy it, but I wanted something a little deeper.

First let me just say, that last line was fantastic. It was really powerful. As for the book itself, I struggled at first with the jumping timeline and the different characters. But once I got into the book enough it was not as difficult to keep everything separate.

Now that I have finished the book, I really wish I could visit the Night Circus, it seems like such a magical place. Bailey was by far my favorite character and I loved figuring out how he fit into the circus and the story.

While the challenge between Celia and Marco was confusing at times, it played out nicely and ended in a way I did not expect.

“The circus arrives without warning.”

the reviews i heard of this book were really divisive, and i remember dropping this about 2 chapters in when i tried it a few months ago, so i went into this expecting to have a hard time finishing it. boy, was i pleasantly surprised to have enjoyed myself as much as i did.

The Night Circus, at its heart, is about a circus in which we see our main characters, Celia and Marco, play out a magical competition that they were both forced into participating since they were children. i can't really say much more than that without spoiling, but the writing was beautiful, the romance was (surprisingly!) good, and the story was satisfying.

i've heard at least two different reviews of this book call the writing “atmospheric”, and at the time i had no idea what it meant. i think i understand a little better now. for at least the first half of the book, you are just kinda swept up by this whimsical, enimatic, ethereal prose that perfectly illustrates not just the titular Night Circus in particular, but also the whole setting of turn-of-the-century England and America. i think when the plot actually picked up speed around the halfway mark of the book, it actually caught me by surprise.

the ending of the story of the book was a little meh to me, but i particularly enjoyed the post-ending aftermath, especially when Widget begins to tell the entire story of the Night Circus to the man in the gray suit, and begins with the book's opening sentence, "The circus arrives without warning."

i have a lot of things to say about the romance in this book, which i shall put under spoiler tags soon, but a quick and dirty spoiler-free summary is: i can absolutely get behind the main couple's beginning, but kinda wish that the romance was kept a little more toned down for the second half of the book. more elaboration with spoilers:

ok, so i loved it when Celia and Marco had their first ever conversation after that party at Lefevre's house. on paper, their backstory was really cliche, the whole thing about opponents becoming lovers, but in the story i thought it was executed really well. it made a lot of sense, that these two people who were forced to be fixated on a nameless, faceless rival for most of their lives in a competition that neither wanted any part of, would find themselves falling head over heels in love with the object of such fixation when they finally meet, and when they also realise that the other person has the same disinterest in winning whatever competition they were forced into participating. i loved it! i didn't find it insta-love at all, because they were "interacting" with each other all along through their magical feats, and i can absolutely see why it would be so easy for them to fall for each other.what i didn't like as much was kinda after that when the story just became a bit too romancey for me. like i don't mind if they were the most romantic couple but i just didn't want to see it so much, it was a rather jarring distraction from that soothing, ethereal illusion that was the rest of the story. so i kinda felt like the second half of the book wasn't as wispy and beautiful as the second half was, because we actually have like this romance drama going on.

all in all though, i really enjoyed this book a lot more than i thought i would've, but i can definitely see why this had so many mixed reviews. i think the book is best enjoyed if you treat the author as an illusionist painting pictures and building whole environments in your head in which a story can play out, rather than just giving you a story plain and dry.