Jessica Strider

Pros: good artwork, interesting set-up, interesting characters

Cons:

Still angry that as child refugees they received no aid from their neighbours, the now adult Children of Tzalekuhl go to war determined to make the Huax'kin submit to their rule - or wipe them out.

This is a fantasy graphic novel inspired by Mesoamerican history and mythology, in particular that of the Maya and Aztecs.

I loved the artwork and how the various tribes look distinctly different, with their own hairstyles, clothing and adornments (jewelry, piercings, body art), weaponry, etc.

This is an opening act, so there's mostly some character introductions, set-up for the various conflicts, and some background on how the various groups ended up where they are. It starts with a battle, so that's not to say there's no action. I found the different protagonists compelling. I felt conflicted about Roden, who seemed like a decent guy doing things to protect his family and home. But some of those things are kind of horrible when seen from the other side.

I was curious how much of the story was based on actual history (if any) and so was overjoyed the author included a ‘historical notes' section at the end going over this, including a few book recommendations for those wishing to learn more.

This is an era of history that isn't often used for fantasy storytelling so I found it fascinating and would love to read more.

Pros: interesting mythology, sympathetic protagonist

Cons:

Yetu is the Historian of the wajinru, sea dwelling descendants of pregnant slave women cast overboard. The memories of the ancestors overwhelm and pain Yetu, so they conceive a plan to leave the memories behind.

The Afterward mentions that the idea behind the wajinru comes from the mythology written by the music group Drexciya (James Stinson and Gerald Donald). Another music group, Clipping (rapper Daveed Diggs and producers William Hutson and Jonathan Snipes) wrote the song “The Deep” (nominated for a Hugo award in 2018) based on that mythology. The narrative of Basha, one of the ancestors whose story is told in this novella, incorporates the war with the two-legs that “The Deep” speaks of.

The mythology of the story is strangely poetic as it takes something horrifying and turns it into something beautiful. And while the story is fairly short, there's a lot to take in. There's a real weight to it, a depth that makes the underwater world feel real and lived in.

The idea of a singular memory keeper reminded me of Lois Lowry's The Giver, but I much preferred the ultimate solution the protagonist comes up with here for how to deal with memories as a population that wishes to forget the past while having it accessible, without having a singular member of the group subsumed by those memories. I appreciated that Yetu had anxiety and this caused the memories to weigh on them even more than on past historians.

It's a sad, touching, and ultimately hopeful story that's definitely worth the read.

Pros: very thorough, lots of endnotes

Cons: not many photos

This was a very interesting book about how peoples in the past thought about the concept of evil and how those philosophical musings and religious beliefs slowly morphed into the idea held by Christians that there is a single force that causes evil: the Devil.

After the preface the book consists of 7 chapters: The Question of Evil, In Search of the Devil, The Devil East and West, Evil in the Classical World, Hebrew Personifications of Evil, The Devil in the New Testament, and The Face of the Devil. There's a select bibliography and an index.

The book starts with a discussion of what evil is. This book traces how ancient societies thought of ‘evil', whether it was part of the gods, human nature, imposed from the outside or something within us. It examines both religious and philosophical beliefs from various cultures and periods whose peoples wanted to know why good things happened to bad people. Why, if there's a god (or gods) who is good, who created a world of good, is there evil in the world?

We're so used to categorizing things that it's easy to forget just how interconnected the world really is. I tend to think of Greek mythology as independent from other religious practices, even though I know the Romans modified the beliefs to fit with their own pantheon of gods. So it was eye opening learning how the Greek gods were turned into evil spirits by early Christian thought, and how Pan was used as a template when artists started visualizing the devil as a personification of evil.

I only knew bits and pieces of other ancient religions so leaning more about them and how they intersected and built off of one another was fascinating. I also loved learning side information like why people with red hair were considered evil.

The most interesting section for me was on the Persian Zoroastrian religion, whose basic mythology is similar to the one Christianity ultimately settled on. I also enjoyed learning more about the apocalyptic Jewish writings and how they impacted the Gospels in the New Testament.

There aren't that many photos, but the ones included help visualize how the devil gained certain attributes (like wings, horns, etc).

This is an older book (it came out in 1977), but it's still highly relevant to Christian and general religious studies.

Pros: great characters, interesting story

Cons:

On the run from her past, Rosalyn Devar took a job with Merchantia, cleaning up ships when missions go bad. Excessive drinking means this next mission is her last chance. But the Brigantine's not the dead, drifting ship the company believes. To survive, she'll have to face her past and a new alien threat.

If you like the claustrophobia of Alien and the mysterious alien element from The Expanse, you'll love this book. My only complaint was that the holidays cut into my reading time so the paranoia had time to wear off between reading sessions. Otherwise, it gets very intense.

