| #1 |  Wim Wenders: Written In The West
| 4 |
| #2 |  Mindful Encounters
| 1 |
| #3 |  Momentos by Monaris
| 5 |
| #4 |  Early Sunday Morning
| 2 |
| #5 |  Imprints: A Retrospective
| 4 |
| #6 |  Michael Haneke: Interviews | 4 |
| #7 |  Instant Light
| 5 |
| #8 |  Cy Twombly: Paintings, drawings, constructions, 1951-1974 :
| 1 |
| #9 |  Obedience to Authority
| 4 |
| #10 |  The Weird and the Eerie
| 3.95 |
| #11 |  Hong Kong Hong Kong
| 2 |
| #12 |  The Last Resort
| 2 |
| #13 |  Approximate Joy
| 3 |
| #14 |  Rodeo Drive, 1984
| 4 |
| #15 |  David Hockney: A Yorkshire Sketchbook | 4 |
| #16 |  Some Kind of Heavenly Fire
| 3 |
| #17 |  Radical Love
| 3 |
| #18 |  On the Night Bus | 3 |
| #19 |  Philip-Lorca diCorcia
| 4 |
| #20 |  A Way Into India | 4 |
| #21 |  Unnamed Road
| 1 |
| #22 |  Outskirts
| 4 |
| #23 |  Deep South
| 4 |
| #24 |  Redheaded Peckerwood
| 4 |
| #25 |  Ellsworth Kelly: A Retrospective | 1 |
| #26 |  Roman Bezjak: Socialist Modernism
| 5 |
| #27 |  Leonard Misonne. En Passant...
| 4 |
| #28 |  Daido Moriyama: A Diary: Hasselblad Award 2019 | 4 |
| #29 |  William Christenberry | 5 |
| #30 |  Pontiac
| 2 |
| #31 |  Alessandro Rizzi: Vision from Another World
| 0 |
| #32 |  Photographs 1997-2007
| 2 |
| #33 |  Album / Rasen Kaigan | 4 |
| #34 |  China
| 0 |
| #35 |  Silver Lake Drive
| 3 |
| #36 |  Kensington Blues
| 4 |
| #37 |  Portraits
| 0 |
| #38 |  Dirt Meridian | 5 |
| #39 |  David Hockney Photographs
| 2 |
| #40 |  Satellites: Photographs from the Fringes of the Former Soviet Union
| 4 |
| #41 |  Saltscapes: The Kite Aerial Photography of Cris Benton
| 4 |
| #42 |  Robert Adams: The New West | 3 |
| #43 |  Two and One Quarter Two and One Quarter
| 4 |
| #44 |  Manufactured Landscapes: The Photographs of Edward Burtynsky | 0 |
| #45 |  Barbara Crane: Private Views
| 4 |
| #46 |  Between the Two
| 1 |
| #47 |  California | 3 |
| #48 |  Suburbia Mexicana | 5 |
| #49 |  Southwestern
| 2 |
| #50 |  Lust for Life
| 3 |
| #51 |  Flowers Flowers
| 1 |
| #52 |  Approaching Nowhere: Photographs | 4 |
| #53 |  Bastard Countryside
| 4 |
| #54 |  CIPRIAN HONEY CATHEDRAL
| 1 |
| #55 |  Petrochemical America | 5 |
| #56 |  Ralph Gibson: Brasil
| 4 |
| #57 |  Colors
| 0 |
| #58 |  Still Lifes, U.S.A. | 3 |
| #59 |  Masahisa Fukase | 4 |
| #60 |  Carrie Mae Weems: Kitchen Table Series | 5 |
| #61 |  Tuscany: Inside the Light
| 4 |
| #62 |  TO:KY:OO
| 3.5 |
| #63 |  Hanabi
| 2 |
| #64 |  William Christenberry: Working from Memory: Collected Stories
| 5 |
| #65 |  Pictures from the Surface of the Earth
| 4 |
| #66 |  The Grand Trunk Road: A Passage Through India
| 3 |
| #67 |  Pictures from Home
| 4 |
| #68 |  Early Color | 5 |
| #69 |  Wim Wenders: Journey to Onomichi
| 4 |
| #70 |  Southern Photographs
| 5 |
| #71 |  Discipline and Punish: The Birth of the Prison
| 4.08 |
| #72 |  Caliban and the Witch
| 4.34 |
| #73 |  Meadowlands
| 4 |
| #74 |  The complete film stills
| 2 |
| #75 |  Eleven: W Stories, 1997-2008 | 4 |
| #76 |  The Transparent City
| 4 |
| #77 |  City Stills
| 4 |
| #78 |  Saisons noires
| 3 |
| #79 |  The Great Unreal | 4 |
| #80 |  The Older Industrial Parks
| 3 |
| #81 |  Yangtze
| 5 |
| #82 |  Hold the Line
| 5 |
| #83 |  Beate Gütschow: S
| 4 |
| #84 |  Landscape and Industry | 2 |
| #85 |  Winterreise
| 4 |
| #86 |  Encouble
| 4 |
| #87 |  The Solitude of Ravens
| 4 |
| #88 |  Dream of Life | 2 |
| #89 |  Abstrakt | 5 |
| #90 |  Everything Is Always So Perfect When You Are In It
| 4 |
| #91 |  The Yellow River
| 5 |
| #92 |  Gregory Crewdson
| 4 |
| #93 |  Hysteric Glamour
| 1 |
| #94 |  Tokyo Parrots
| 4 |
| #95 |  Theaters | 4 |
| #96 |  Plain Sight
| 5 |
| #97 |  Observations in an Occupied Wilderness | 0 |
| #98 |  The Art of Light
| 2 |
| #99 |  Thomas Struth: 1977-2002
| 4 |
| #100 |  Far Too Close | 4 |