Ratings8
Average rating3.8
What would happen if an author went back to the darker themes of the original fairy tales for his plots, and then crossed the Disney princesses with Charlie’s Angels? What’s delivered is The Stepsister Scheme—a whole new take on what happened to Cinderella and her prince after the wedding. And with Jim C. Hines penning the tale readers can bet it won’t be “and they lived happily ever after.”
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The Stepsister Scheme is the first in a series of fairytale retelling/mashup novels by Jim C. Hines. It follows what happened after the “happily ever after” found at the end of essentially every fairytale. It also pulls from more sources than just the Disney versions of the stories that many people are familiar with.
There are really only so many reactions a father can have when, thanks to his young daughter, his home and life are invaded by the Disney Princesses. Through DVDs, toys, costumes, books, clothing these characters can thoroughly infiltrate a family's collective consciousness. A dad can run to such things as home improvement projects, sports, denial, or attempts to turn their daughter into a Tom-boy; but once these girls take the beachhead of your home, they don't give an inch of it back for years.
Jim C. Hines took a different tack–the author of the satirical Jig the Goblin fantasy series started writing. The result “is a cross between the old (pre-Disney) fairy tales and Charlie's Angels.”
The book opens with one of Cinderella's (Danielle) stepsisters trying to assassinate the new princess a few months after the whole glass slipper incident. Danielle, some of her animal friends and another princess in disguise put a stop to that, but discover that Danielle's husband has been kidnapped. Thankfully, the Queen is the head of a covert operations team (or the fairy tale equivalent thereof) made up of princesses who rarely qualify as damsels in distress.
The book works pretty well as a light, fun fantasy adventure. When you throw in Hines' reworking of the original fairy tales–well, that's icing on the cake (thick, rich and creamy icing). Happily ever after isn't everything we tend to think it is.
“Are all the tales like this?” Danielle asked. “Did Jack Giantslayer fall into despair and poverty? Was Red Riding Hood murdered by wolves seeking revenge for the death of their kin?”
Talia snorted. “No, Red survived. But that kind of thing changes a woman.”
“Changes her how?”
“The Lady of the Red Hood is one of the most feared assassins this side of Akenkar.”
Happily ever after...Well, not quite.
This book is what happens when both the stories are wrong and they don't live happily ever after. These girls are kind of the anti-damsel-in-distress. They can fight and, I believe the term is, kick but and take names.
Seriously, this book was so much fun.
Not only is there a strong feminist aspect to this - and it totally slams the Bechdel Test out of the park - but there is also a bit of racial diversity. Talia, Sleeping Beauty herself, is described as having ‘brown skin.' I kind of like how it's mentioned and then moved on, not waxed poetic about how her skin is the color of creamed coffee - or caramel. It's just ‘brown.'
There's also some pretty obvious hints that one woman is in love with another, as the kiss of true love works. So, yay for diversity!
“Are all the tales like this? Did Jack Giantslayer fall into despair and poverty? Was Red Riding Hood murdered by wolves seeking revenge for the death of their kin?”
It probably doesn't come as a surprise to anyone anymore that I really adore fairytale retellings. There's just something about them that...Well, I can't explain it.
But I do like the particularly twisty ones. I don't want to read a simple tale that's an exact copy of what came before - and I also have a special fondness for after the ‘happily ever after' tales. I've always felt that the story says the princess kisses the prince and that's it. Full stop. The story's over and everything will be wonderful for the rest of their lives. But what really happens?
I will admit, I'm always suspicious when a male author writes a book with a female main character. I've been burnt too many times by overly sexy, voyeuristic trash. So, when there's not one, but three pretty young women on the cover all looking like they just went to a Final Fantasy convention, color me nervous. (Not picking at FF. I love it, but really?) But then I started reading this book and, through no fault of my own, stumbled across Jim's blog. (To get an idea of exactly what kind of author he is, click here. That'll get you started but be sure to click on the links. Seriously, this guy is awesome! Now, once you come out of that rabbit hole...)
The characters in this book are awesome! I love how so many of them are women - not just the princesses, but also several women in positions of power.
Although the story is told exclusively from Danielle's perspective, my favorites were Talia and Snow - who are so different from each other. Talia is the strong, warrior type woman that has been hurt terribly in the past. Snow, on the other hand, is a unmitigated flirt. She knows she's beautiful and she flaunts it. Compared to these two, Danielle feels a little...flat. She's great, and has wonderful moments, but her personality was more understated it seems like than the other two. (She's kind of your typical main character in fantasy ensemble casts. The ‘normal' one.)
One of my absolute favorite things was how the story went with some of the older tales for certain aspects, instead of the Disney versions. Totally spoilers, but there were several moments of ‘oh, that was in the original' or ‘that's not how it was' only to find out later that that's how the earlier tales were.
I am so glad I took a chance on this book and, if you like strong women and fairy tales, you should give it a shot!
(Originally posted on my blog: pagesofstarlight.blogspot.com)
Series
3 primary booksPrincess is a 3-book series with 3 primary works first released in 1999 with contributions by Jim C. Hines and Dawn Cook.
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