Vladimir by Julia May Jonas

“Delightful…cathartic, devious, and terrifically entertaining.” —The New York Times “Timely, whip-smart, and darkly funny.” —People (Book of the Week) “A deliciously dark fable of sex and power.” —Esquire A provocative, razor-sharp, and timely debut novel about a beloved English professor facing a slew of accusations against her professor husband by former students—a situation that becomes more complicated when she herself develops an obsession of her own... “When I was a child, I loved old men, and I could tell that they also loved me.” And so we are introduced to our deliciously incisive narrator: a popular English professor whose charismatic husband at the same small liberal arts college is under investigation for his inappropriate relationships with his former students. The couple have long had a mutual understanding when it comes to their extra-marital pursuits, but with these new allegations, life has become far less comfortable for them both. And when our narrator becomes increasingly infatuated with Vladimir, a celebrated, married young novelist who’s just arrived on campus, their tinder box world comes dangerously close to exploding. With this bold, edgy, and uncommonly assured debut, author Julia May Jonas takes us into charged territory, where the boundaries of morality bump up against the impulses of the human heart. Propulsive, darkly funny, and wildly entertaining, Vladimir perfectly captures the personal and political minefield of our current moment, exposing the nuances and the grey area between power and desire.

This was a book that was suggested in a thread about women slowly going mad and the unhinged women trope. Maybe because I went into it with that sort of expectation I was disappointed overall with where it ended up going. It also doesn't help that this is what I read soon after finishing [b:When Darkness Loves Us 868727 When Darkness Loves Us Elizabeth Engstrom https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1666975701l/868727.SY75.jpg 854113] which delivers much more on this premise. Overall I do feel like this was a decent book but not exactly the sort of thing I was looking for.

This is an easy 4 but could have been 5. I absolutely love flawed characters and this book does a terrific job of highlighting it. The writing is evocative and fluid although it feels extremely rushed towards the end, where the pace and tone suddenly shifts as if the author had a pressing deadline and ran out of ideas. Needless to say, the first 80% of the book is very good and gives us a lot to think about in the most #MeToo era, where the narrative is usually one-sided. This book also reminds me of Mary Gaitskill's book “This is Pleasure”. I look forward to Ms Jonas future works.

..... the reader was too stunned to speak

The narrator and protagonist of this novel is a 58 year old female professor of English Literature at a small college in upstate New York whose husband, also a professor in the same department, is in trouble for having had affairs with students in the past. She is anything but the wronged “supportive, silent wife,” though, as one delightful scene with some of her students shows. Her “arrangement” with her husband, that they could each be as sexually free as they liked, allows her space to pursue her own interests, sexual and otherwise. Her attitude towards the women who have come forward to accuse her husband of abusing his power over them is impatience. She thinks they are refusing to acknowledge the power they had in the situation. Indeed she goes on to exercise her own power in some startling ways, especially in relation to Vladimir Vladinski, a new professor with a hot new novel just published.

Whether you agree with her about the power dynamics of teacher-student relationships or not, this woman is fascinating. Her unsentimental view of herself and others, the energy she directs toward teaching, writing, and other parts of her profession, and the inspiration she feels as she realizes how attracted she is to Vladimir all come out in a sparkling (and sometimes spikey) narrative that moves along quickly. I felt drawn in by her voice, intensely sympathetic... until things started to go down a very strange road.

In at least two places, the narrator disparages readers who review a book harshly because they are offended by what happens in it or they don't relate to the characters the way they expect to. She wants her students to see what those elements are accomplishing technically in the book instead of merely rejecting them because they're not pleasing. I love this point and I love that this character makes this point, because almost every person in the book does something cringeworthy or has terrible motives, and yet the relationships feel mostly true. I will be thinking about this novel for a while.