The characters were all quirky and interesting. The storytelling tight and focused. I did figure out one aspect of the mystery a lot sooner than the characters. The ending is a rollercoaster ride of emotions.

I really enjoyed it.

Pros: interesting characters, fascinating world, various necromantic magics

Cons: slow pacing at start, hard to keep characters straight

It took me a while to get into this book. I really enjoyed the characters and there's conflict immediately, but there's so much to take in with regards to their history and the setting that it just felt kind of slow. The main plot takes a fair bit to get underway which contributed to the feeling that the pacing was on the slow side, even though there was a lot of action.

The worldbuilding is rather neat, with different houses (each on their own planet) having their own style of necromancy. You really get to see the powers on display towards the end of the book. You only learn as much as you need to in order to understand this story, so there are no info dumps and a lot of unanswered questions regarding the larger universe.

The characters were highly varied and interesting. I did have some trouble keeping the various house members apart so I'm glad there was a list of characters by house at the front of the book. You're introduced to everyone all at once which made it hard for me to remember who was who.

The book is told from Gideon's point of view and she's a cool character. There's a fair bit of profanity and sarcasm. I really enjoyed seeing her develop as the story went on. I'm not entirely sure I believe how quickly she adjusted to a few revelations, but there was some emotional punch to the story.

The mystery of how to obtain Lyctorhood (immortality) was interesting and the story really kept me guessing regarding the murders.

It's a unique book and worth picking up.

Pros: interesting character, evocative writing, quick paced

Cons:

Katherine Victoria Lundy is content to be the friendless principal's daughter so long as she can read her books. When a mysterious door appears before her one day, she opens it and finds a new world, one with strict rules of fairness. She has until she turns 18 to decide which world she wants to live in, a choice that gets harder the closer the deadline comes.

This is a novella and so can be read in a couple of hours. It's a great, fast paced story that's hard to put down. I liked Katherine's no nonsense behaviour and the world where people state what they want and try to deal fairly with one another (or risk discipline). I can understand why she'd want to live there as there's something comforting in the idea of knowing that no one can take advantage of you.

I thought her choice at the end was believably difficult, with several sides to consider.

The writing was quite beautiful at times. Almost lyrical even.

While part of the Wayward Children series it easily stands alone and you don't need to have read any of the others to fully grasp the story.

This is a great series and a good alternate starting point.

Pros: fun characters, lively story

Cons:

Evie loves healing people and her favourite patient is her best friend, Wormy. But at 15 she thinks they're both too young to marry, so when he proposes she says ‘no'. They're both shocked when an angry fairy turns Evie into an ogre because of it. Now Evie has 62 days to find true love or she'll remain an ogre forever.

This book takes place in the same worlds as Ella Enchanted, one generation before the events of that novel.

I loved Evie. She's smart and determined. And she has a lot to learn about people, and love, and not much time in which to learn it all. The book is fast paced and lively.

I enjoyed learning more about the ogres and how they interact with each other.

I was a little sad seeing Lady Eleanor, considering how her story ends, though I thought the author handled her inclusion well.

As an adult I would have liked some commentary on how using a love potion or persuasive magic to get someone to fall in love with you is morally wrong (and won't bring you happiness as you'll always be afraid of the effects wearing off).

On the whole it was a fun read.

Pros: gorgeous pictures, informative text

Cons: less information than expected, some sites get one or two photos while others get several

The book starts off with an introduction on the Ethiopian Tewahedo Church, which differs in may respects from other Christian denominations both in practice and beliefs (their version of the Bible contains 81 books. Contrast this with the 66 books in the King James Version used by Protestants, the fewest number of books used by a Christian denomination). There's also a short section on some of the important Ethiopian saints, whose images decorate the churches.

The churches themselves are separated by geography: Aksum and Tigray, Lalibela and Lasta, Gondar and Lake Tana. It covers 66 churches. There's a short section with amazing photographs of the major religious festivals. The books ends with a useful glossary of terms and some notes (the notes on photography are interesting as they point out how challenging getting such complete and well lit photographs was).

This is a gorgeous coffee table book. It's massive (10” x 13.5”, and 2” thick). There are 520 glossy pages full of photographs. There's minimal text on each church, just enough information to introduce it. Some of the photo captions mention fascinating tidbits that are worth reading (like notes on when certain images started being portrayed in churches. For example, images of the Deposition of Christ (Christ being taken down from the Cross) only show up after the Jesuits started preached in the country in the late 1500s).

In a few cases I was disappointed by how few photos there were of a particular monument. Abba Garima, an important monastery and forbidden to women does not have a single image from inside the church, nor is there an explanation for this (like they were unable to enter/photograph it). In contrast, the monastery of Debre Damo, also off limits to women, has some excellent photographs of the buildings and ceiling.

