

Retired medical educator turned amateur modernist architectural historian. Currently writing a biography of architect William Alexander Levy. Getting lost in a historical or magical realism novel.
71 Books
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5,969 booksWhen you think back on every book you've ever read, what are some of your favorites? These can be from any time of your life – books that resonated with you as a kid, ones that shaped your personal...
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20 booksMagical realism (or magic realism, marvelous realism) is fiction that keeps a realistic setting, social fabric, and psychology, while allowing inexplicable phenomena—ghosts, miracles, temporal slippages, curses, transformations—to appear without rational explanation. Unlike high fantasy, it does not build a separate secondary world or spell out a magic system; the magic is simply part of reality as the characters understand it.
Key features
Commonly cited traits include: a real‑world setting; one or more “irreducible” magical elements that cannot be explained by natural law; a flat, matter‑of‑fact narrative tone; and characters who largely accept the extraordinary as ordinary. The narration blurs boundaries—between life and death, past and present, myth and history—so that readers feel constantly pulled between rational and magical explanations.
Historical roots
The term comes from the German art critic Franz Roh, who used “magischer Realismus” in 1925 to describe a post‑expressionist painting style that made the everyday appear uncanny. Latin American writers and critics in the mid‑20th century, and the style is now closely associated with authors such as Gabriel García Márquez, Isabel Allende, and others writing from postcolonial and hybrid cultural contexts.
Distinction from fantasy and surrealism
Critics often stress that magical realism “imposes reality upon the fantasy,” in contrast to fantasy, where invented worlds and systems dominate. It also differs from surrealism in that the narrative remains coherent and socially anchored, using the magical not to abandon reality but to expose its political, historical, or psychological contradictions—especially around colonialism, violence, and cultural memory.
“The Japanese Garden” by Sophie Walker is a comprehensive and visually stunning exploration of Japanese garden design spanning over eight centuries. It offers an informative perspective on the Japanese gardens through a series of essays ranging from authors to architects and showcases 100 featured gardens, ranging from ancient Shinto shrines to contemporary Zen designs.
Allen Steele’s Coyote is a solid space-colonization novel, earning four stars. It feels like a frontier story set in space, following a group of dissidents who hijack the starship Alabama to start a new, fragile society on the moon Coyote. The book’s episodic structure comes from Steele's mastery at short stories and add a richness to the characters I suspect will resurface. Its frighteningly realistic politics, straightforward writing, and strong sense of survival make for a solid read. It reminds me of Julian May’s Many-Colored Land, where misfits escape through a time gate into a complex, alien-ruled Pliocene Europe. Coyote is more grounded and political buts Steele's writing of exploration on a new frontier is reminiscent of May . It’s a great pick if your looking for a series to escape into during this time of world crisis.