| 4 |
| 4.37 |
| 4.44 |
| 4.25 |
| 3.67 |
| 3 |
| 2 |
Anxiety Workbook for Women | 5 |
| 4.17 |
Strange Religion: How the First Christians Were Weird, Dangerous, and Compelling | 3.5 |
Mislaid in Parts Half-Known | 4.2 |
| 4.06 |
A History of Magic, Witchcraft, and the Occult | 4 |
| 3.9 |
| 3.56 |
| 3.75 |
| 4.04 |
| 4 |
Medieval Plants and Their Uses | 4 |
| 3.54 |
| 4.08 |
| 5 |
| 4.28 |
| 3.6 |
| 5 |
Lost in the Moment and Found | 4.52 |
| 4 |
Babel, or The Necessity of Violence: An Arcane History of the Oxford Translators' Revolution | 4.1 |
| 3 |
| 3.36 |
Maus - Art Spiegelman
- Cristina Previtali (Translator)
| 4.76 |
| 3.5 |
The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life | 3.57 |
| 0 |
| 3.8 |
Chivalry and violence in medieval Europe | 0 |
| 3.6 |
| 4 |
| 4 |
| 3.83 |
| 4.17 |
| 4.5 |
| 4.04 |
| 3.53 |
| 4 |
| 4 |
| 3.82 |
A Guide to Medieval Gardens: Gardens in the Age of Chivalry | 4 |
The Kaiju Preservation Society | 3.93 |
| 0 |
| 4 |
| 3.64 |
| 0 |
| 4.42 |
History of Tarot Art - Holly Adams Easley
- Esther Joy Archer
| 5 |
Where the Drowned Girls Go | 4.08 |
| 4.17 |
Far from the Light of Heaven | 3.12 |
| 3 |
| 4.33 |
| 3.5 |
| 0 |
| 4.67 |
| 3.75 |
| 4 |
| 4 |
| 3.41 |
| 4 |
| 4 |
| 0 |
| 0 |
| 3.71 |
The Silence of the Wilting Skin | 0 |
| 4 |
| 3.2 |
| 4 |
The Survival of Molly Southbourne | 3.33 |
| 4 |
| 4 |
The Murders of Molly Southbourne | 3.77 |
Medieval Travellers: The Rich and the Restless | 0 |
| 3.5 |
| 3.36 |
| 4 |
Across the Green Grass Fields | 3.83 |
| 4 |
The Haunting of Tram Car 015 | 3.97 |
| 3.8 |
The Phantom of the Opera: The Graphic Novel | 4 |
| 4 |
The Jew, the Cathedral and the Medieval City: Synagoga and Ecclesia in the Thirteenth Century | 4 |
| 5 |
| 4 |
| 3.81 |
| 3.71 |
| 3.88 |
| 4.03 |
The Tyrant Baru Cormorant | 3.94 |
| 5 |
| 4 |