| #2 |  Respect for Acting
| 5 |
| #3 |  Proof
| 3.67 |
| #4 |  Pygmalion
| 3.51 |
| #5 |  Chapter Two: A Comedy in Two Acts
| 4 |
| #6 |  Crimes of the heart
| 3 |
| #7 |  The Silk Shirt
| 4 |
| #8 |  Topdog/Underdog
| 0 |
| #9 |  Oleanna
| 3.14 |
| #10 |  The Upright Citizens Brigade Comedy Improvisation Manual
| 0 |
| #11 |  A Streetcar Named Desire
| 3.86 |
| #12 |  Blue/Orange
| 4 |
| #13 |  Cat on a Hot Tin Roof
| 4.02 |
| #14 |  Black Comedy
| 4 |
| #15 |  And Then There Were None: A Mystery Play in Three Acts
| 4 |
| #16 |  The Crucible | 3.62 |
| #17 |  Steal Like an Artist
| 4.19 |
| #18 |  Freeing the Natural Voice Freeing the Natural Voice: Imagery and Art in the Practice of Voice and Language
| 0 |
| #19 |  Performance Studies: An Introduction by Richard Schechner
| 0 |
| #20 |  Introduction to Play Analysis
| 0 |
| #21 |  Mutter Courage und ihre kinder
| 3.33 |
| #22 |  Misalliance Misalliance
| 5 |
| #23 |  The Caucasian Chalk Circle
| 3.25 |
| #24 |  The Iceman Cometh: A Play by Eugene O'Neill
| 4 |
| #25 |  A Challenge For The Actor
| 3.75 |
| #26 |  Hamilton : the revolution
| 4.68 |
| #27 |  My Mañana Comes
| 5 |
| #28 |  Incident at Vichy
| 3 |
| #29 |  Scrappy Little Nobody | 3.93 |
| #30 |  Elephant's Graveyard
| 0 |
| #31 |  A Life in Parts
| 4.38 |
| #32 |  Nevertheless
| 3.25 |
| #33 |  Born Standing Up: A Comic's Life
| 3.98 |
| #34 |  How to Be a Bawse
| 3.73 |
| #35 |  The Game of Chess: A Play in One Act
| 4 |
| #36 |  Stay Hungry
| 0 |
| #37 |  Van Man Van Man: A Street Chronicle
| 5 |
| #38 |  You're Never Weird on the Internet
| 4.33 |
| #39 |  The Actor's Life: A Survival Guide
| 3.88 |
| #40 |  How to American: An Immigrant's Guide to Disappointing Your Parents
| 3.63 |
| #41 |  A Curious Mind: The Secret to a Bigger Life
| 3.44 |
| #42 |  Failing Up
| 4.29 |
| #43 |  This Is Not Fame: A "From What I Re-Memoir"
| 3.5 |
| #44 |  Improv Nation
| 0 |
| #45 |  The Art of Acting
| 4.5 |
