Ratings23
Average rating4
a saga of land, blood, and power
Part epic of Texas, part classic coming-of-age story, part unflinching examination of the bloody price of power, The Son is a gripping and utterly transporting novel that maps the legacy of violence in the American west with rare emotional acuity, even as it presents an intimate portrait of one family across two centuries.
Eli McCullough is just twelve-years-old when a marauding band of Comanche storm his Texas homestead and brutally murder his mother and sister, taking him as a captive. Despite their torture and cruelty, Eli--against all odds--adapts to life with the Comanche, learning their ways, their language, taking on a new name, finding a place as the adopted son of the chief of the band, and fighting their wars against not only other Indians, but white men, too-complicating his sense of loyalty, his promised vengeance, and his very understanding of self. But when disease, starvation, and westward expansion finally decimate the Comanche, Eli is left alone in a world in which he belongs nowhere, neither white nor Indian, civilized or fully wild.
Deftly interweaving Eli’s story with those of his son, Peter, and his great-granddaughter, JA, The Son deftly explores the legacy of Eli’s ruthlessness, his drive to power, and his life-long status as an outsider, even as the McCullough family rises to become one of the richest in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege.
Harrowing, panoramic, and deeply evocative, The Son is a fully realized masterwork in the greatest tradition of the American canon-an unforgettable novel that combines the narrative prowess of Larry McMurtry with the knife edge sharpness of Cormac McCarthy.
Reviews with the most likes.
A powerful book. I want to go back and read sections of it again, to relive horrible moments that feel so vivid, real, and raw. It had me so conflicted, loving and hating the same characters at different times of the lives. It took me a while to decide what I thought about this one, but it's a modern classic about the end of the west.
I absolutely recommend this but it's not your typical western and that's part of what makes it valuable.
This book exploded with some of the best writing I've experienced in a long, long time. The pacing was perfect and the characters were just plain wonderful. Relentless, things stayed that way through about 75% of the book. Then, something odd happened.
The writing never slipped, it was still literary gold. But the pacing slowed just enough to throw me off. Then, around 85-90%, the pacing increased to and it felt a bit rushed. These details did not ruin the experience, by any means. It was still a sweeping epic, spanning three generations, against arguably the greatest landscape in contemporary American literature but it lost me.
Like a Cohen Brothers film, I left feeling a bit unresolved, though not in a disappointing way. More in a “well that's life” residual feeling...if that makes sense.
An epic tale that doesn't read like an epic. Really enjoyed this exploration of a Texas family