The Old Curiosity Shop
Ratings15
Average rating3.7
15
Ratings15
Average rating3.7
The sensational bestselling story of Little Nell, the beautiful child thrown into a shadowy, terrifying world, seems to belong less to the history of the Victorian novel than to folklore, fairy tale, or myth. The sorrows of Nell and her grandfather are offset by Dickens's creation of a dazzling contemporary world inhabited by some of his most brilliantly drawn characters—the eloquent ne'er-do-well Dick Swiveller; the hungry maid known as the "Marchioness"; the mannish lawyer Sally Brass; Quilp's brow-beaten mother-in-law; and Quilp himself, the lustful, vengeful dwarf, whose demonic energy makes a vivid counterpoint to Nell's purity.
Reviews with the most likes.
A classic that I've tried to read several times. Finally made it though. Interesting glimpse into old London life.
I can't think of any reason to give this less than 5 stars. We know Dickens isn't perfect. The merits and flaws of his work have been discussed exhaustively for nearly two centuries now, and we all know the arguments. The Old Curiosity Shop doesn't break any moulds. Yes, the villains are very villainy, and the goodies are very good. Why, little Nell, pure, courageous Nell, she's practically an angel on earth right from the get-go, and it should come as no surprise when she gently but gloriously ascends to the heavenly domain, particularly since the author builds up to it with some rather heavy-handed allusions in the immediate preceding chapters.
But Dickens exerts enormous power over his helpless readers. Such magnificent prose, passages comic, passages grotesque, passages profound, stirring, moving, joyous... let us stop there. I will spare you the full list of adjectives I had in mind. I mean, what can I say about Charles Dickens that hasn't already been said a million times or more?
Suffice it to say that there is a reason that Dickens sits high atop the pile of 19th century novelists, and perhaps atop the pile of all novelists ever. He is a byword, the last word, and he's even an adjective. He left to us one of the most compelling windows on the 19th century. He is a phenomenon that will never fade.
