#1 | 4.62 | |
#2 | 3.73 | |
#3 | 4 | |
#4 | 3.47 | |
#5 | 3.97 | |
#6 | 3.43 | |
#7 | Howls From the Wreckage: An Anthology of Disaster Horror
| 3.5 |
#8 | 4.11 | |
#9 | 3.86 | |
#10 | 3.4 | |
#11 | 3.83 | |
#12 | 4.21 | |
#13 | 4.45 | |
#14 | 3 | |
#15 | 3.54 | |
#16 | 3.68 | |
#17 | 3.35 | |
#18 | 3.53 | |
#19 | 3.98 | |
#20 | 4.02 | |
#21 | 3.29 | |
#22 | Cookie Dough or Die Cookie Dough or Die
| 2.5 |
#23 | 3.33 | |
#24 | 3.36 | |
#25 | 0 | |
#26 | 3.89 | |
#27 | 3.83 | |
#28 | 3 | |
#29 | 3.67 | |
#30 | A Crafty Killing A Crafty Killing
| 3 |
#31 | 0 | |
#32 | 4.16 | |
#33 | 4.1 | |
#34 | 3.52 | |
#35 | Poking Holes Poking Holes: The Illustrated Edition
| 0 |
#36 | 4.28 | |
#37 | The Marbled Swarm The Marbled Swarm
| 0 |
#38 | 3.33 | |
#39 | 3.6 | |
#40 | 3.71 | |
#41 | 3.86 | |
#42 | 4.15 | |
#43 | 3.55 | |
#44 | 3.18 | |
#45 | 4.25 | |
#46 | 0 | |
#47 | 4.12 | |
#48 | 4 | |
#49 | 3.89 | |
#50 | 3.81 | |
#51 | 3.88 | |
#52 | 4 | |
#53 | 3.83 | |
#54 | 3.25 | |
#55 | 4.07 | |
#56 | 4.25 | |
#57 | 3.91 | |
#58 | 3.62 | |
#59 | I Love Myself When I Am Laughing... And Then Again I Love Myself When I Am Laughing... And Then Again: A Zora Neale Hurston Reader
| 0 |
#60 | 3.2 | |
#61 | 3 | |
#62 | 3.38 | |
#63 | 4.13 | |
#64 | 3.9 | |
#65 | 0 | |
#66 | 3.03 | |
#67 | 3.84 | |
#68 | 3.25 | |
#69 | 3.73 | |
#70 | 3.63 | |
#71 | 3.42 | |
#72 | 3.81 | |
#73 | 4.1 | |
#74 | 3 | |
#75 | 0 | |
#76 | 3.92 | |
#77 | 3.81 | |
#78 | 4.1 | |
#79 | 4.33 | |
#80 | 3.38 | |
#81 | 3.23 | |
#82 | A Brief History of the Female Body A Brief History of the Female Body: An Evolutionary Look at How and Why the Female Form Came to Be
| 0 |
#83 | 3.7 | |
#84 | 3.66 | |
#85 | 4.36 | |
#86 | 3.8 | |
#87 | 0 | |
#88 | 3.2 | |
#89 | 0 | |
#90 | 3.64 | |
#91 | 3.7 | |
#92 | 2.93 | |
#93 | 4 | |
#94 | 3.84 | |
#95 | 0 | |
#96 | 3.4 | |
#97 | 3.32 | |
#98 | The Cupid Effect The Cupid Effect
| 0 |
#99 | 3.41 | |
#100 | 3 |