Ratings38
Average rating3.9
"Jay Gardiner has given himself a fool's errand-to find the remains of his deceased father in the Pacific Ocean off the coast of Monastery Beach. He knows it's a long shot, but Jay feels it's the only way for him to lift the weight of guilt he has carried since his dad's death by suicide the previous year. The dive begins well enough, but the sudden appearance of a giant squid puts Jay in very real jeopardy, made infinitely worse by the arrival of a sperm whale looking to feed. Suddenly, Jay is caught in the squid's tenacles and drawn into the whale's mouth where he is pulled into the first of its four stomachs. He quickly realizes he has only one hour before his oxygen tanks run out-one hour to defeat his demons and escape the belly of a whale."--
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Contains spoilers
Ick.
Okay, so this ended up being way more general fiction than it was either horror (unless you count body horror) or thriller. I think I was expecting something way different than what I was delivered, and while the story told isn’t bad exactly, I get kind of bored with stories involving people working through childhood trauma. Even if that story is told inside the (literal) belly of a whale.
Jay has daddy issues. His father was a lover of the sea, a diver who also took on unpleasant jobs to pay the bills for his large family. Has a big attitude problem, and looks down on anyone who doesn’t view the sea and everything in her the same way he does, including his own son. He expected Jay to follow in his footsteps and become a diver, an activist, a lover of the sea in his own right, and the two grew apart when Jay didn’t want any of that for himself. (Ending spoilers here) Then his father dies, a suicide off his friend’s boat, and Jay feels compelled to retrieve his father’s underwater remains in an attempt to heal the rift in the family that the two of them left behind. He becomes a whale snack, and the rest of the book is him trying to get out of this whale, while also hearing the voice of his dead father and working through all the issues the two of them had with each other.
This one’s more literary than I was expecting, and the pacing is incredibly slow for what it is. While in the belly of the whale, we’re treated to flashbacks in Jay’s life that further defines the relationship between him and his father, interspersed with very short segments about his attempts to get out of the whale. See, the whale just seems like a metaphor for the grief and guilt Jay carries around with him surrounding his father and Jay leaving home, and while I’m sure there’s something there for people that appeals to, I was here for whale science and “holy shit I’m swallowed by a whale, what do??”
There’s also a ton of visceral body horror, both in Jay and in the whale, leaving me queasy a number of times as I envisioned “Beaky” in his hand, being slowly dissolved by stomach acid, and various other injuries sustained while on his weird physical-and-mental journey.
So, like, it’s a fine book, but just not for me. I made it through out of stubbornness, but it didn’t feel like a rewarding slog through whale stomach contents.
DNF 40% in
Really found the main character to be stupid and insufferable. And 40% in and he has just been eaten by the whale. But also it took forever for him to be eaten. I bet 7% of this book is just him being like:
“Oh n-n-n-noooooo! A whale! Whoooooooooa I'm gonna be eaten if I don't do something!! I must do something! This reminds me of something my father once said. Wh-wh-whoa, I'm eaten!”
Not sure how to rate this one. I picked it up because of the “hype” and didn't really look into what it was so for the first 15/20% of the book I had no idea what was going on.
The trapped aspect of it wasn't bad but the part about the father and the family drama just fell very flat for me and I often found myself just wanting the story to move along already. Ultimately, I didn't hate it, but I just didn't really care for it either. There's a lot of back and forth in time which I really couldn't stand. Some of the characters' idiosyncrasies were kinda funny and I think that characterization was really one of the strongest aspects of this book.
That being said, I can see why someone would love this book and it's not a bad book by any means. I think it's time for me to admit that Kraus might just be one of these authors that aren't for me so take this review with a grain of salt.
Neutral 2.5 rounded up.