Devi Nair

I came for the promise of holiday coziness: Christmas lights on palm trees, ghostly shenanigans, and Maureen and Finn navigating the holiday rush with a side of supernatural chaos. What surprised me was how seamlessly the murder mystery wove its way through the festivities. Perry’s small-town Haven is endearing—a little sun-drenched, a little spooky, and full of oddball characters (alive and otherwise) who make every page pop. The parade of lovable ghosts feels like a warm hug, even when things get dicey. C.S.E. Cooney adds another layer of magic to the narration by bringing Maureen and the folks to life.

The pacing kept me hooked, moving between Maureen’s attempts to save her inn and the unraveling threads of both a new and an old murder. The setting is dripping with cozy, Gulf Coast charm, and by the end, I wanted to book a holiday at Haven House—even if it is haunted. The rapport between Maureen and her ghostly companions (plus her ever-faithful Finn) brings big heart, and while the whodunit isn’t the trickiest, the journey is the real treat. You’ll laugh at the ghosts sabotaging dinner, cheer for Maureen’s tenacity, and maybe even tear up at moments of unexpected connection.

I went into this one expecting something along the lines of Murder in Tinseltown or A Most Puzzling Murder—a clever, cozy-style puzzle mystery. Instead, I stumbled into a very different beast: meta-detective fiction, a term new to me and clearly not my style.

This book is like a funhouse mirror, reflecting endless layers of “who’s solving what?” The plot zigzagged wildly—new players, shifting motives, rules that seemed to rewrite themselves. I wanted to sink into a juicy whodunit, but I felt like I was chasing my own tail, lost in a narrative that kept outsmarting itself. The story kept twisting and changing directions so many times that I found it difficult to follow or stay engaged. Rather than enjoying the puzzle, I felt increasingly lost and disconnected.

I hung on for a while, hoping for a breadcrumb trail to follow, but the constant curveballs left me exhausted. By the midpoint, I was torn: keep wrestling with a story that felt like a mental obstacle course or jump ship for something that didn’t demand a PhD in detective-ception. I chose to DNF, a rare move for me, but I needed a mystery that didn’t feel like it was gaslighting me. Meta-detective fiction might be a thrill for some, but it’s not my scene.

Another beautiful entry into the mesmerizing realm of dreams, this book expands on the mythology of the store and its quirky departments, while weaving in deeply human themes. With Sandy Joosun Lee’s seamless translation from Korean to English, Lee Mi-Ye crafts a world so vivid you’ll start questioning your own dreams—seriously, are they this organized?

Penny’s journey as a dream designer is both heartwarming and thought-provoking, blending workplace chaos with delicate nods to mental health. What struck me most is how subtly Lee Mi-Ye threads in everyday mental health struggles—loneliness, self-doubt, burnout—and offers moments of quiet resolution. It never feels heavy-handed; just enough to nudge the reader to reflect on their own connections and perhaps notice what their loved ones might be silently carrying. The way the story tiptoes around heavier themes, like anxiety or grief, without preaching, is pure magic. You’re chuckling at the absurdity of a dream order one minute, then quietly reflecting on a poignant line the next.

The imaginative “workplace drama” side of the story also shines—after all, this is a department store, even if it sells dreams. Watching the staff puzzle through unusual orders, inefficiencies, and crises that can only exist in a dream economy was both clever and unexpectedly relatable. Sometimes the whimsical solutions feel like little parables in themselves. Shannon Tyo’s narration is a game-changer for the audiobook. Her voice breathes distinct personalities into each character, making the dream store’s quirky staff feel like old friends. The pacing is dreamy (pun intended), so much so that it feels almost like listening to a cast performance rather than a solo narration. She gives the whimsical and the heartfelt equal weight, which is exactly what this story demands.

That moment when a character’s dream design clicked into place? I was grinning like I’d crafted it myself. This book is a gentle reminder to check in on those we love and think outside the box.

I absolutely adored Everytime I Go on Vacation, Someone Dies by Catherine Mack! I first read it on a flight and found myself wanting to hide the cover and not scare my neighbors with such a cheeky title. Haha! Eleanor Dash, the protagonist, is truly a delight, and the footnotes sprinkled throughout the book are nothing short of brilliant. They add such a unique and witty flavor to the story that I couldn’t get enough of them.

Naturally, then I had to listen to the audiobook version, and the narrator Elizabeth Evans absolutely did not disappoint. Her timing with the footnotes were so natural. It felt as if a close friend was telling me the story in person, sharing all the unfiltered commentary with perfect comic timing. The cozy, conversational vibe she creates made me almost forget I was listening to an audiobook rather than chatting with a friend.

