Sarah Wynn-Williams has crafted a gripping memoir about her time with Facebook. While she is at least partly responsible for the dangerous reach of the company, she also acknowledges that and the tidal forces (primarily Zuckerberg and Sandberg) that could not be diverted despite her best efforts. In a just world, Wynn-Williams’ revelations would result in Facebook being dismantled and regulated piece by piece, but hopefully readers of her insights will at least be a bit more aware of treacherous tech can be in the wrong hands.
I no longer know what to make of the Red Rising series. I loved the original trilogy, but was less taken by Iron Gold. Dark Age feels like more of the same. After a tidy and rewarding end in the original trilogy, Brown has gone all in on the flair for dramatics that made the series so fun.
Early on in this book, the MC describes another as "horny for violence", and honestly that's a fantastic encapsulation of the entire series. While it originally felt like a way to define itself beyond The Hunger Games comparisons, now it's become its own absurd calling card. Every experience of the main characters needs to be as gruesome as possible, although they themselves gleefully slaughter enemies in the thousands without a passing thought. It's over the top, but it works for the world Brown has created, although I find myself more tired of it than in the past.
One big weakness in the book, besides its length, is Lysander essentially gaining supernatural abilities to make him a better foil for Darrow. Which, sure, I get. I can see how down the road it will end up as a very satisfying arc for the characters, but in the moment it feels extra cheesy. Brown makes this worse by putting Lysander through absurdly lethal situations and he makes it out of each with ease. I suppose the same could be said for Darrow in every book, but it fits with his character never giving up. With Lysander it just feels clunky.
In conclusion, I've written far more about this book than I ever expected. In comparison to the original trilogy, the newer books have taken a dip in quality. Dark Age feels decidedly "mid".
I was sold on Rainbows End as a great book about AI, but it’s not really. As best I can describe, it’s Vinge’s version of Snow Crash, a portrayal of the absurdity of the future that he sees coming. For that, he does a fantastic job. Wearable computing and a person’s contacts showing them what a thing should look like instead of the blandness underneath.
However, the plot felt clunky and unfocused and some of the future-tech explanations were confusing. I still enjoyed Vinge’s writing but this was not what I expected, unfortunately.
A bite-sized reinvigoration of our connection to the earth and the natural reciprocal relationships we resist in the interest of market share. Robin Wall Kimmerer is at once asking more of us but in the compassionate correction of a well-practiced schoolteacher. Well worth revisiting on a regular basis.
Mostly I like the book. Weird and fast-paced, not sticking with a group or story for too long. However, I think it could’ve been trimmed in some places and expanded in others. I wanted more from some ideas and could’ve gone without others. I can see why it was shortlisted for the Mann Booker prize though. An interesting and thought-provoking read.
I gave this book a try after hearing it would scratch my Mass Effect itch. The world of the story certainly does and I appreciated learning the backstory of various species as humans joined the galaxy, but the writing is overwrought and clunky at times and often the characters have very bland, rote responses to things. Overall, I am interested in continuing the series but I hope the writing gets better.
Dungeon Crawler Carl continues to offer up crazy adventures and bizarre characters in the second installment. It’s slightly frustrating for it to be considered a second book, when really the series is one continuous story. There’s no closure at the end of one book.
But whatever, it is what it is, and Dinniman is very good at what it is. I am excited to see what happens to our heroes next, so I’m never bored or unsatisfied. I also appreciate the throughline of Carl’s resistance to the game and the people running it. He won’t let them break him.
A mostly funny and lighthearted adventure story. I thought the LitRPG aspect (whatever that is) would annoy me but it didn’t. I don’t need to keep track of the characters’ stats and can just enjoy the story. It is at times a bit too sophomoric for my taste, but the author knows what he’s doing as the MC’s distaste over the injustices he faces is made more and more apparent as time goes on. A solid adventure story even though it isn’t really a standalone novel.
A fascinating examination of how burglars think and utilize environments to their advantage. At times it felt like it could have been a lengthy article in a magazine, confirmed by the end revealing that several chapters had already been published in different places.
Still, a very interesting book examining how others think outside the box.
I’m not sure if I’m as much of a fan of the longer form Murderbot but I still enjoy reading about it and Art and their adventures, and this book is no different.
I found the plot to be a bit overly complex, but with a series like Murderbot the fun is with it as a character and less about plot details so it’s easy to forgive the extra fluff. Will continue to read the series and excited for the upcoming TV show!
Frustrating. Each character takes every opportunity to chew scenery, to say the corniest possible line whenever possible. The characters and the world lack any sense of internal consistency. The people arrived 2 millennia ago, or even further back, who knows. The captain who promises “all of us go or none of us go” also murders someone who gets in her way and feels no remorse. The characters behaviors bend to fit the needs of each particular scene, swinging wildly depending on whatever drama the author wanted to present next. Decidedly not for me.
A solid 3, maybe 3.5. An interesting premise and Marrs knows how to keep your pages turning, with plenty of cliffhanger chapters and exciting reveals as you go. Unfortunately, those same reveals eventually become a bit too soap opera-y for my liking, limiting my enjoyment and feel like the book ends with a sputter. Would likely make a great tv series though!
A fleeting glimpse of possibilities that doesn't overstay its welcome. Chambers paints worlds of what hope could create and then fills them with characters who love like us, who wonder like we do, who find themselves wrestling with our same big questions. Journeying with the characters is a salve, a mug of hot tea, a hug that goes on longer than you thought you needed.