Ratings2
Average rating3
“American history comes to vivid, engaging life in this tale of two interconnected families (one white, one black) that spans from the 1950s to Barack Obama’s first year as president. . . . The complex, beautifully drawn characters are unique and indelible.”—Entertainment Weekly “An astoundingly audacious debut.”—O: The Oprah Magazine • “A gorgeous generational saga.”—New York Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ESQUIRE • FINALIST FOR THE PEN/HEMINGWAY AWARD FOR DEBUT NOVEL Meet James Samuel Vincent, an affluent Manhattan attorney who shirks his modest Irish American background but hews to his father’s meandering ways. James muddles through a topsy-turvy relationship with his son, Rufus, which is further complicated when Rufus marries Claudia Christie. Claudia’s mother—Agnes Miller Christie—is a beautiful African American woman who survives a chance encounter on a Georgia road that propels her into a new life in the Bronx. Soon after, her husband, Eddie Christie, is called to duty on an air craft carrier in Vietnam, where Tom Stoppard’s play “Rosencrantz and Guildenstern Are Dead” becomes Eddie’s life anchor, as he grapples with mounting racial tensions on the ship and counts the days until he will see Agnes again. These unforgettable characters’ lives intersect with a cast of lovers and friends—the unapologetic black lesbian who finds her groove in 1970s Berlin; a moving man stranded in Portsmouth, New Hampshire, during a Thanksgiving storm; two half-brothers who meet as adults in a crayon factory; and a Coney Island waitress whose Prince Charming is too good to be true. With piercing humor, exacting dialogue, and a beautiful sense of place, Regina Porter’s debut is both an intimate family portrait and a sweeping exploration of what it means to be American today. Praise for The Travelers “[A] kaleidoscopic début . . . Porter deftly skips back and forth through the decades, sometimes summarizing a life in a few paragraphs, sometimes spending pages on one conversation. As one character observes, ‘We move in circles in this life.’” —The New Yorker “Porter’s electric debut is a sprawling saga that follows two interconnected American families. . . . Readers will certainly be drawn in by Porter’s sharp writing and kept hooked by the black-and-white photographs interspersed throughout the book, which give faces to the evocative voices.”—Booklist
Reviews with the most likes.
Enten liker du ikke dette, eller så elsker du det. Jeg tilhører siste gruppe. En bok uten en historie, bare et sveip over to slekters liv fra 1950-tallet og fram til 2010, med et persongalleri det tar litt tid å få oversikt over. Men når du først får oversikten, er det bare å suge til seg. Masse bruddstykker fra persongalleriets liv, der det er tynne, røde tråder mellom hver enkelt, nesten umulig å få tak i, men likevel er de der. Som The Guardian skrev, så er dette små blikk inn i enkeltmenneskers liv, akkurat som livene våre faktisk er.
Jeg gjør meg forøvrig en tanke om hvordan vi som lesere visualiserer det vi leser. Det er så mange personer i denne boken at det er krevende å plassere hver enkelt. Samtidig er forfatteren svart amerikaner, derfor tenker jeg på alle personene i boken som svarte. Det er de ikke. De er jøder, tyskættede, av russisk opphav, svarte, hvite, brune, hele galleriet av bakgrunner. Jeg “ser” menneskene ut fra stereotypier skapt i mitt eget hode når forfatteren ikke gir så mange signaler om bakgrunn.
Settingen: Georgia i USA, New York, Vietnam, Berlin.
For meg var denne novellesamlinglignende, fragmenterte romanen en uhyre fin leseøkt.