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Average rating2.1
She has power over death. He has power over her. When two enemies strike a dangerous bargain, will they end a war . . . or ignite one? “A thrilling tale of magic and murder, intrigue and betrayal.”—Cassandra Clare, #1 New York Times bestselling author of Sword Catcher Heroes die, cowards live. Daughter of a conquered world, Ruying hates the invaders who descended from the heavens long before she was born and defeated the magic of her people with technologies unlike anything her world had ever seen. Blessed by Death, born with the ability to pull the life right out of mortal bodies, Ruying shouldn’t have to fear these foreign invaders, but she does. Especially because she wants to keep herself and her family safe. When Ruying’s Gift is discovered by an enemy prince, he offers her an impossible deal: If she becomes his private assassin and eliminates his political rivals—whose deaths he swears would be for the good of both their worlds and would protect her people from further brutalization—her family will never starve or suffer harm again. But to accept this bargain, she must use the powers she has always feared, powers that will shave years off her own existence. Can Ruying trust this prince, whose promises of a better world make her heart ache and whose smiles make her pulse beat faster? Are the evils of this agreement really in the service of a much greater good? Or will she betray her entire nation by protecting those she loves the most?
Featured Series
1 primary bookGods Beyond the Skies is a 1-book series first released in 2024 with contributions by Molly X. Chang.
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To Gaze Upon Wicked Gods by Molly X. Chang★☆☆☆☆ 1.5/5—ARC received on NetGalley in exchange for an honest review.I wanted to enjoy this book. The title and cover art is catching, synopsis promising, and for the first 20% of the book, I found the plot intriguing and wanted to know more. However, it all takes a nosedive shortly after. For a story centered around a war between magic and science, there is little to no in-depth exploration in the differences between the two. Similarly, a severe lack of world-building when it should have been pivotal, considering Pangu and Rome come from two entirely different planets, connected through this portal that is never explained. Use of magic has a physical toll on the user, and we see this depicted in Ruying for all of 1 or 2 chapters before the idea is entirely dropped.On a related note, the author should have highly considered creating a fictional race adjacent to the Romans for this story. To call the colonisers “Romans” only elicits the imagery of Ancient Rome, yet the Romans here use technology and science. It's a little disconcerting as a reader, and we've already created a fictional world adjacent to China. Why not just commit to an entirely fictional universe? Characters are dull and underdeveloped. Ruying spends the whole book idolising Meiya, whom she calls “kind”. We only ever see Meiya cruelly putting her sister down, and she takes the award for my most disliked character. The rest of the characters suffer the same issue: too much offscreen character building. Lots of tell, instead of show: “Meiya is kind, Grandma is intelligent, Taohua is strong”. We never see any of this demonstrated through action on screen.Romance was unconvincing. The dialogue between Antony and Ruying was dry and so boring to read. Ruying is gas lit, brainwashed (in the most obvious way; it wasn't even subtle), and clearly in a Stockholm Syndrome situation. Time skip occurs, and suddenly - Antony and Ruying are in love. I greatly dislike that we had one random chapter of Antony's POV to depict that he'd actually fallen for Ruying. Why not just show it in his actions instead? What made him fall for her? I have no clue, because both romance and her killings seemed to all happen off screen through time skips! All of which leads to severe lack of development. And to preface all of this with her initial Author's Note just seems in incredibly bad taste (and I say this as someone who has no issues reading problematic dark tropes - I would entirely remove the Author's Note at this point). I understand what the author was trying to attempt, but I truly think that proper execution of the idea requires a more delicate touch.What truly made me miffed (spoiler alert) was that Meiya and Baihu kept Ruying in the dark the entire time until the end. It's like they were begging for Ruying to be brainwashed, and were baffled by the end result.Other various dislikes:- Chinese text itself embedded into the narrative (although I did enjoy its application within the story). As a native Chinese speaker, I would prefer to have footnotes instead to make reading flow more consistent- The rebel group and Phantom are underdeveloped if not non-existent. Zero buildup prior to their appearance- The Author keeps writing. Like. This.- Use of time skips to skip crucial character and plot development, resulting in flat characters- Failed attempt at painting characters as morally greyFor a promising and rather strong start to the story, it peters off quite fast and tragically. The ideas and concepts that author attempts to explore requires a more skillful hand.
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The story of a gullible 19 year old, coerced EASILY into killing her own people. A magic ability suppressed that had her shunned and feared for almost all her life, only to unleash it uncontrollably once she fell in love with her abductor. The Abducted as Romance trope but with Chinese elements to give it flair.