The Power

I finished this last night, and I'm still not entirely sure what to make of it. The writing is incredible, the storyline compelling, the framing device and illustrations clever, but I'm not quite sure what I was meant to take from the book. Women can be just as terrible as men given the opportunity?Power corrupts? The MRAs are right? I don't know how much that matters, but this is clearly a book that wants to Say Something - it's literary sci-fi in the mode of Margaret Atwood, who mentored the author. That influence clearly shows through, for good and bad (mostly good, I think) in the worldbuilding and the use of a framing device to provide context to the story. A glaring omission is the failure to engage with any other axes of oppression besides sex - while the leads are a variety of ethnicities and backgrounds, it doesn't really seem to inform how they react/act, and there are some asides that seem to nod at trans and/or NB people, but that's not dealt with at length except maybe with Jos and her boyfriend, but I wasn't sure what was happening there, whether it was a kink thing or something else. The story and the world will stick with me a long time, and the writing is excellent, full of allusions and odd touches of humor, alongside some of the most disturbing scenes I've read in a long time. (Serious content warning for sexual assault and violence throughout, by the way.) I wonder how I'll feel about this one in a year or two, but right now, it's one of the most intriguing books I've read recently.

This book is banana pants! I loved it. Imagine a world where women suddenly have the power – literally and metaphorically. A world where men are subjugated and oppressed, with limited access and rights. Does this world sound familiar at all to you?

Alderman does an incredible job of exploring the role of electrical power and skeins while also showing how power – regardless of who possesses it – can have terrifying and negative consequences.

Thought-provoking, with some memorable characters, but the allegory was as subtle as a sledgehammer, and became a bit tiresome. I feel like Alderman had the chance to make this more ambiguous and elegant, but bowed to the urge to send A Message, as well as wanting to tie the plot up a bit too neatly.

Still, I think this is compelling, and perhaps the moments when I went, “That is just too preposterous” are the point - maybe the broad strokes about violence, corrupting power, and gender stereotypes are meant to provoke that reaction, then make you reflect “wait . . . I suppose the reverse really is/has been true - maybe this story is precisely accurate, and our society is preposterous.”

I sat and stared at my Kindle for several minutes after finishing this book. The Power belongs on the same shelf as The Handmaid's Tale and American War. It's just amazing. The book begins in our world - but then takes a twist sideways. Teenage girls start manifesting an electrical power. They can zap people, with varying degrees of strength. It can be a pleasing, arousing tingle, or a warning jolt, or a breath-stealing, heart-stopping (literally) bolt. They soon discover that older women can also manifest the ability, but it has to be kick-started by a jolt from someone who already has it. (Even later in the book it's revealed that there's actually a muscle - they call it the skein - that controls the electricity, and women have, in the last twenty years or so, evolved to have that muscle.)

The book revolves between the points of view of a few different women and one man. The man is a journalist reporting on the emergence of the new power, while the women are prominent figures in the new world order that is emerging. Allie - Eve - becomes the leader of a new religion, Roxy is the daughter of a crime syndicate boss, and Margot is a mayor climbing the political ranks. Margot's daughter also gets a few chapters.

It's been pointed out that perhaps men are afraid of women having equal rights because they can't picture a world in which powerful women don't treat men the way powerful men have always treated women. They can only imagine men and women interacting as oppressors and oppressed, not as equals. Whereas feminism wants a world where we are truly equals. The Power imagines a world where women do become the oppressors, and men are forced into the feminine role. This is enforced by the framework the novel is told in - the novel itself is bracketed by letters between the “author,” presenting his historical novel, and a woman supposedly editing his work. Through the letters, you discover the novel is a slightly embellished history of their world, with about five thousand years between the events of the novel and the time of the letters. In the tone of the letters, you see the stereotypes switched - the man is apologetic and unsure while the woman is authoritative, patronizing, and a little bit sexist. “Oh, you silly boy, imagining a world where men were dominant! What a naughty idea! Don't you think men as soldiers is preposterous? Men are homemakers, women are the aggressive ones!” I think, if feminism achieves its goals through legislation, we will find true equality. If something like this were to happen - a drastic change, giving women a physical way to dominate suddenly, the outcome might indeed be more like the novel. Enough women have been traumatized that they'll want - need - to avenge themselves, and violent upheaval will result.

By the last third of the novel, we see powerful women and societies acting just the same as powerful men always have - I'd like to think we'd have learned from the men's mistakes, but humans are only human. Perhaps this is more realistic.

The book is NOT for the faint of heart. There are graphic rape, abuse, and violence scenes. They're not gratuitous - they serve the author's point - but they are still disturbing, as those scenes should be.

I'll be thinking about this book for a while. It's excellent, and I highly recommend it, if you can handle the dark themes.

You can find all my reviews at Goddess in the Stacks.