 Hell Bent
| 4.04 | - | |
 Love, Theoretically
| 4.04 | - | |
 Serious concerns
| 3.29 | - | |
 Bitterthorn
| 3.67 | - | |
 The Starless Sea
| 3.97 | - | |
 Sapiens: A Brief History of Humankind
| 4.19 | - | |
 One Dark Window
| 4.11 | - | |
 The Love Hypothesis
| 3.86 | - | |
 Six of Crows
| 4.27 | - | |
 Stoner
| 4.5 | - | |
 Days At The Morisaki Bookshop
| 3.69 | 3 | |
 Screenprinting: The Ultimate Studio Guide from Sketchbook to Squeegee
| 0 | - | |
 A River Enchanted
| 4.03 | - | |
 Quarterlife
| 0 | - | |
 Hooked: Food, Free Will, and How the Food Giants Exploit Our Addictions
| 4 | - | |
 Salt Sugar Fat: How the Food Giants Hooked Us
| 4 | - | |
 Capitalism & Slavery
| 4 | - | |
 The Eye of the World
| 4.01 | - | |
 The Idiot
| 3.69 | - | |
 Building a Second Brain: A Proven Method to Organize Your Digital Life and Unlock Your Creative Potential
| 3.79 | - | |
 A People’s Green New Deal
| 0 | - | |
 The Red Deal | 4.5 | - | |
 Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics
| 0 | - | |
 Babel, or The Necessity of Violence: An Arcane History of the Oxford Translators' Revolution
| 4.1 | - | |
 Digital Minimalism: Choosing a Focused Life in a Noisy World
| 4 | - | |
 Deep Work
| 4.07 | - | |
 Crying in H Mart
| 4.29 | 4 | |
 Prelude to Glory, Vol. 1 Prelude to Glory, Vol. 1: Our Sacred Honor
| 4 | 4 | |
 Tin Man
| 3.74 | - | |
 What We Lost in the Swamp: Poems
| 0 | - | |
 As I Sit with Who I've Become As I Sit with Who I've Become
| 0 | - | |
 The Jakarta Method
| 4.68 | - | |
 Manufacturing Consent
| 3.94 | - | |
 Inventing Reality
| 4 | - | |
 Two Wheels Good : The History and Mystery of the Bicycle
| 3 | - | |
 Public Opinion
| 4 | - | |
 Poison for Breakfast
| 3.93 | - | |
 Out of the Shadows: Reimagining Gay Men's Lives
| 0 | - | |
Can the Monster Speak? Can the Monster Speak?
| 3.5 | - | |
 23 Things They Don't Tell You About Capitalism
| 3.45 | - | |
 The Velvet Rage
| 4 | - | |
 Young Mungo
| 4.48 | - | |
 Lie With Me
| 4.24 | - | |
 Faggots
| 3 | - | |
 Straight Jacket
| 4 | - | |
 Giovanni's Room
| 4.38 | 3.5 | |
 Heartstopper: Volume Three
| 4.54 | - | |
 Night Sky with Exit Wounds
| 4.01 | - | |
 The House in the Cerulean Sea
| 4.27 | - | |
 Home Body
| 3.8 | - | |
 Gender Queer | 4.32 | - | |
 The Martian
| 4.4 | - | |
 The Picture of Dorian Gray
| 4.06 | - | |
 Ethics
| 3.95 | - | |
 The Giver
| 4 | 4 | |
 On Liberty
| 3.77 | - | |
 Hamlet
| 4.04 | - | |
 Persuasion
| 4.09 | - | |
 The Old Man and the Sea
| 3.69 | - | |
 The Metamorphosis
| 3.84 | - | |
 Northanger Abbey
| 3.84 | - | |
 Walden
| 3.73 | - | |
 Felix Ever After
| 4.32 | - | |
 More Happy Than Not
| 4.24 | - | |
 We Are the Ants
| 4.04 | - | |
 Sea of Tranquility
| 4.01 | - | |
 Becoming Abolitionists
| 0 | - | |
 A Tale of Two Cities
| 3.62 | - | |
 The Sun and Her Flowers
| 3.77 | - | |
 Falling Up
| 4.32 | - | |
 An Enquiry Concerning Human Understanding
| 4.38 | - | |
 The Waste Land, and Other Poems
| 4.3 | - | |
 Heartstopper: Volume Two
| 4.53 | - | |
 A Thousand Mornings
| 4.15 | - | |
 Crime and Punishment
| 4.27 | - | |
 The Count of Monte Cristo
| 4.29 | - | |
 A Little Life | 4.11 | - | |
 The Nicomachean Ethics
| 3.64 | - | |
 The Grapes of Wrath
| 3.76 | 4 | |
 Frankenstein: The 1818 Text
| 3.85 | - | |
 The Communist Manifesto
| 3.38 | - | |
 Normal People
| 3.62 | - | |
 Man's Search for Meaning
| 4.25 | - | |
 Sense and Sensibility
| 3.82 | - | |
 The Secret History
| 4.04 | - | |
 The Color Purple
| 4.13 | - | |
 The Iliad
| 3.98 | - | |
 I Wish You All the Best
| 3.91 | - | |
 Meditations
| 4.18 | - | |
 Where the Sidewalk Ends
| 4.35 | 4 | |
 The Silmarillion
| 3.98 | - | |
 To Kill a Mockingbird
| 4.14 | 3 | |
 Slaughterhouse 5
| 4.11 | - | |
 The Song of Achilles
| 4.26 | - | |
 Tao Te Ching
| 4.11 | - | |
 No More Police No More Police
| 4.5 | - | |
 Beyond Good and Evil
| 3.54 | - | |
 American Gods
| 4.03 | - | |
 Consequences of Capitalism Consequences of Capitalism: Manufacturing Discontent and Resistance
| 5 | - | |
 A Longa Viagem a um Pequeno Planeta Hostil
| 4.13 | - |
