3.77 | 4 | ||
4.26 | 5 | ||
3.92 | 5 | ||
3.88 | 5 | ||
3.99 | 5 | ||
4.11 | 5 | ||
5 | 5 | ||
3 | 3 | ||
3.99 | 5 | ||
4.13 | 5 | ||
3.71 | 5 | ||
3.69 | 4 | ||
4.26 | 5 | ||
3.75 | 4 | ||
4.38 | 5 | ||
4.38 | 4 | ||
4.24 | - | ||
4.2 | 3 | ||
4.01 | 3 | ||
0 | - | ||
0 | - | ||
4.15 | 4 | ||
4.64 | 4 | ||
3.74 | 4 | ||
4.93 | 5 | ||
3.83 | 4 | ||
3.99 | 5 | ||
Genius Makers Genius Makers: The Mavericks Who Brought AI to Google, Facebook, and the World
| 5 | 5 | |
4.32 | 4 | ||
Why Not? Why Not?: The Question That Will Transform Your Life
| 3 | 3 | |
4.38 | 5 | ||
3.47 | 4 | ||
4.26 | 4 | ||
4.43 | 5 | ||
3.89 | 4 | ||
4.07 | 5 | ||
The Mummy Awakens The Mummy Awakens
| 4 | 4 | |
4.33 | 4 | ||
3.98 | 4 | ||
3.52 | 4 | ||
3.44 | 3 | ||
3.87 | 4 | ||
4.06 | 4 | ||
4.47 | 5 | ||
0 | - | ||
3.75 | 5 | ||
5 | 5 | ||
4.07 | 5 | ||
4.15 | 4 | ||
Arhuan the Giant Arhuan the Giant
| 5 | 5 | |
5 | 5 | ||
3.57 | 4 | ||
3.9 | 4 | ||
ChatGPT for Nonfiction Authors ChatGPT for Nonfiction Authors: How to Use ChatGPT to Write Better, Faster, and More Effectively
| 0 | - | |
4.26 | 4 | ||
3.81 | 4 | ||
Space Colony One #1-3 Space Colony One #1-3
| 4 | 4 | |
Ivory Ivory: A Legend of Past and Future
| 4 | 4 | |
3.77 | 5 | ||
3.74 | - | ||
Brooklyn Noir 3 Brooklyn Noir 3: Nothing But the Truth | 4 | 4 | |
5 | 5 | ||
The Duppy The Duppy
| 5 | 5 | |
3.83 | 4 | ||
3.95 | 4 | ||
4.5 | 5 | ||
3.58 | 4 | ||
3 | 3 | ||
3 | 3 | ||
4 | 4 | ||
3 | 3 | ||
4 | 4 | ||
0 | - | ||
0 | - | ||
0 | - | ||
The Wahhabi Code The Wahhabi Code: How the Saudis Spread Extremism Globally
| 4 | 4 | |
4 | 4 | ||
4.5 | - | ||
0 | - | ||
0 | - | ||
0 | - | ||
3.48 | - | ||
5 | 5 | ||
4.1 | 4 | ||
0 | - | ||
3.5 | 4 | ||
3.8 | 4 | ||
5 | 5 | ||
3.67 | 3 | ||
3.29 | 4 | ||
3.1 | - | ||
Pesos Pesos: The Rise and Fall of a Border Family
| 4 | 5 | |
3.65 | - | ||
0 | - | ||
3.5 | 3 | ||
4 | 3 | ||
A Down Home Meal for These Difficult Times A Down Home Meal for These Difficult Times: Stories
| 5 | 5 | |
4 | 5 | ||
3.78 | 4 | ||
Cinematic Independence Cinematic Independence: Constructing the Big Screen in Nigeria
| 0 | - |