The photos themselves are clear with a lot of detail. It's obvious a lot of work went into them.

If you are interested in Ethiopia, the expanded Christian church, architecture or religious art, this book is worth the price.

Pros: atmospheric, interesting characters

Cons: somewhat predictable

Junior and Henrietta's lives change the day Terrance shows up at their country house. Junior has been chosen by lottery to participate in the installation, meaning he'll be away for an undetermined amount of time. But the company has decided that Henrietta won't be left alone while he's gone...

The book is very atmospheric. The chapters are short and punchy and leave you feeling unsettled. Junior asks Terrance questions and it's fascinating how easily Terrance deflects the conversation or speaks a lot without saying anything. There's a level of frustration you feel, along with Junior.

The first person perspective was a little peculiar, as both Junior's thoughts and spoken words were done without italics or quotation marks. A few times I wasn't sure if he'd said something out loud or just in his head.

I liked Junior and Henrietta. It was interesting seeing their lives. The book mostly takes place in their home, with only occasional jaunts to where they work or the fields outside their home. It gave the book a claustrophobic feeling.

The book is set in the near future but the world is largely ignored. There are a few SF elements but the book mostly feels like a suspense novel.

I figured out the ending around the half way point, but it was still interesting to see how the book would reveal what was really going on. It was also a quick read, which helped maintain the creepy mood.

If you like books with mystery and a touch of horror, this is a good read.

Pros: essays on a wide range of places and periods

Cons: dense prose, some essays a challenge to read

The book begins with a prologue followed by an introduction. The introduction starts with highly academic prose in its explanation of why it's important to broaden the field of medieval studies into a global discussion, acknowledging that the field has centred heavily on Europe and ignored the many points of contact (via trade, religion, war, etc.) with nations outside Europe. The editor points out that the world has always been global, and at a time when nationalists and white supremacists are turning history into polemics on segregation it's past time medievalists broadened their studies to show how interconnected peoples of the past truly were. He then gives short descriptions about manuscript traditions throughout the world during this period.

This is followed by a quick time line of the items mentioned in the essays to follow. The book is separated into four parts, each with an introductory essay: Glimpsing a Global Middle Ages (5 essays and 1 case study), The Intermediality of “the book”: Bound, Rolled, and Folded Textual Objects (3 essays and 2 case studies), Identity: Finding One's Place in the Medieval World (3 essays and 3 case studies), and Itineraries from the Atlantic to the Pacific: Travel, Circulation, and Exchange (3 essays and 3 case studies). The book ends with an Epilogue that goes over the importance of museums in creating collections and exhibitions that foster a more global outlook.

This is a book for academics. While the case studies are accessible to a wider audience, most of the essays are not. I struggled through several of them due to dense prose. Having said that, the struggle was worth it as I learned quite a lot about the challenges of including certain areas of the world in a medieval discourse (like how most artifacts containing writing as well as wooden carvings in tropical climates have decomposed, making it difficult to study pre-modern eras). I loved that the essays spoke of wildly different areas including Ethiopia, China, India, and Mexico.

Several of the case studies mentioned a lot of interesting details and I finished the book with the intention of looking up several of the manuscripts mentioned (the end notes give web addresses if they've been digitized).

The standouts for me were the case study: “Traveling Medicine: Medieval Ethiopian Amulet Scrolls and Practitioners' Handbooks” by Eyob Derillo and the essay by Sylvie Merian, “Reproducing the Resurrection: From European Prints to Armenian Manuscripts”, which both dealt with topics I find fascinating.

The globalization of medieval studies is important and it's great seeing a collection that brings researchers from different disciplines together. This is a challenging book to read, but worth the effort you put in.

Pros: brilliant worldbuilding, interesting magic and mythology, interesting characters

Cons:

Two hundred cycles ago, Omehi refugees landed on the shores of Xidda and fought off the natives to claim a peninsula. They hold it through the force of their army and their Gifted. Tau Solarin is a High Common, nearing manhood and the test that will either let him train for his mandatory military service or force him to become a drudge. Neither future appeals to him, but a series of tragedies leaves him burning for revenge. Suddenly military training is the only future that matters.

The worldbuilding in this book is brilliant. There's a lot of vocabulary to learn in the prologue and first chapter, but by chapter two I knew what everything meant. There is a glossary at the back of the book if you need it though. I'd heard online the book had African influences. After reading it I looked up some of the words and they are from the Xhosa language, though the meanings don't all seem to translate to how they're used in the book.

I loved the intricacies of how everything fit together: the military, the Chosen, the Gifted, the castes. There's history on the peninsula as well as a mostly forgotten history of why they fled their homeland. A lot is left unsaid and I'm hoping some of that history will come up in the sequels. The world felt so real at times that I burned for the injustices felt by the Lessers and the often arbitrary justice the Noble castes could inflict on them.

