The Winged Histories
Ratings6
Average rating3.6
15
Ratings6
Average rating3.6
Four women, soldier, scholar, poet, and socialite are caught up on different sides of a violent rebellion. As war erupts and their families are torn apart, they fear they may disappear into the unwritten pages of history. Using the sword and the pen, the body and the voice, they struggle not just to survive, but to make history. Praise for The Winged Histories: "Like an alchemist, Sofia Samatar spins golden landscapes and dazzling sentences.... a fantasy novel for those who take their sentences with the same slow, unfolding beauty as a cup of jasmine tea, and for adventurers like Tav, who are willing to charge ahead into the unknown.”--Shelf Awareness (starred review) "A highly recommended indulgence.” --N.K. Jemisin, New York Times Book Review "Above all, it’s a story about love--the terrible love that tears lives apart. Doomed love; impossible love; love that requires a rewriting of the rules, be it for a country, a person, or a story.”--Jenn Northington, Tor.com "An imaginative, poetic, and dark meditation on how history gets made.” --Hello Beautiful Sofia Samatar is the author of the novels A Stranger in Olondria and The Winged Histories and a collection, Tender: Stories. She has written for the Guardian, Strange Horizons, New Inquiry, Believer, and Clarkesworld, among others, and has won the John W. Campbell Award, the Crawford Award, the British Fantasy Award, and the World Fantasy Award. She lives in Virginia and her website is sofiasamatar.com.
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Sofia Samatar's The Winged Histories is technically a sequel, though more in a “take place in the same world as” and less “follows directly the characters from”, as I understand. I wanted to read A Stranger In Olondria, but my local library system didn't have a copy and so I figured that from what I'd read about the book, I'd probably be okay this once not following my own rule and just picking it up. Which I'm kicking myself for now, because I think I would have gotten more out of The Winged Histories if I'd had some background in that world going in.
Which isn't to say that I didn't get anything, or even much, out of The Winged Histories without that background. On the contrary, I found the book beautifully written, and once I got myself grounded in its world, incredibly compelling. It follows four women: the warrior Tavis, Tialon, the daughter of a priest, Seren, a singer and Tavis's lover, and Tavis's sister Siski, a noblewoman, as the Olodrian empire is engulfed in war and rebellion, both internal and external. They're besieged by a neighboring civilization, one of their conquered territories is trying to break away, and a new religion is fighting for dominance with the traditional one...with rumors of people transforming into vampiric monsters growing in the countryside.
I don't usually read war stories, which tend to be men's stories. Endless descriptions of battles and tactical maneuvers make me lose interest quickly (they slowed down my reading of War and Peace significantly when I tackled that one in the summer of 2015). But this one was different: besides Tavis's necessarily martial perspective, the rest of the story dug into how the battles resonate far beyond the fields on which they are fought. The lives of each of these women is thrown into turmoil by the unsettled situation of their world: Tavis flees to the army to escape being used as a political pawn in marriage, Tialon suffers at the hands of her religious fanatic father, who ushers in the new religion and converts the emperor, Seren is a member of the people on whose behalf the civil portion of the war is being fought but who suffer for their “victory” as much or more than anyone, and Siski drowns her sorrow at being parted from the sweetheart of her youth in a hard partying lifestyle. These are technically spoilers, but if I hadn't read a similar summary as I was getting started I would have gotten completely lost in who meant what to whom and what was going on.
It does take a while to get into it and adjust to the setting and situations of the story. Until then, fortunately, the writing sustains interest. The writing is just gorgeous...lush, poetic, and emotionally evocative. There's very little “this happened, and then that happened” going on here, each of the four segments is written in loose clusters of interconnected plot points, full of flashbacks and questions raised that don't get answered until a later part of the story. By the end I could barely put it down. The book is a rich reward for a patient reader.