The mystery itself is smooth and engaging, with a steady pace that never falters. The characters are wonderfully well-developed, even with their flaws. Through Eleanor’s narration and the footnotes, you feel exactly what the author wants you to feel for each character. After reading and listening to this book, I’m officially a fan of footnotes and their clever impact on storytelling.

There are cozy mysteries, and then there are COZY MYSTERIES. For me, they’re like palate cleansers after more intense reads, and Carol J. Perry always hits the spot. Be My Ghost starts off light, but before you know it, there’s a body, and then the guessing game begins. By 20%, I had narrowed down my suspects to two: one straightforward option fitting an easy mystery, and one possible plot twist that, while fitting, I hoped wouldn’t be the choice. She went with the cozy choice, and it was exactly right. The flow was so comforting that I immediately put my “serious” TBR on hold to continue this series (only four books out so far!).

As for narration, C.S.E. Cooney’s performance is a true highlight. Her soothing, warm voice and perfect pacing make Maureen’s (and Finn’s) journey feel authentic and comforting, whether listened to at normal or faster speed. She knows exactly when to pause or elevate her voice, making the audiobook experience a joy.

Maureen, the protagonist, along with her Golden retriever Finn, feels like the perfect cozy mystery duo. This book is a perfect mix of heart, humor, and mystery, exactly what a cozy should be.

The Cursed Writer is a cozy mystery with a strong Hound of Baskerville vibe, perfect for Sherlock Holmes fans. Holly Hepburn brings classic detective energy to Harriet ‘Harry’ White, a sharp and determined protagonist, who handles a gripping investigation with the finesse of Sherlock Holmes.

Set in 1930s London, the novel beautifully evokes the era’s atmosphere, while offering an empowering outlook on women’s roles through Harry’s confident and resourceful character. The plot maintains a steady pace with clever deductions and well-crafted suspense. As the second book in the Baker Street Mystery series, The Cursed Writer builds on the first installment and sets the stage for a promising third.

A special highlight of the audiobook is Sophie Roberts’ narration. Her authentic old English accent vividly brings to life the setting from London’s bustling streets to the long-forgotten villages and outskirts. Her voice enriches the immersive experience of this classic detective tale.

Overall, this book is a rewarding read (and listen, if you are an audiobook lover like me) for cozy mystery lovers who enjoy clever plots, engaging characters, and atmospheric storytelling. Holly Hepburn is an amazing talent in the genre, and with narrators like Sophie Roberts bringing her work to life, the series promises to captivate fans for years to come.

I dove into Killers of a Certain Age with stars in my eyes. Women in their 60s as elite assassins? Yes, please! The premise promised a fresh spin on the thriller genre, blending experience with undercover grit.

But a few chapters in, my hype hit a wall. Instead of the seasoned, cohesive team I expected, Billy, Mary Alice, Helen, and Natalie came off like typical old people trying to relive their "cool" days boasting "I could've done that better" without actually doing it. Their constant bickering, and really silly mistakes (while undercover, mind you!) felt like a teenage clique, not a squad with decades of shared covert ops experience. Why the need to one-up each other like they're auditioning for a superhero flick? The insecurity in their 60s felt jarring like, haven't you proven yourselves after 40 years? The plot had sparks: a betrayal-fueled retirement cruise, dodging the Museum's hit squad, and some clever twists. But the action often took a backseat to their peacocking, which dulled the suspense.

Raybourn's writing had wit, and the ladies' backstories hint at depth, but the focus on their "who's the coolest" contest left me craving more substance. There's a second book in the series, Kills Well with Others, but I wouldn't dare take on that challenge.

While Tinsel Trickery had the cozy holiday vibe typical of the series, it didn't quite capture my attention or emotions. The story flowed smoothly enough, making it suitable as light background reading, but it lacked the spark that makes a book memorable.
Unfortunately, I couldn't really connect with any of the characters, which made the stakes feel low. The romantic subplot between the main character and her boyfriend fell flat due to a lack of believable chemistry, which was disappointing in a genre that often thrives on warm, engaging relationships.
Overall, it's an easy read if you want something seasonal without too much depth, but it didn't stand out for me.
Star rating rounding off from 2.5

Having reviewed the first book in the series, Bury the Lead, I was excited to return to Port Ellis. This sequel, Widows and Orphans, raises the stakes and deepens the emotional core.

Widows and Orphans, the second installment of the Quill & Packet mystery series, is a sharp step up from the first. The plot is tighter, the mystery more layered, and the stakes, both personal and professional, are deeply felt. The story cleverly folds in current issues like influencer culture, media ethics, and the politics of public opinion, all while grounding us in the warm, chaotic newsroom of Port Ellis.