Magic is sparingly used but I loved learning about it. I also liked that there are different beliefs in magic by the natives and invaders. There are limits to its use, which meant the stakes stayed high during battle. I also enjoyed learning about their underworld, the demons, etc.

The characters were all unique. Tau wasn't the most likeable character. At times I felt sorry for him, at others I wanted to shake some sense into him. I loved some of the supporting cast members - especially the members in his core training group. I was impressed that the author introduced characters slowly, so you could really get to know them before adding more people to the group. It made it easy to remember who everyone was.

There's a light romance. So light at the beginning of the novel that I expected the woman to disappear from the narrative entirely and was very happy that she not only came back in but had her own interests and goals (ie, wasn't just the ‘love interest') and played an important role at the end of the book.

Speaking of women, among the Omehi they are the rulers and Gifted (though have little import outside of those roles) while among the natives women are fully integrated into the military. It was cool to see some different social norms.

The book gets pretty brutal at times and very intense. Towards the end I needed a few breaks even though I wanted to know what would happen next. I'm not a huge fan of grimdark as I find the books can go too far in their attempts to be edgy and shocking, and so was happy there were no rape scenes in this (though there is mention that it does happen in the world).

If you're looking for something different and like grimdark fantasy, give this a go.

Pros: intense, interesting characters

Cons:

Gyre Price lied on her application and took the caver job expecting to earn enough money to leave the planet and find the mother who abandoned her when she was a child. She didn't know she would only have a single handler on the surface, one who can't be trusted. Nor did she expect that spending so long in the darkness and isolation would make her see things... hear things...

I bought this book on the recommendation of some authors I follow and so never read the back cover to find out what the book was about. I assumed - from the cover and random comments - that it was about zombies on an alien planet. It's not.

Once I realized what the book actually was, the story of what happens to a person when they are isolated and afraid, I settled in for a different kind of horror. Gyre's paranoia ramps up when she realizes she can't trust the only human link she has, kicking off an intense love-hate relationship with the only person who can save her life if things go bad. And things go bad.

In addition to the natural cave environment and the dangers it poses (climbing, falling, equipment failure, swimming, etc) there's also a creature on the planet that can swim through rock. No one understands what calls the tunnelers, but calling one is usually a death sentence.

This is a very intense read. At times Gyre isn't sure what's real and what isn't and waffles between rational decision making and pure paranoid outbursts. The ending is especially tense and I really wasn't sure what would happen to her.

If you like survival stories, this is great.

Pros: interesting characters, fast paced, thought-provoking

Cons:

Gibson Wells, founder of the Cloud tech empire that dominates the US economy, is dying. After Cloud puts Paxton's business under, he applies to work at one of their MotherCloud facilities, where people work and live. He expects this to be a temporary gig, to earn enough money so he can be his own boss again. Zinnia has been hired to infiltrate a Cloud facility and steal proprietary information.

Their paths collide inside the company in a novel that explores how far corporate America will go to ‘make the world a better place'.

The book takes place during the slow economic and environmental collapse of America. The world is not as apocalyptic as Octavia Butler's The Parable of the Sower, but it's getting there. With fewer and fewer options, more people are opting to work for Cloud, which has both caused many of the problems mentioned in the book even as it tries to (claims to) make things better.

At the start of the book I felt sympathy for Wells, but as I learned more about him, and saw the predatory nature behind his smiles and the abusive personality behind his policies I started to despise him. Though Zinnia is also manipulative I found I still liked her at the end of the book. She's feisty and smart and I wanted her to be happy. I thought she and Paxton made a good couple and hoped they'd stay together, despite some of her choices towards the end. Paxton was a mixed bag. I liked him but he was easily manipulated by everyone around him, which made me feel less sympathetic towards him.

The book was surprisingly fast paced. Adult dystopian fiction generally drags a bit due to excess worldbuilding or political sentiment. The focus here really is on the characters so it was a quick read - and hard to put down towards the end.

That's not to say there weren't some poignant moments where you can see how our own world is heading in this direction. The company is obviously modelled after Amazon and Walmart and their practices of forcing producers to cut costs so they can sell products a the lowest price possible. It does end of a slightly more positive note than other dystopian books as well.

This is definitely worth checking out.

Pros: short essays are easy to read, covers a wide variety of topics

Cons: short essays don't go into much detail

This is the second book of essays compiled from Brennan's Patreon. There's an introduction, 52 themed essays and an afterward. The themes from this book encompass weaponry, honor, cosmetics, clothing, wedding customs, literacy, time keeping, religious practices, superstitions, and some general worldbuilding tips.

I loved that there were a variety of topics, broken down into more specific essays. Each essay is only a few pages long so you can easy read one in a few minutes. Brennan gives several examples per essay showing how cultures differ, so as to get the reader thinking of applications beyond the common. The downside here is each essay is very basic and is more of a way to get you thinking about applications than showing you how to apply each aspect to your own world.

