Ratings2
Average rating3.5
The return of Cassie Dewell in Treasure State, the latest in the series that inspired the ABC hit series Big Sky, finds Cassie in Montana on the trail of a con man. Investigator Cassie Dewell--now the lead character in this year's most sensational TV crime show, Big Sky, from Big Little Lies creator David E. Kelley--is headed to Anaconda, Montana, in search of a slippery con man who has disappeared somewhere in the treasure state. A wealthy California divorcee has accused him of absconding with her entire fortune, and wants Cassie to find him and get it back. But Anaconda, a quirky former copper mining town, is the perfect place to reinvent yourself, and as the case develops, Cassie begins to wonder if her client is telling her everything. Between searching for the con man and a second case, that of a rumored buried treasure somewhere in the vicinity that has led to a cutthroat competition among adventure-seeking treasure-hunters, Cassie has her hands full. C. J. Box's newest Cassie Dewell novel, the highly anticipated follow-up to The Bitterroots, is full of more twists and turns than the switchbacks through the Anaconda Range.
Series
5 primary booksCassie Dewell is a 5-book series with 5 primary works first released in 2013 with contributions by C.J. Box.
Series
6 primary booksThe Highway Quartet is a 6-book series with 6 primary works first released in 2011 with contributions by C.J. Box.
Reviews with the most likes.
Cassie’s a bit better situated as a private investigator now, she’s not raking in the dough, but for a private investigator in Montana, I can’t imagine she could be doing much better. This book focuses on two independent cases—I don’t mind a good two-cases-turning-out-to-be-related-after-all mystery, but I really like seeing an investigator juggle two cases like this.
The first case is initially something that Cassie’s not interested in at all, but she gets sucked into things. A woman from Florida wants to hire her to find a con man who has bilked her out of a big chunk of change. She’d hired a local P.I. who traveled all over the country, seemingly milking her for expenses before ending up in Montana and ghosting her. He suggested that he was zeroing in on the target, and the client wants Cassie to take over from there.
Cassie focuses on the P.I.—if she can figure out what he was doing there, where he went—maybe even finding him—she can use that as a launching pad to finding the con man. This leads Cassie to find several other victims and a pretty solid lead on her target.
The other case is something she’s been working on off and on for a while—and will pay off significantly if she can successfully close the case. Years ago, someone left a cryptic poem on the whiteboard of a Montana restaurant, promising a pile of gold to whoever could crack the clues in the poem and find it. Someone claiming to be that poet hires Cassie to see if she can figure out who he is. He’s worried that someone could find the gold by figuring out who he is, rather than deciphering the clues. So he wants to see if he left himself open that way.* A couple of things break Cassie’s way while she’s working the con man case, and she starts to put two and two together. She just might be on the right path now
* I hope that made sense in summary—it’s clear in the book, I assure you.
There’s a teeny-tine Joe Pickett cross-over here that will bring a smile to the face of Pickett fans (even those as behind as I am, and thankfully really doesn’t spoil anything for me). For people who haven’t read those, it’s not going to alter anything—you won’t even notice.
This is now the third Dewell novel that Delaine has narrated, and while I don’t remember having a problem with the earlier female narrator, Delaine has definitely got this character down—and the recurring supporting characters, too.
When the perspective changes from Cassie to some others (the criminals particularly), she does a great job harnassing their characters, too, helping me to get into their headspace and like them even less than I was inclined to (well, in the case of the criminals, that is).
I liked coming back to this world for a bit. It was good to see Cassie’s son doing well and Cassie getting more stability in her life. Even better, her mother wasn’t around much, so she couldn’t get on my nerves. I don’t know what it is about Box and mother/daughter relationships, but I’m pretty sure a book could be written on it between this series and the Pickett series.
I was initially worried about some aspects of the con man case hitting some of the same notes as earlier Dewell novels—but I was glad to see that while they might have been the same notes, it was a different song. That’s a sentence that will make sense to people once they’ve read/listened to the book, but hopefully, it’s reassuring if you start to have the same concern.
The treasure hunt/poet storyline was nothing but fun for me. Simple, dogged, investigation that follows one trail after another. Yeah, she catches a break—but there’s reason enough to think that without the lucky break, she’d have gotten there anyway—it just would’ve taken longer. Give me this kind of story any day in a PI novel and I’ll be happy.
There’s a lot to like in this latest adventure with Cassie Dewell and nothing really to complain about. Give this a shot—whether or not you’ve spent time with her before, this PI novel will satisfy.
Originally posted at www.goodreads.com.