Those Who Leave and Those Who Stay
Ratings71
Average rating4.4
15
Ratings71
Average rating4.4
Érase una vez dos niñas, Lenù y Lila, que nacieron en 1944 en un barrio pobre de la ciudad de Nápoles. Lila se casó muy joven con el hombre más adinerado del barrio y poco tardó en dejarlo. Elena, en cambio, ha continuado con los estudios e incluso ha escrito una novela. Así, a primera vista, nada une ya a las dos amigas, pero el barrio de Nápoles donde fueron niñas aún las reclama, las viejas costumbres las devuelven a un tiempo que ya se fue, y el peso de las emociones se cobre su precio.
Featured Prompt
2,708 booksWhen you think back on every book you've ever read, what are some of your favorites? These can be from any time of your life – books that resonated with you as a kid, ones that shaped your personal...
Reviews with the most likes.
Oh, Ferrante is good. This was one of the most raw and honest portrayals of marriage and motherhood that I have ever read. The series just keeps getting better and better.
This book is just incredible. It's in this third book of the series that Ferrante's masterstrokes as a writer really become clear. As a reader you see how the stories and experiences of the characters in the previous two books have been illustrated to pave the way and lend an emotional gravitas, visceral realism and acuity to Ferrante's social commentary and observations in Book III without sacrificing nuance.
There's no heavyhandedness here. Instead of the emotional and personal plot elements being sacrified for clunky righteous statements, the poignant personal plot elements and character relationships enrich and in turn are elevated by meta-narratives of social and political themes; there is a balance and carefully woven realism that is utterly distinct and which I can't remember having witnesses a writer balance so deftly. This alone places Ferrante in the firmament of the a contemporary literary canon.
In this book I also really began to see Ferrante's qualities as a writer in how she preserves the consistency of the narrator Lenu's voice, but has imbued each book's a perspective and expression befitting her age and stage of life. We see Lenu's emotional intensity, acute observational skills, imagination, and simple naivete in Book I, and the pace of life is sped up and chaotic and exciting in Book II, here in Book III, Lenu begins to draw more complex inferences as she places herself within a wider world and begins to integrate and apply her theoretical and abstract knowledge to her own life (albeit blind spots and hypocrisy notwithstanding).
It was this book that also really began to resonate with my own experience as a AFAB reader in a more distinct and profound way. I couldn't believe how much of Lenu and Lila were in me and the women in my life.
I feel like it took alot of me to be able to read this, but regardless loved it just the same
3rd part of what should be one colossal epic novel. And actually, Ferrante says herself, they are “a single novel”. This one deals with early marriage, motherhood, Elena's writing career, politics, unions and burgeoning feminism. Elena and Lila are further apart than before, in space and mind. Haven't been pulled into a book as much as into the Neapolitan novels in quite a while.