As with the first book, it's a great collection and points out a lot of worthwhile tidbits for making your fictional worlds feel more lived in.

Pros: brilliant world-building, interesting characters, challenging plot, thought provoking

Cons:

Dietz joins the Tene-Silvia Corporate Corps after the Blink wanting to be a hero, wanting to make the Martians pay. But military life is hard and the combat drops that break soldiers down into light molecules to transport them to mission locations... change some of them. Dietz doesn't always land at the right location, or with the right people. Dietz's jumps also reveal that the war isn't what they've been told. Can one be a hero if no one knows what's right anymore?

This is an absolutely brilliant novel and I can understand why Hurley had such trouble writing it. There were times as a reader that I got confused as to when Dietz was in the timeline, I can only imagine how difficult it was as the author keeping who knew what, when, straight.

The world-building it top notch. This is a future where mega corporations rule and there are layers of citizenship. Dietz began life as a ghoul, living outside the corporation, living off of refuse, and gained residency status through their parents. But full citizenship requires service. Throughout the book you see how ingrained the idea of earning citizenship is held by full citizens, even those born into it who did nothing to earn their place. There's a lot of thought provoking commentary here.

The characters are great. I loved that the first person perspective cloaked Dietz's gender (until the end, when you learn their first name), and that the protagonists all seem to be fairly fluid in their sexualities (or at least, fairly open about their partners). Dietz starts off as hot-headed, stubborn, and not the smartest in the group, but is forced to learn - and learn fast - when things get tough.

It's a brilliant fast paced novel that will keep you on your toes.

Pros: beautiful photographs, incredibly detailed descriptions of all of the paintings, good background information

Cons: not enough photographs

This is a photographic travelogue of a series of remote churches in Ethiopia. The first three chapters are background information: The Architecture of the Churches, Ethiopian Christianity and Saints, and The Jesuit Interlude. These help you understand the context and material discussed in the following three chapters: The Churches of Tigray (detailing eleven churches), The Gondarine Churches (three churches) and The Churches near Lalibela (three churches). As appendices the book has a chronology of Ethiopian royalty and the Ethiopian calendar (which differs significantly from the Gregorian calendar the Western world uses).

When I bought it I wasn't sure what churches were covered, so I was disappointed that some of the ones I was looking for (like the main Lalibela complex) did not appear here.

Ethiopian Christianity is practiced differently than Christianity elsewhere in the world, having closer contact with Judaism before being effectively cut off from other Christian nations for centuries. This allowed it to remain largely unchanged until the present day, despite efforts by Jesuits to convert them to Catholicism and Muslim invasions. I greatly enjoyed the first chapters of the book, which taught me a lot of useful terms as well as stories of local saints I was unfamiliar with.

For the churches, if there's significant paintings, the authors put in numbered diagrams with explanations of what image is where for each wall, then more detailed information - including Biblical quotations and more descriptions of saints lives - in order to understand the stories being presented. There's a wealth of information here that's sadly lessened by the fact that there are so few pictures. Quite often I would read a description and want to see the painting only to find it wasn't included in the handful of images each church received.

The pictures that are included are gorgeous and cover a wide range of religious subjects (so you're not getting only Virgin and Child pictures from each church). I was very happy to discover that for a few churches the authors included images and descriptions of a few of that churches' treasures, publishing photos of a few manuscript photos, one fan, some metal processional crosses, etc.

On the whole it feels like this book is designed to be used in situ, with each chapter explaining how to get to the church in question. Alas, most readers will never have the chance to visit these edifices, though if you can find a book with more photos of the interiors, this book would be indispensable for identifying the subjects in question.

Pros: excellent introduction, full translation, lots of end notes

Cons: some quotes left untranslated

Translated in 1979 and reissued in 2009, this was the first full English translation of the Greek manuscript, Physiologus. The manuscript took stories of animals and gave them Christian allegorical meanings. These stories were used in later bestiary collections and by encyclopedists - with and without their allegories - greatly influencing the medieval mind.

The book begins with an introduction that gives background on the Physiologus and the questions surrounding when it was written and who it was written by. It is then followed by translations of the 51 chapters, most of which deal with animals though there are also a few plants and stones.

The information in the introduction is fantastic and really helps you place the Physiologus in history while not being too academic and dry. My only complain here - and also with the notes at the back of the volume - is that neither Greek nor Latin quotations are translated for those who can't read them.

The manuscript itself is rather dry. More time is given to the moral than to describing the animal. If you're unfamiliar with these types of works, you'll be confused by a lot of the ‘natural' behaviours described. Very little of this is true animal behaviours. Consider them more morality tales like Aesop's fables rather than a treatise on natural history. However, remember that as many of the animals described were not native to the lands where the tales became popular, they did influence beliefs in mythological creatures and many in the past believed the stories depicted actual animal behaviours.

