We Are Not Ourselves

There's a rush that comes with hitting the “check out” button, in triumphantly carting your finds up to the register. The little buzz of acquisition. It hits the reward centers in our brains. It's that intrinsic feedback loop that makes humans such good little consumers, and of course Western culture has figured out how to play off that susceptibility expertly. It's no mistake that the much-vaunted American Dream is ultimately the pursuit of...stuff. Homes, cars, the latest toys for the kids. With her hardscrabble childhood, it's no wonder that Eileen Tumulty, protagonist of Matthew Thomas' We Are Not Ourselves, gives in completely to the siren song of that American Dream. Her Irish immigrant parents are poor and both struggle with addiction, but raise Eileen to set her sights higher. Indeed, as she grows up, she becomes almost paralyzingly envious of anyone who gets the access to privileges she herself longs for. She dreams of marrying rich to allow her to live a life of ease, but can't stand any of the men who could make this happen. Instead, she falls for a brilliant young scientist, Ed Leary, and they're hopeful for a bright future together.

But a bright future looks different to each of them. Eileen despairs when Ed turns down opportunities to go into pharmaceutical development or be promoted into administration, seeking only to be a good teacher to the community college students who enter his classroom. They have a child, Connell, and eventually buy the multi-family home in which they live, but it's not enough for Eileen. As they approach 50, she becomes obsessed with the idea of buying a new home, just for them, in a fancier (read: whiter) neighborhood of New York City. So obsessed, in fact, that she ignores her husband's increasingly odd behavior. Once she's finally managed to buy them a fixer-upper in the right zip code, she can't ignore it anymore: something is very wrong with Ed. Something that threatens to tear their family apart.

I'm usually a sucker for a family saga, especially one that immerses itself in one central character over time. And the portrait Thomas paints of Eileen feels real. She's very much a product of her childhood and her culture. Aging is no guarantee of personal growth, and while she does make some minor self-modifications, she remains consistent at her core. That's about all the praise I can offer this novel. Because while Eileen feels real and well-characterized, she's also deeply unpleasant and honestly boring. I'm not a person who needs characters to be likable in order to appreciate a book, but I do need them to be interesting. Eileen's concerns are so petty and small and pedestrian, and she's so personally cold (almost every reference she makes to her only child is as “the boy”, with virtually no affection), that she's just tedious to spend time with.

And since the book is almost entirely from her perspective, that's a problem. We do get some portions from Connell, but his characterization is nowhere as good as Eileen's, and I think the book would have been stronger without those chapters entirely. The person from whom we never hear, and who I found myself the most interested in, was Ed himself. Why did he stay with Eileen? A sense of duty to keep the family together while their son grew up? I can understand that his perspective during his decline would have been difficult to write, but he never quite made sense to me even before. And once his decline begins, the book turns into tragedy porn. I think the reader is meant to feel for Eileen, but she'd been built up as a shallow, grasping asshole so thoroughly by that point that even her devotion to Ed didn't redeem her. Thomas had plenty of ambition here, with the scope and scale of the book he wanted to write, but he came nowhere close to achieving it. His skill with prose and characterization are real, but he undermined himself with the character he created. All I could think at the end was how much I hated her and how glad I was to be done reading about her. Needless to say, I do not recommend this book.

Did not finish. Characters were flat and plot mundane. It was just unrelenting misery throughout the story - alcoholism, miscarriages, death, illness, bullying - and that was only the first quarter of the book! I know I am in the minority as most people loved this book - but I needed to see a glimmer of hope (or even a likeable character), and Matthew Thomas failed to deliver it.

It started out well. The plot moved me along. Our main characters are Irish immigrant parents and their daughter. The daughter is driven as a teen to rise above her drunken parents, but somehow ends up marrying a fellow with origins much like her own.

But I'd have to say I liked We Are Not Ourselves. Liked, but didn't love. It's a solid story of an Irish woman in NYC who wants more for her life than her drunken parents gave her. In spite of her dreams, she marries a man who is not ambitious and (BIG SPOILER ALERT) unfortunately develops Altzheimer's. Solid, yes, but also long. It could have (and should have, I think) been edited down to a nice three hundred page novel. But on and on it went. I was very, very tired of the storyline by the end.

It took me a little while to get into it, as it's more character driven than plot driven. But beyond the heartbreaking story, Thomas explored ideas about the things we think that will make us happy, the ways we feel our time should be spent, and how much of ourselves do we owe to others.
The way all of these ideas are interwoven throughout the book is just genius. Loved it!