| #2 |  Zen in the Art of Writing: Essays on Creativity
| 3.86 | 36 reads | |
| #3 |  Bradbury Speaks Bradbury Speaks
| 4 | 1 read | |
| #4 |  Anguished English
| 4 | 2 reads | |
| #5 |  Why I Write
| 3.81 | 17 reads | |
| #6 |  Writing for the Mass Media Writing for the Mass Media
| 2 | 1 read | |
| #7 |  On writing well
| 4.33 | 54 reads | |
| #8 |  On Writing: A Memoir of the Craft
| 4.36 | 428 reads | |
| #9 |  Line by Line: How to Edit Your Own Writing
| 4.5 | 2 reads | |
| #10 |  Orphan Factory Orphan Factory: Essays and Memoirs
| 4 | 1 read | |
| #11 |  Writing Down the Bones: Freeing the Writer Within
| 3.83 | 36 reads | |
| #12 |  A Room of One's Own, and Three Guineas
| 4 | 107 reads | |
| #13 |  Edgar Allan Poe: Complete & Unabridged
| 5 | 2 reads | |
| #14 |  Bare Bones: Conversations on Terror with Stephen King
| 4 | 3 reads | |
| #15 |  Transforming Vision Transforming Vision: Writers on Art
| 3 | 1 read | |
| #16 |  A Commonsense Guide to Grammar and Usage
| 0 | 1 read | |
| #17 |  Grammar and Usage in the Classroom Grammar and Usage in the Classroom
| 5 | 1 read | |
| #18 |  Who the Hell Is Pansy O'Hara?
| 3 | 2 reads | |
| #19 |  It's Been a Good Life
| 3.5 | 2 reads | |
| #20 |  On Your Marks: A Package of Punctuation,
| 3 | 1 read | |
| #21 |  Bird By Bird: Some Instructions on Writing and Life
| 4.19 | 158 reads | |
| #22 |  Story: Substance, Structure, Style, and the Principles of Screenwriting
| 4.33 | 19 reads | |
| #23 |  The 9 Rights of Every Writer The 9 Rights of Every Writer: A Guide for Teachers
| 3 | 1 read | |
| #24 | Like Shaking Hands with God Like Shaking Hands with God: A Conversation About Writing
| 3 | 2 reads | |
| #25 |  The San Francisco Poets
| 4 | 1 read | |
| #26 |  Every Love Story is a Ghost Story
| 3.8 | 6 reads | |
| #27 |  Essentials of Screenwriting Essentials of Screenwriting
| 0 | 1 read | |
| #28 |  The deluxe transitive vampire
| 3.5 | 4 reads | |
| #29 |  On Moral Fiction
| 3.5 | 3 reads | |
| #30 |  Classical Literary Criticism
| 3 | 3 reads | |
| #31 |  Letters to a Young Poet
| 4.44 | 111 reads | |
| #32 |  The Art of Fiction
| 4 | 9 reads | |
| #33 |  The Writing Life
| 4.22 | 22 reads | |
| #34 |  Narrative Discourse : An Essay in Method
| 0 | 1 read | |
| #35 |  The War of Art
| 3.85 | 165 reads | |
| #36 | Longinus on the sublime Longinus on the sublime
| 0 | 1 read | |
| #37 |  For a New Novel: Essays on Fiction
| 0 | 1 read | |
| #38 |  The Electronic Revolution
| 0 | 1 read | |
| #39 |  The Trivium
| 3 | 3 reads | |
| #40 |  Self-Editing for Fiction Writers: How to Edit Yourself Into Print
| 4.2 | 8 reads | |
| #41 |  Responding to Student Writers
| 0 | 1 read | |
| #42 | Robert Frost Robert Frost: Speaking on Campus: Excerpts from His Talks, 1949-1962
| 0 | 1 read | |
| #43 |  Long Quiet Highway: Waking Up in America
| 3 | 2 reads | |
| #44 |  Labyrinths
| 4.36 | 47 reads | |
| #45 |  Blood, bread, and poetry
| 4 | 2 reads | |
| #46 |  The Conversations : Walter Murch and the Art of Editing Film
| 4 | 3 reads | |
| #47 | Letters to a Young Writer Letters to a Young Writer
| 3.33 | 7 reads | |
| #48 |  Melinda Camber Porter in Conversation with Wim Wenders (with Embedded Video) on Location While Filming Paris, Texas 1983 Melinda Camber Porter in Conversation with Wim Wenders (with Embedded Video) on Location While Filming Paris, Texas 1983: ISSN Vol 1, No. 3 Melinda Camber Porter Archive of Creative Works
| 3 | 1 read | |
| #49 |  They say / I say
| 0 | 1 read | |
| #50 |  Literature Class, Berkeley 1980
| 0 | 1 read | |
| #51 |  The Anxiety of Influence: A Theory of Poetry
| 4 | 4 reads | |
| #52 |  How to Say Everything: Ideas, Practices and Challenges for Today’s Visual Storytellers
| 0 | 1 read | |
| #53 | Simple and Direct Simple and Direct : A Rhetoric for Writers
| 0 | 1 read | |
| #54 | Writing Better Lyrics Writing Better Lyrics: The Essential Guide to Powerful Songwriting
| 0 | 1 read | |
| #55 |  The Bullet Journal Method: Track the Past, Order the Present, Design the Future
| 4.04 | 114 reads | |
| #56 |  The Journalist and the Murderer
| 3.71 | 9 reads | |
| #57 | Simply Put Simply Put: Why Clear Messages Win—and How to Design Them
| 0 | 1 read | |
| #58 | The Third Mind The Third Mind
| 0 | 1 read | |
| #59 | McGraw-Hill Handbook of English Grammar and Usage McGraw-Hill Handbook of English Grammar and Usage
| 0 | 1 read | |
| #60 |  Rhetoric
| 4 | 20 reads |