The book includes black and white woodcut images from the 1587 G. Ponce de Leon edition of the book. I had expected there to be an image per chapter but there were only 21 images in total and a few of the listings had more than one image (the serpent has a series of 4 images).

If you're interested in medieval thought and art, the bestiary by way of the Physiologus was hugely influential. This book is a glimpse into the medieval mind, both with regards to how they saw the natural world and how they believed the natural and spiritual worlds overlapped.

Pros: lots of gorgeous full colour illustrations, essays on a variety of topics, thorough discussion on the evolution of bestiaries

Cons: some of the essays are dense

This is the guide that accompanies the exhibition “Book of Beasts” at the J. Paul Getty Museum in Los Angeles. The exhibit runs from May 14th to August 18th. (http://www.getty.edu/art/exhibitions/bestiary/inner.html)

The book is divided into three parts. Part one is an introduction plus images and text for the 15 best known bestiary animals. Part two: Exploring the Bestiary is subdivided into The Bestiary in form and function (consisting of 6 essays and the first 28 catalogue listings) and The Bestiary Reimagined (two essays and 5 listings). Part three: Beyond the Bestiary is again subdivided, with catalogue listings after each essay. It's sections are: Church and Court (3 essays) and Bestiaries and Natural History (4 essays). The epilogue is followed by the final catalogue listings and four appendices.

I found the first few essays of part 2 boring due to their dry and somewhat dense prose. There's a fair amount of repetition in that most of these essays opened with similar background paragraphs on Bestiaries and their origins in the Greek book Physiologus. For me, the most interesting essay of this section was “Accommodating Antlers, Making Room for Hedgehogs, and Other Problems of Page Design in the Medieval Bestiary”. It was interesting learning how scribes and illustrators may have been working from different manuscripts and so their work didn't always line up.

The later essays were much more interesting, both in style an content. There's less minutiae about the manuscripts making them more accessible and I enjoyed learning new things about how bestiaries influenced other forms of art like maps and sculptures. I also appreciated that there were separate essays on Jewish and Muslim uses of animals in manuscripts. Those essays all felt too short, given the amount of information being discussed.

I liked that there are occasional ‘notes to the reader' explaining some of the terms so that even those who haven't studied manuscripts can understand the more scholarly language used. The notes for catalogue listings generally mentioned if a manuscript has been fully or partially digitized and is available online for further study. Unfortunately these notes are in such small text I'm afraid some readers will miss this information.

Catalogue images are all reproduced in colour and there was a good variety. I loved seeing the evolution of the genre and how the stories were reinterpreted in later works. I was surprised that some of the images were duplicated though. A page would be used to illustrate an essay and than that same page would be one of the images used to illustrated the catalogue listing for that manuscript. Given the fact that each manuscript only got one or two images, I would have expected different pages to be used each time in order to maximize the number of different images shown.

If you're new to bestiaries this is an excellent primer, though you'll have to work a bit to understand some of the terms. For those with some knowledge, it will increase it and suggest other works to examine. If you're well versed in the subject the later essays don't go far enough to suggest new avenues of study, though the earlier ones do an excellent job of showing what scholarship has been done and what still needs examination.

This looks like an excellent exhibit and I wish I could attend and see all of these manuscripts and artworks in person.

Pros: gorgeous artwork, interesting story, great costumes

Cons: depressing ending

Lady Mechanika's quest to discover her past is sidetracked when Mr Lewis's depression suddenly dissipates and he announces his engagement to a mysterious woman.

This volume collects the three comics that make up this storyline. It references some of the earlier volumes, but as situations and people are given enough reference, you can follow along even if you haven't read those.

As with the other volumes, the artwork is gorgeous with some great steampunk costumes and a Victorian style setting. There are a few fight scenes with good action and a new female bad guy.

I found myself conflicted by the depression plotline. On the one hand I think the team did a great job of showing that it can take a long time for people who have suffered lost to recover. On the other hand, Lady Mechanika seems to have reached a point where she's tired of Mr Lewis's grief and just wants him to go back to being her occasional sidekick. I could actually understand his choice for marriage at the end of the volume and felt that Lady Mechanika took something from him and then left him alone to deal with the fallout at a point when he clearly needs intervention. The idea that he'll just recover on his own - given enough time - is unfortunately rarely true in real life, and it would have been nice to see this acknowledged in the comic, maybe by sending him to a convalescent home or giving him a pet to care for (it's possible this will be addressed in the next issue). But that last page with him is very depressing to read.

On the whole though, I thought it was a great volume.

