Kim Miller
Thousands of years ago a monastery was established on one of the tallest mountains on Earth. It was intended as the elevation of humankind into the heavens, and although fraught with internal factions, it lasted for centuries. And in the not so distant future a space engineer wanted to use the mountain to construct a space elevator that would link to a geostationary satellite 24,000 miles above the Earth. Humans have established colonies on the Moon and Mars and the elevator will reduce rocket transport.
Clarke blends the story of the monastery into the similarly themed story of the space elevator. The engineer has achieved 'top monk' status by building a bridge across the Strait of Gibraltar and is almost a prophet of engineering. But other political forces are against him. Into the political mix comes an ambassador from Mars who wants the project moved to his planet. There's nothing like a bit of FOMO to stir things along. And there's also an alien 'thing' like a mini Rendezvous with Rama that wanders past.
Clarke takes us through some of the hard science stuff of building the elevator and the story jumps along over much of the construction. The monastery has dissolved too easily in a paragraph or two to clear the way. Because we all know Clarke's repetition of 'religion will disappear' message.
It all goes along pretty well until there's a life and death crisis. At last there's something happening that gets my heart beating faster. Clarke is usually not so intent on making his characters really human but here we see him digging deeper.
The wrap up takes us into the far future. The elevator has been successfully completed. It's so successful that there are several around the planet and, guess what, they're linked together in a ring around the Earth. And the alien 'thing' returns for Clarke to tell us again the children are the future.
It's a great story and won awards but loses a star from me for some of the tropes that flow too easily onto the page.
Thousands of years ago a monastery was established on one of the tallest mountains on Earth. It was intended as the elevation of humankind into the heavens, and although fraught with internal factions, it lasted for centuries. And in the not so distant future a space engineer wanted to use the mountain to construct a space elevator that would link to a geostationary satellite 24,000 miles above the Earth. Humans have established colonies on the Moon and Mars and the elevator will reduce rocket transport.
Clarke blends the story of the monastery into the similarly themed story of the space elevator. The engineer has achieved 'top monk' status by building a bridge across the Strait of Gibraltar and is almost a prophet of engineering. But other political forces are against him. Into the political mix comes an ambassador from Mars who wants the project moved to his planet. There's nothing like a bit of FOMO to stir things along. And there's also an alien 'thing' like a mini Rendezvous with Rama that wanders past.
Clarke takes us through some of the hard science stuff of building the elevator and the story jumps along over much of the construction. The monastery has dissolved too easily in a paragraph or two to clear the way. Because we all know Clarke's repetition of 'religion will disappear' message.
It all goes along pretty well until there's a life and death crisis. At last there's something happening that gets my heart beating faster. Clarke is usually not so intent on making his characters really human but here we see him digging deeper.
The wrap up takes us into the far future. The elevator has been successfully completed. It's so successful that there are several around the planet and, guess what, they're linked together in a ring around the Earth. And the alien 'thing' returns for Clarke to tell us again the children are the future.
It's a great story and won awards but loses a star from me for some of the tropes that flow too easily onto the page.