With the Lightnings

Despite being first published in 1998, this is good old-fashioned sf, the kind they used to write when I was a child, in the 1950s and early 1960s. The main updates are near-equality of the sexes, and heroes with self-doubts and flaws.Some readers evidently insist on being plunged straight into hectic action, and complain that this story starts too slowly. I'm not complaining; I've read books, some of them good, that started more slowly, and I didn't notice any problem here on first reading. On second reading, well, it's a story with a couple of slow patches, the action isn't continuous, but there's plenty of action if you have a little patience.I thoroughly enjoyed the whole story on first reading; even on second reading, it makes a good start to the series. The scenario is unoriginal in most respects; characterization is quite good by the standards of 1950s sf, but that's not saying much. One benefit is that any reader of old-style sf can easily feel comfortable with this book.The most original aspect of it all is the technology of space travel and space combat, which I think is unique to Drake; he's thought it out carefully and can describe all the details confidently, as though he'd spent years working in that environment himself. This is a rather remarkable achievement and worth admiring, although not all readers will appreciate it.Drake says himself that the series is inspired by [a:Patrick O'Brian 5600 Patrick O'Brian https://images.gr-assets.com/authors/1212630063p2/5600.jpg]'s Aubrey/Maturin naval stories, set in the Napoleonic Wars. Here we have a space navy operating in the fairly far future, but again there are two central characters: the young naval officer Daniel Leary, and the somewhat older Adele Mundy. Both are talented, but in different ways; they complement each other.