Pros: interesting new characters and settings, Oichi develops more as a person

Cons: lots of new players and it can be hard to keep them all straight

Oichi's world has changed with the overthrow of the Executive class and the mass joining of medusa units. It's time for the inhabitants of Olympia to engage with the outside world, starting with a messenger from the weapon's clan ship that's following them, and ending with meeting the three on the planet Graveyard. But how does someone who's used to executing opponents learn to negotiate? And why doesn't Medusa agree with her chosen path?

If it's been a while since you read Medusa Uploaded, there's so much going on that it's worth giving that a reread before starting this one. Medusa in the Graveyard picks up roughly one year after the first novel ends, and there's little recap.

Unfortunately I had a number of tasks I had to accomplish while reading this so it was a disjointed experience of a few pages here, a chapter or two there. This book requires some measure of concentration as there are a lot of new players that come in briefly and then don't show up again until later. And it's easy to forget who is who.

Having said that, I loved seeing the new groups the Olympians would have to trade/negotiate with and just how big their universe is. There are belters, aliens, a variety of ships on Graveyard created by vastly different intelligences. The actual trek to see the ships was quite interesting and a little trippy.

I liked that Oichi had to go through a lot of personal development. It makes sense that she's not the best suited for negotiating given her past, and I thought the trials she went through as a result were realistic.

I'm not sure if there's more to this series, but the book had a satisfying ending that wrapped up a lot.

Pros: summarizes a large stretch of history, lots of detail in some areas

Cons: only a few black and white photo, some illustrations reproduced from earlier works, very dense

The book consists of 18 chapters starting with an introduction followed by 3 parts: 1) Before Aksum (2 chapters), 2) The Kingdom of Aksum (13 chapters), After Aksum (1 chapter) and an epilogue. There's also an extensive bibliography.

In the introduction the author mentions that he wrote the book to be both a scholarly work and something accessible to every day Ethiopians wishing to know more about their past. He definitely achieved the former, while I'm not Ethiopian I had trouble with several sections that were quite dense. There's a fair bit of repetition in sections where the author refers you to another chapter where a particular issue is dealt with in greater detail.

There are only a handful of photos, all of which are black and white. The author also used illustrations of floor plan/layouts, etc. from older books.

I was disappointed that the Zagwe dynasty only rated one chapter but the book did make me want to read what happens after 1300 when the Solomonic dynasty took over.

While I came away knowing more about the Aksumites, the writing is so dense that I can't really recommend this book for casual readers interested in Ethiopian history.

Pros: complex protagonist, slow moving romance, political commentary

Cons:

Sophie Balstrade's unique skill of sewing charms into garments has given her shop steady business, but she's hoping to catch the eye of noble ladies. She's overjoyed to receive a commission from Viola Snowmont as well as an invitation to the lady's salon, both of which propel her into a higher class of clientele and a potential love affair. But her brother's a leader in the Laborer's League, and as tensions build among the disaffected lower classes, she finds herself torn between his goals and her own. When he disappears, she's blackmailed into helping the League by doing something against her moral code - sew a cursed object.

I really enjoyed this book. While I wouldn't say it's cribbed from the French Revolution, the salons, the court fashions, the presence of guns and the social tensions did remind me of that period of history.

I loved Sophie, especially the fact that she actually works at her shop and when she takes time off she either has to make up the work later or rearrange the schedule so everything is done on time. I appreciated that she had goals and that she'd considered the consequences of marriage (her husband and his family would gain control of her shop) and decided it wasn't for her.

The romance thread was slow paced, which I appreciated. The couple actually talked about the realities of their situation and acknowledged that due to their stations things could only go so far.


The magic - attaching charms via thread into garments - was very original. Sophie has to learn how to do curses and there's a physical cost to her for doing them.

There was just enough of the politics to keep things interesting without slowing the pacing. Through Sophie we see that the nobility have duties to perform and that their lives aren't all given to leisure, while the workers have legitimate grievances.

This is a fun read and I'm looking forward to the sequel.

Pros: in depth discussion, full translation, summaries are useful for quick reference

Cons:

Note: I received a copy for review from the publisher via NetGalley. My copy did not include the manuscript reproduction pages for the illustrations, therefore I cannot comment on the images or their quality.

The book gives the historical background of the Splendor Solis and then a new English translation of the Harley manuscript 3469 version, currently held by the British Library (and viewable online here: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Harley_MS_3469 Click on the image below ‘view bindings' to see the pages).

There is an introduction and four chapters, followed by a glossary of alchemical terms and other alchemical works the Splendor Solis refers to. The chapters are: History and authorship of Splendor Solis, Inventing an alchemical adept: Splendor Solis and the Paracelsian movement, Commentary on the text and plates of Splendor Solis and finally Translation of the Harley manuscript.

