I really hate the star system for these kinds of books.
I'm not sure how to review this book. It's not the great American novel, but I see the potential. Franzen is no slouch but the novel suffered from too much observation (if astute) and not enough edge. It's like Franzen can recognize the issues but is to close to comment on them effectively (usefully?). I recognized myself and my generation but was neither affirmed (not a bad thing) or challenged.
3.5 stars. I listened to this novel and loved the narrator and much of the novel but he goes to big (environmental destruction, disaster, politics, culture, body farms) and then can't quite pull it together in the end. His narrative frame didn't work. Although the tone was really consistent and it was a great listen. I'd happily recommend it to others.
I read this as we travelled up from Scottsdale through Flagstaff, by the Grand Canyon (we did stop to gawk), through Monument Valley and the Valley of the Gods, over the pass at Butte as it snowed (roads to Yellowstone were closed because of snow), and I finished it today as we drove around the edges of the Black Hills (Theodore Roosevelt National Park). A perfect read for a rather glorious car trip.
Finch seems to be a lovely man, and his wife is super fabulous (said non-ironically), but it wasn't was I expected. There is too much padding. I think I would have enjoyed the New Yorker article though. That said, as someone who is neurotypical-ish herself, I did enjoy reading a book from the point of view of someone who does not the norm. There are not enough of those kind of books. So 3 starts for that.
4 stars for now, but I'm still dealing with the last 30 pages. I am increasingly bothered by Ondaatje's almost over-the-top romanticism. He writes beautifully, and his ability to create space with words reminds me how much he loves film (and I suspect would like to create some himself), but he's almost Spielbergian in his privileging of sentimentality, adventure and love. Plus I'm kind of pissed at a deus ex machina that is first excused by a “I couldn't help myself, I'm a writer” and then when he can make it work – doesn't. I'm sure he has his narrative reasons, which others will point out, but it sure pissed me off.
I'm still letting this one settle, because although I enjoyed it greatly, I think it could have been sharper and I'm trying to figure out how. But I really like Endicott's examination of women's lives. She does it deliberately, and while she doesn't have Atwood's bite, she's willing to show the warts. This novels explores a 3 sister vaudeville act, who travel the mostly Canadian Vaudville scene (Winnipeg's Pantages, Orpheum and Walker theatre figure at one point). Women don't have it particularly easy in that world, but Endicott doesn't let us forget that the men have their own struggles.