 Hellboy
| 3.64 | 5 | |
 1984
| 4.2 | 4 | |
 Cat's Cradle
| 4.11 | 3 | |
 Among Others
| 3.9 | 3 | |
 Blazing Splendor
| 4 | 4 | |
 Buddha & Love: Timeless Wisdom for Modern Relationships
| 5 | 5 | |
 The Words of My Perfect Teacher
| 3.67 | 4 | |
 Guns, Germs, and Steel: The Fates of Human Societies
| 3.82 | 4 | |
 AskMen.com Presents The Style Bible
| 3 | 3 | |
 The Elements of Typographic Style
| 4.57 | 5 | |
 The Life of Milarepa
| 5 | 5 | |
 Jennifer Government
| 3.62 | 4 | |
 Out of Our Minds: Learning to Be Creative
| 3.8 | 4 | |
 The Element: How Finding Your Passion Changes Everything
| 3.82 | 5 | |
 The Wise Man's Fear
| 4.39 | 3 | |
 Consciousness Beyond Life: The Science of the Near-Death Experience
| 0 | - | |
 Iron Council
| 3.4 | 3 | |
 The Scar
| 4.14 | 5 | |
 Morphic Resonance: The Nature of Formative Causation
| 0 | - | |
 Perdido Street Station (New Crobuzon, #1)
| 4.02 | 4 | |
 Spook Country
| 3.69 | 3 | |
 Cloud Atlas
| 3.91 | 5 | |
 Magician: Apprentice
| 3.98 | 4 | |
 The Name of the Wind
| 4.39 | 4 | |
 Hellboy: Seed of Destruction
| 4.24 | 5 | |
 The Diamond Age: Or, a Young Lady's Illustrated Primer
| 4.02 | 3 | |
 Pattern Recognition
| 3.9 | 3 | |
 Gone to Texas
| 4.04 | 5 | |
 Synners
| 3 | 3 | |
 I Am the Messenger
| 4.05 | 3 | |
 Big Deal: On Being Famous to Almost No One
| 4 | 4 | |
 The Laws of Simplicity
| 3.73 | 4 | |
 Simple and Usable Web, Mobile, and Interaction Design
| 4 | 4 | |
 A Storm Of Swords
| 4.54 | 4 | |
 The Satanic Verses
| 3.8 | 4 | |
 American Gods
| 4.01 | 3 | |
 Everything Is Miscellaneous: The Power of the New Digital Disorder
| 3.2 | 4 | |
 Sword & Citadel
| 4.4 | 4 | |
 The Kite Runner
| 4.15 | 4 | |
 Envisioning Information
| 4.5 | 5 | |
 The Greatest Show on Earth: The Evidence for Evolution
| 4.36 | 4 | |
 Memories of Ice
| 4.54 | 5 | |
 A Dance with Dragons
| 4.21 | 4 | |
 Deadhouse Gates
| 4.23 | 4 | |
 The Gunslinger
| 3.64 | - | |
 Midnight's Children
| 4.06 | 5 | |
 The Dark Tower
| 4.22 | - | |
 Everything Is Illuminated
| 3.88 | 5 | |
 The Book Thief
| 4.32 | 5 | |
 Zero History
| 3.89 | - | |
 Animal Farm
| 4.05 | - | |
 Dancing Wu Li Masters: An Overview of the New Physics
| 4.33 | 4 | |
 The Fall of Hyperion
| 4.17 | 5 | |
 Lord of the Flies
| 3.55 | - | |
 The Brief Wondrous Life of Oscar Wao
| 3.78 | - | |
 Olympos
| 3.53 | 3 | |
 Extremely Loud & Incredibly Close
| 3.97 | 4 | |
 A Feast for Crows
| 4.06 | 4 | |
 The Waste Lands
| 4.19 | - | |
 Ilium
| 3.81 | 3 | |
 The Lord of the Rings
| 4.54 | 5 | |
 Song of Susannah
| 3.7 | - | |
 Wolves of the Calla
| 4.02 | - | |
 The Corrections
| 3.85 | 4 | |
 Wizard and Glass
| 4.11 | - | |
 The Hobbit
| 4.29 | 5 | |
 Endymion
| 4.14 | 3 | |
 A Clash of Kings
| 4.35 | 4 | |
 Hyperion
| 4.27 | 5 | |
 The Rise of Endymion
| 4.09 | 4 | |
 The City & the City
| 3.95 | - | |
 The Summer Tree
| 3.71 | 5 | |
 Shadow & Claw
| 4.11 | 4 | |
 The Wandering Fire
| 3.87 | 5 | |
 The Darkest Road
| 3.94 | 5 | |
 Bliss
| 3 | 4 | |
 Illywhacker
| 4.5 | 4 | |
 The Wizard
| 3.5 | 2 | |
 The Knight
| 3.71 | 2 | |
 Oscar and Lucinda
| 3.75 | 4 | |
 True History of the Kelly Gang
| 3.27 | 4 | |
 The Ground Beneath Her Feet
| 4 | 4 | |
 The Moor's Last Sigh
| 3.57 | 3 | |
 The Unusual Life of Tristan Smith
| 3 | 3 | |
 My Life as a Fake
| 3.67 | 5 | |
 The Heart of Compassion: The Thirty-seven Verses on the Practice of a Bodhisattva
| 4 | 4 | |
 The Tax Inspector
| 3 | 3 | |
 30 Days in Sydney: A Wildly Distorted Account
| 4 | 4 | |
 Stop Stealing Sheep & Find Out How Type Works
| 4 | 5 | |
 The Life Of Milarepa, Tibet's Great Yogi
| 0 | - | |
 Subject To Change: Creating Great Products & Services for an Uncertain World
| 3.5 | 3 | |
 The Elements of User Experience: User-Centered Design for the Web
| 3.75 | 4 | |
 101 things I learned in architecture school
| 4 | 5 | |
 Web Form Design: Filling in the Blanks
| 3.71 | 4 | |
 Norwegian Wood
| 3.88 | 4 | |
 Undercover User Experience Design
| 3.33 | 4 | |
 The Wind-Up Bird Chronicle
| 4.1 | 5 | |
 HTML5 for Web Designers
| 3.67 | 4 | |
 Batman: The Dark Knight Returns
| 4.11 | 5 | |
 It's not how good you are, it's how good you want to be
| 3.71 | 5 |
