The Witch Elm by Tana French

From the writer who “inspires cultic devotion in readers” (The New Yorker) and has been called “incandescent” by Stephen King, “absolutely mesmerizing” by Gillian Flynn, and “unputdownable” (People) comes a gripping new novel that turns a crime story inside out.

Toby is a happy-go-lucky charmer who’s dodged a scrape at work and is celebrating with friends when the night takes a turn that will change his life—he surprises two burglars who beat him and leave him for dead. Struggling to recover from his injuries, beginning to understand that he might never be the same man again, he takes refuge at his family’s ancestral home to care for his dying uncle Hugo. Then a skull is found in the trunk of an elm tree in the garden—and as detectives close in, Toby is forced to face the possibility that his past may not be what he has always believed.

A spellbinding standalone from one of the best suspense writers working today, The Witch Elm asks what we become, and what we’re capable of, when we no longer know who we are.

Reading Challenge category: a book you've been meaning to read

Toby was always a happy go lucky kind of person. But turns out things may not be just like he remembers them.

He ends up going to stay with his ailing Uncle Hugo( I love Hugo) after several events in Toby's life. Hugo has terminal brain cancer and needs someone to look after him.

While staying with Hugo something happens that test relationships with family and will test Toby's memory all over again.

I really enjoyed this one. Tana French is great at writing mystery.

I despair over Goodreads' blunt rating system. I want to give this a 3.8/5; it feels like an crucial distinction to me.

I benefitted from having read some reviews of the book prior to reading, which in effect warned me that the mystery of this novel was much less compelling than those of previous French books, and I think that appropriately adjusted my expectations. But I also knew that Tana French is a writer whose works I would appreciate having read regardless of how compelling I found the plot lines, because they are secondary to her writing style and her characterizations and her deep understanding of human nature. (Off the top of my head, Jane Austen, Ian McEwan, Roxane Gay, and Donna Tartt fall in this category. The Tartt-French comparison feels particularly apt to me. Secret History vs. The Likeness, anyone?)

Mystery aside, I think this book is at its best when it illustrates the discomfiting fact that random events can so thoroughly shape a life, and how privilege and circumstance of birth can impede a narrator's ability to understand half of what's going on around him at any given time.