Maryne Young picks up much better in this one, and the connection to all of the characters in the audiobook is instant. I especially loved how Cat’s relationships deepened with all of her family members, and with the staff at the Quill & Packet. The connection she is building with Amir is handled with subtlety and warmth, adding emotional depth without overwhelming the plot.

While the mystery kept me hooked, it’s the characters and their connections that lingered. Kate Hilton and Elizabeth Renzetti have brought more soul to this sequel. They reveal that a mystery isn’t just about who did it. It’s also about who we are to each other when everything’s on the line.

dnf

Alright, let’s spill the tea on A Cold Case by Peter Turnbull. I was pumped for a gritty mystery with Maurice Mundy, this rogue detective stirring up old murders. But, y’all, I tapped out at 10%. Chapter one hit me with an avalanche of details—clothing, surroundings, you name it. Five pages in, I was lost in a fog of descriptions, forgetting what the story was even about. I love a vivid setting, but this felt like reading a furniture catalog with a side of tweed jackets. I wanted to vibe with Mundy’s maverick energy, but the pacing was slower than my grandma’s knitting circle. Maybe it picks up later, but my attention span said, “Nah, we’re good.” I’m all for deep dives into mysteries, but this one buried me in details before the plot could even say hello.

I have to admit, this one took a bit to grow on me. The concept is really clever - three bestselling authors writing a story about three best selling authors writing a story together. Inception vibes, anyone?

But, honestly, the beginning was a tough sell. The three main characters spent a lot of time pretending to be best friends, then outright admitting they aren't, just faking it for their book. The body drops almost as soon as the book starts, and the following couple of chapters are just insufferable with all the blame throwing and bickering. It felt like everyone is busy pointing fingers without much warmth, or dept at first.

That said, hang in there because the middle and second half really pick up the pace. The characters start to show more layers, and you get hints of real friendships developing beneath the surface drama. The mystery itself becomes more engaging as you piece together the clues, and the locked-room setting of the Scottish castle adds more eerie charm. The ending ties up the loose ends pretty well and even sneaks in some unexpected romance and humor. It's definitely a slow burn, but it ends on a satisfying note.

DNF

Despite being a longtime fan of Lynn Cahoon, I found An Amateur Sleuth’s Guide to Murder disappointingly dull and struggled to get past 25% of the book. Unlike Cahoon's usually engaging stories, the protagonist Meg Gates felt unrelatable and failed to draw me in. The premise of Meg writing a murder investigation guide while solving a crime had potential, but the execution fell flat for me. The pacing was slow, the mystery lacked compelling twists, and the character development didn’t resonate. I was hoping for Cahoon’s signature cozy charm and gripping narrative but instead found myself disengaged throughout. While other readers have praised the charming setting and Meg’s determination, this one didn’t click with me. Fans of the author might enjoy it more, but for me, it was a rare miss in an otherwise impressive catalog.

dnf again (tried 2nd time)

The 7 1/2 Deaths of Evelyn Hardcastle is an ambitious and highly inventive mystery thriller that challenges the reader with its complex structure. The premise of waking up in a different guest’s body across eight repeated days to solve Evelyn's murder is intriguing and original. However, my experience was marked by confusion and difficulty in following the plot, even after three attempts including once with a physical copy to focus better. The multiple perspectives and intertwining timelines created a dense narrative that felt overwhelming rather than immersive. While critics praise its cleverness and unpredictable twists, this complexity made it hard for me to stay engaged or finish the book. It’s a novel that might reward patient readers who enjoy intricate puzzles but stands as a tough read for those seeking a straightforward mystery.

(No rating, as I didn't finish the book) Thank you, NetGalley Canada, for giving me an ARC to review.

I went into this book expecting something humorous, even with the thriller element. But it turned out to be much darker and unsettling than I anticipated. I made it through 40% of the book before deciding to stop, not because it was poorly written, but because I wasn't the rigth audience for it.

The writing is incredibly effective. The first person narration of Julie by Clare Corbett is chilling and cringy, iun a way that made me feel uneasy, but also sad for her. It's that rare kind of voice that gets under your skin, which honestly made the experience stand out for me.

I won't be leaving a star rating since I didn't finish the book. But I wanted to share my thoughts in case others go in expecting something lighter. This could really work for readers who are drawn to psychological character studies, or dark, emotionally complex stories.

Just go in prepared. Jennifer Holdich knows what she is doing.

In a world where books are being banned in the name of “protecting young minds,” Kirsten Miller delivers a hilarious and biting response with heart, humor, and unforgettable characters.