The chapter on the history of the manuscript is very scholarly and quite dry. I appreciated that Prinke mentioned the history of scholarship regarding the Splendor Solis, in terms of printed volumes, manuscripts, the illustrations and attempts at discovering the author and illustrators. He even includes recent scholarship on the topics. I was disappointed that there was such a limited discussion on the antecedents of the artworks, the topic that most interested me. Instead of showing examples of where the Splendor Solis' illustrators received inspiration, he simply offhandedly mentioned the works with little to go in if you'd like to research this topic yourself. When discussing the Aurora Consurgens's artistic lending he merely cites the page of an English translation that got a 200 copy print run in 2011 and is quite difficult to find. I did find an older reproduction of the Aurora Consurgens online (digitized by Zurich's Zentralbibliothek https://archive.org/details/AuroraConsurgens), but Prinke gave so little descriptive information that I found it difficult to identify which images he was comparing.

I really enjoyed the essay on the Paracelsian movement. There was a lot of information here I was unaware of and it was fascinating to learn about.

The next chapter summarizes all of the passages in the manuscript and gives a thorough description of the illustrations and their meanings. It is here that the reproduced manuscript pages are found. The information is in clear language with translations of any text that appears in the images.

I was a little surprised there was a summary of the text followed by a full translation, but the translation's fairly dense, so it's actually quite useful to have read the summary and explanation before digging into it. It meant I came away with a much better understanding of what I read.

As stated above, I can't judge the quality of the images included in this edition, but the text alone is definitely worth the price. It's a deep dive into the Splendor Solis and a worthwhile addition to your collection if you're interested in alchemy.

Pros: interesting characters, great melding of history and myth

Cons:

Fatima is one of the sultan's concubine's in Alhambra, 1491AD. Amid the siege and her anger at her lack of freedom, her only comfort is Hassan, a gay scribe who can create maps to places that don't exist. When a delegation from the Spanish monarchs arrives, Hassan's life is put in danger and Fatima flees with him, hoping to escape the inquisitorial eye and find a better life.

I loved the blending of history and myth and the clash of beliefs that form the foundation of this novel.

The author has a solid grasp on the events and world of 1491, including a lot of minor details that bring the world to life.

I loved her depiction of jinn, which was different from any I've read before and made them fascinating. The island being a part of both Islamic and Christian myth was a nice touch, showing that some things are universal.

Beyond the jinn, there's the magic associated with Hassan's maps. It's subtle and beautiful and while the plot hangs on it, it's sparingly used.

The characters questioned their actions at every point in the book, which made them feel real. They blamed each other for bad decisions. They forgave each other for outbursts they regretted. Fatima is so full of anger and so unaware of the world outside the palace that her growth arc was huge. She's very passionate and her reactions run the gamut. Luz was absolutely terrifying and I loved that the author played on a modern understanding of what the inquisition was to avoid graphic descriptions. There's a little information but mostly the book relies on hints of what happens to those put to the question.

The book is fairly fast paced, with the characters constantly running into trouble.

If you like history with a hint of magic, this is a great read.

Pros: great romance, optimistic, inclusive

Cons: tenses changes often bumped me out of the story

A year after successfully using the godsgem to defeat the Old God, the seven questers returned to their lives. Sir Erris Quicksword married the King. Mage Ladros took the gem to the Mage Keep in case it's needed again. Their thief, Olsa Rhetsdaughter paid off her debt but keeps getting picked up by the guards for thievery, which is becoming a problem as the king can no longer intercede on her behalf. Her lover, the apprentice knight Kalanthe Ironheart has also interceded several times, but her own problems - finding a rich husband before she's knighted and her own debts come due - can no longer be ignored.

This is the story of what happens after the quest is over.

The novel alternates between scenes from the quest - which detail the quest itself and the burgeoning romance between Olsa and Kalanthe - and what's happening in the present. Oddly, the present scenes are written in the past tense third person viewpoint whereas the past scenes are told from a first person present tense from either Olsa or Kalanthe's point of view. On the one hand, this makes it very clear what period you're in, on the other hand, it can be jarring going from one tense to the other.

I loved the characters. Seeing five female knights on a quest was great, especially when one was asexual and another was transgender. The romance between Olsa and Kalanthe developed organically in the flashback scenes and you can see them trying to come to terms with their choices - imposed and desired - in the present and how their circumstances and pride cause problems.

It was refreshing to read a quest story that shows how characters move on from the disruption to their lives and one that's so unabashedly positive. There's no shame around sex (or any of the pairings - all of which happen off screen, there's no graphic content here), nor is race an issue (several characters have dark skin, and among them different hair care is required). There is a desert dweller who faces ridicule due to her background by side characters, but the questers accept her without question.

This is a fantastic standalone novel, perfect for the YA crowd and adults looking for more optimistic stories.