Bronwyn Knox

I'm generally interested in variations on fantasy more so than the traditional High Fantasy. I tend to categorize all of High Fantasy as the same story over and over about chosen ones, quests, rings, swords, good vs. evil, and so on.

The Blade Itself is an adult version of fantasy, though it does take place in a world of Kings, Princes, and wizards. The story focuses on three jaded characters (as opposed to heroic young adults) trying to survive a brutal world where different kingdoms are constantly at war, struggling for power, not to mention internal politics that can get someone killed easily should they cross the wrong people.

The three characters whose POVs we see are not the power players but rather those who must survive in a dystopian world. They may not be likable, heroic guys, yet their struggles make them relatable. Even the spoiled rich kid gains a little depth as he figures out there may be something he wants from life besides drinking and gambling.

I prefer series where each book has a resolution; the plot of The Blade Itself isn't resolved by the end. But I enjoyed this so much that I will continue with the other two books.

“...no-one is finally dead until the ripples they cause in the world die away... The span of someone's life, they say, is only the core of their actual existence.”
― Terry Pratchett, Reaper Man

This was one of the first Discworld books I ever read and I had no idea when I picked it up what I was in for. Turns out it was the perfect book for me; a far out story with wacky, witty humor. I had no idea at the time that Discworld was a fantasy series parody; to me this book had a life of its own and much better than any standard warrior and wizard novel. You don't have to read the series in any particular order. You can pick up any of these books and enjoy them without feeling lost.

Re-reading I came to appreciate it on a deeper level besides just “woo, zany comedy.” There is a tidy symmetry between the two main stories. The Death incarnation from Discworld is fired and has to live as a mortal human. Rather than existing as an eternal, unchanging being, he experiences a life with limited time. He also needs an occupation, so he gets a job as a farm hand and becomes a companion to an old woman, and even risks his life to save a child.

The second part of the story is Windle Poons, a wizard who dies but is not allowed to move on because Death is absent. He is forced out of his sheltered life at the University and becomes active and observant, something he never was when he was alive. He discovers an evil entity that's trying to take over the city by means of a shopping mall, and he and his new undead friends help foil it.

Both Death and Windle Poons have greater adventures and deeper human connections than they would have been capable of in their original incarnations. It may be a cliche but it seems the characters needed to face death in order to live life fully. With Pratchett this message never becomes too cheesy because he knows how to throw in the jokes at the right moments.

There is also an assortment of eccentric characters if the two above don't strike a chord with you. There's a psychic who answers your questions before you know you're going to ask them. The bullheaded wizard archchancellor whose curse words turn into flying insects. And don't forget the boogeyman who is just looking for a door to hide behind.

If you like Discworld and haven't read this one yet, it's worth picking up. If you're thinking about trying the series this is a fine place to start. Good for fans of humor, fantasy, SciFi, and intelligent thoughtful writing.

This is one of those books that leave me undecided about whether I like it or not. (I'm giving a three-star to be generous.) I loved the idea of an alternate universe where the silent movie era is coupled with space travel. Wonderfully imaginative idea, I thought. It's Georges Méliès-inspired like the Scorsese film, Hugo. I would have enjoyed a straight-forward narrative but I'm open to experimental styles too, if there's something intense or profound or even humorous for me to grab onto. Lines like this made me think there would be humor throughout:“She is dead. Almost certainly dead. Nearly conclusively dead. She is, at the very least, not answering her telephone.”But that was the only time I got a little laugh.Valente offers a pastiche of media styles. Each individual chapter is inspired by any number of styles such as: Classic Hollywood, children's animation, commercials, film noir, documentary footage, celebrity gossip columns, gothic tales, science fiction, steampunk, not to mention fairy tales and mythology. She has a distinct prose style that's almost lyrical or poetic. It's not enough to make me fall in love with the book, but I can see how it stands out from the ordinary. There are a lot of broader concepts that the author touched upon. First there are the characters like filmmaker Percy and his daughter Severin who cannot exist without having their lives recorded on media. Percy even goes so far as to have events, such as Severin arriving as an infant in a basket, restaged so he can catch them on film. There's also characters who mix their fiction with reality, embodied by actress Mary Pelham, who tries to emulate the film detective she plays on screen to solve “real-life” mysteries.Beyond individual characters, the world of Radiance has Imperialism in the form of Earth nations that have now taken over solar system planets. There's also the propaganda to influence the masses with the product Callowmilk. Along with this is some environmental commentary about using animals for their products. Then there is the conspiracy with the disappeared civilizations and people on the various planets. That's a lot of things for Radiance to be about, and it doesn't take any of them very far. The novel goes wide but not deep.Throughout, Valente makes meta comments about story types and the nature of stories. The main takeaway is that stories don't have endings. “There is no such thing as an ending. There are no answers. We collect the pieces where we can, obsessively assemble and reassemble them, searching for a picture that only ever comes in parts. And we cling to those parts.”What I'm looking for is for each of the parts to be interesting on their own as well, if parts is all we get. With the exception of the mythology of Anchises, most of the mini-stories didn't engage me. An example of fiction done in a meta style that did work for me was Auster's [b:The New York Trilogy 431 The New York Trilogy Paul Auster https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1386924429l/431.SX50.jpg 2343071]. I recognized it for what it was but I was also very involved with the stories.Radiance reminds me of a film beautiful to look at, something like Sky Captain and the World of Tomorrow, which had innovative and amazing effects for the time. After watching for a while, I realized that the characters and plot were just not that intriguing. Years have passed, and all I can remember is the visual style.

Cute, “family movie” vibe with the added gimmick of an octopus and his internal monologue. It's in the same vein as A Man Called Ove, featuring an older person who has been through some tragedy and gets the chance to connect with new people. (Hey, octopuses are people too!)

I wish she had pushed the light comedy a bit further and made it funnier. There was potential, but most of the characters were humorless. Van Pelt kept very specific characterizations. Cameron: resentful, Tova: practical, Ethan: generous, Knit-Wits: meddlesome, Avery: spirited. There wasn't much complexity.

Other reviewers mentioned disliking Cameron, and I get it. He's insufferable to the point where I didn't want to see things work out for him. The author must have thought readers would be on his side if she kept serving him bad luck. Sometimes it's more about how the character handles setbacks than the setbacks themselves.

Despite all the backstory of death, child abandonment, and other heartbreak, it's uncomplicated and light-hearted if you're in that type of mood. It was entertaining for the time I spent reading it.