Lula Dean’s Little Library of Banned Books took me by surprise in the best way. I went in expecting a thoughtful take on censorship, but I didn’t expect to laugh so much along the way. Miller has managed to craft a story that’s genuinely funny while tackling deeply serious issues like racism, abuse of power, and the erasure of essential histories.

The cast is brilliantly done. The self-important village fool, hate-spewing gossips, a retired judge with a spine of steel, a corrupt politician hiding a criminal past, and a group of teens fighting for a more inclusive and compassionate community. The next generation stole my heart, aware of differing sexualities, ideologies, and perspectives, but united in wanting a better world.

Yes, the audiobook ran long at over 11 hours, and some scenes felt unnecessarily drawn out. But the core message? Spot on. Books like The Diary of Anne Frank and Beloved being banned is not protection. It’s denial. And the story calls that out with humor and heart.

Taylor Jenkins Reid’s After I Do is a raw and deeply honest exploration of modern marriage, examining what happens when the love that once seemed unshakable begins to fade. The premise is both unique and relatable: when Lauren and Ryan’s marriage hits rock bottom, they agree to spend a year apart, with no contact and no rules—an experiment to rediscover themselves and what they truly want from life and each other. From the outset, Reid’s writing struck me with its realism.

The characters feel like people you know—flawed, searching, and heartbreakingly sincere. Lauren’s voice is exceptionally authentic as she navigates painful questions about commitment, monogamy, and the nature of love. The book doesn’t shy away from the messiness of relationships, digging into the small slights and accumulated resentments that can undermine even the strongest unions. What makes this novel stand out is how it holds up a mirror to real life. Reid doesn’t offer easy answers; instead, she depicts the slow, challenging work of self-discovery and healing.

For me, this raw honesty became almost too much—I had to DNF (Did Not Finish) at 25% because the story hit incredibly close to home, and I found myself crying again and again. It wasn’t because the book wasn’t good. If anything, I stopped because Reid captured the pain and confusion of a troubled marriage so perfectly. After I Do might not be for everyone looking for escapism. But if you want a book that feels real, that treats love and marriage with nuance, and that isn’t afraid to make you feel deeply, this is one to pick up—if you’re ready for it.

Genre: Contemporary Romance, Women’s Fiction, Second Chance Best for: Readers who appreciate emotional authenticity, complex relationships, and second-chance stories Not for: Those seeking light romance or guaranteed happy endings without hard-earned growth Note: I didn’t finish the book—not due to any flaw in the writing, but because its reality was almost too much for me to bear. Sometimes, that’s a testament to just how powerfully a book can resonate.

DNF

The Saint of Bright Doors by Vajra Chandrasekera promises a vivid blend of fantasy, urban mysticism, and queer narrative, set in a richly imagined world where divine revolutions and cults entwine with the gritty realities of modern life. The story follows Fetter, a deeply scarred protagonist raised to kill, who navigates a city filled with mysterious "Bright Doors," enigmatic threats, and a hidden revolutionary order. The novel explores themes of identity, destiny, and transformation against a backdrop that mixes magical realism with science fiction.

Unfortunately, despite its intriguing premise, I found the book difficult to engage with. Listening to the audiobook for about 2 hours and 15 minutes (around 18% of the full length), I struggled to connect with the plot or understand what was truly happening. The main character moves through a series of seemingly random rules and experiences, accepting them without clear explanation or motivation, which left the narrative feeling fragmented and confusing. The lack of coherence made it hard to stay invested in Fetter’s journey or the larger world.

While the novel may resonate more with readers who appreciate dense, atmospheric worldbuilding or experimental storytelling, in my case, I decided to stop reading because the story didn’t provide enough clarity or emotional grounding early on. This experience may vary significantly depending on personal taste and reading style, but for me, The Saint of Bright Doors did not deliver a satisfying narrative within the portion I sampled.

DNF at 11%

I had high hopes for this festive cozy mystery featuring witches and holiday magic, but unfortunately, I couldn’t get very far. I ended up DNF’ing at just 11%. The narrator’s performance felt very bland and monotone—so much so that I would have been better off just using an auto-read feature. Her delivery didn’t draw me into the story at all, which is crucial for an audiobook, especially in a genre that thrives on charm and atmosphere.

The premise has potential—a magical wishing box, holiday inn drama, quirky family antics—but I wasn’t engaged enough to stick around and find out what happens. Normally, I give audiobooks at least 20% before quitting, but this narrator’s voice made it unbearable before that point.

Overall, if you prioritize narration and engaging voice work, this might not be the best choice in audio form.

DNF at 11%

The narrator is so bland, I could have used autoread and could have felt more engaged.

With this book, I didn't even follow the rule of at least 20% before calling it quits. Couldn't bear to hear her voice any more.