Devi Nair
Confession: I love a good locked-room mystery, especially one wrapped in tinsel. I wanted to like this one. The setup is pure catnip: strangers locked inside a whimsical London gift emporium, secrets spilling like overturned ornament boxes, a killer doling out deadly presents. Early chapters teased delicious dread, with quirky shoppers and creepy grotto vibes. Katherine Press's narration is crisp and atmospheric; she nails the escalating panic without overacting.
Unfortunately, the execution just didn’t land for me. By the 38% mark, I found myself dragging the story along, struggling to stay invested. The narrative felt disorganized, hopping between characters without enough context or build-up, which made it difficult to care about who lived or died. The tension and suspense, which should have been driving the plot, never quite clicked. There were glimpses of clever twists and interesting character secrets, but they were buried under a haphazard pacing that left the story feeling flat.
The idea of a festive thriller should have sparkled, but this one dimmed early. The characters blended together rather than standing out as unique suspects, and the suspense never quite gripped hard enough to make me care who made it out.
Would I recommend it? Skip this one unless you're a die-hard Andreina Cordani completionist or desperate for Christmas murder mystery audiobooks. The premise screams festive frights, but execution left me cold, disorganized, unengaging, and forgettable.
Holiday horror or holiday snooze? Would you keep listening to a sluggish story hoping it redeems itself, or do you DNF without guilt once the spark’s gone? Tell me how you handle it in the comments!
Confession: I love a good locked-room mystery, especially one wrapped in tinsel. I wanted to like this one. The setup is pure catnip: strangers locked inside a whimsical London gift emporium, secrets spilling like overturned ornament boxes, a killer doling out deadly presents. Early chapters teased delicious dread, with quirky shoppers and creepy grotto vibes. Katherine Press's narration is crisp and atmospheric; she nails the escalating panic without overacting.
Unfortunately, the execution just didn’t land for me. By the 38% mark, I found myself dragging the story along, struggling to stay invested. The narrative felt disorganized, hopping between characters without enough context or build-up, which made it difficult to care about who lived or died. The tension and suspense, which should have been driving the plot, never quite clicked. There were glimpses of clever twists and interesting character secrets, but they were buried under a haphazard pacing that left the story feeling flat.
The idea of a festive thriller should have sparkled, but this one dimmed early. The characters blended together rather than standing out as unique suspects, and the suspense never quite gripped hard enough to make me care who made it out.
Would I recommend it? Skip this one unless you're a die-hard Andreina Cordani completionist or desperate for Christmas murder mystery audiobooks. The premise screams festive frights, but execution left me cold, disorganized, unengaging, and forgettable.
Holiday horror or holiday snooze? Would you keep listening to a sluggish story hoping it redeems itself, or do you DNF without guilt once the spark’s gone? Tell me how you handle it in the comments!
📱📖 Read on Kindle 📃 No. of pages: 320 (approx., based on ARC) ⏱ Duration: 7 hours (ARC provided by publisher – pub date Dec 09 2025) 🏷️Publisher name: Simon & Schuster Canada | Gallery/Scout Press
I was hooked from page one. I tore through this book like it was a tray of killer cupcakes: fast, addictive, a little weird, and way too fun. The dual timeline format (past and present) created this eerie, intertwined rhythm that made each reveal hit perfectly. Every cryptic present-day text yanked me into a flashback that made the stakes feel real. Kirby’s voice? Relatable chaos. Esme’s unhinged energy? Chef’s kiss. The friend-group banter had me cackling while clutching my Kindle, and the Crowhurst Killer lore dripped ’90s slasher nostalgia without feeling gimmicky.
Character development is top-notch. I felt with Kirby, understood her frustrations, and loved the quirks of every supporting character. The dual-timeline structure gave the narrative a captivating rhythm that made it hard to put down. The pacing was chef’s kiss, building tension scene by scene. Chilton has that rare knack for balancing dark humor and genuine dread, and the emotional depth snuck up when least expected. By 80% of the book, I was ready to award it five stars.
But then… the ending. The reveal of the Crowhurst killer and the motive behind the murders felt utterly ridiculous, almost as if the story cheated me after building such meticulous suspense. After 80% of such thrilling, smart plotting, the final 20% completely undercut the momentum. The climax lacked the brilliance of the rest of the book, and the resolution didn’t match the tension that had me hooked. It was frustrating, disappointing, and, honestly, felt like a wasted opportunity.
Would I Recommend it? This book had me fully hooked until the last few chapters veered into “wait, what?” territory. The setup was flawless, the execution near-perfect, but the finale felt like it tripped at the finish line. That said, it’s clever, character-rich, and worth reading for the first 80% alone.
Whose Motive Made You Facepalm? Drop your wildest “the killer did WHAT?” letdown in the comments. Let’s roast (or redeem) that final twist together!
📱📖 Read on Kindle 📃 No. of pages: 320 (approx., based on ARC) ⏱ Duration: 7 hours (ARC provided by publisher – pub date Dec 09 2025) 🏷️Publisher name: Simon & Schuster Canada | Gallery/Scout Press
I was hooked from page one. I tore through this book like it was a tray of killer cupcakes: fast, addictive, a little weird, and way too fun. The dual timeline format (past and present) created this eerie, intertwined rhythm that made each reveal hit perfectly. Every cryptic present-day text yanked me into a flashback that made the stakes feel real. Kirby’s voice? Relatable chaos. Esme’s unhinged energy? Chef’s kiss. The friend-group banter had me cackling while clutching my Kindle, and the Crowhurst Killer lore dripped ’90s slasher nostalgia without feeling gimmicky.
Character development is top-notch. I felt with Kirby, understood her frustrations, and loved the quirks of every supporting character. The dual-timeline structure gave the narrative a captivating rhythm that made it hard to put down. The pacing was chef’s kiss, building tension scene by scene. Chilton has that rare knack for balancing dark humor and genuine dread, and the emotional depth snuck up when least expected. By 80% of the book, I was ready to award it five stars.
But then… the ending. The reveal of the Crowhurst killer and the motive behind the murders felt utterly ridiculous, almost as if the story cheated me after building such meticulous suspense. After 80% of such thrilling, smart plotting, the final 20% completely undercut the momentum. The climax lacked the brilliance of the rest of the book, and the resolution didn’t match the tension that had me hooked. It was frustrating, disappointing, and, honestly, felt like a wasted opportunity.
Would I Recommend it? This book had me fully hooked until the last few chapters veered into “wait, what?” territory. The setup was flawless, the execution near-perfect, but the finale felt like it tripped at the finish line. That said, it’s clever, character-rich, and worth reading for the first 80% alone.
Whose Motive Made You Facepalm? Drop your wildest “the killer did WHAT?” letdown in the comments. Let’s roast (or redeem) that final twist together!
🎧 Listened in Audio 📢 Narrated by MacLeod Andrews ⏱ Duration: 9 hours 🏷️ Publisher: HarperAudio Adult | William Morrow (ARC provided by NetGalley) 🗓️ Pub Date: December 2, 2025
I was all in for the neon-soaked premise: a scrappy 14-year-old channeling Ferris Bueller espionage vibes while Reagan and Gorbachev prep for Geneva. The Cold War nostalgia hits hard, Scientific Atlanta contracts, convertible Porsches, Phil Collins on repeat, and Atkins nails the ‘80s texture. MacLeod Andrews’ narration pops with teen sarcasm and drag-queen flair; you can practically hear Jackie Demure’s heels clicking.
Yet, despite MacLeod Andrews' engaging narration, the pacing dragged, and the tone felt uneven, like it couldn’t decide if it wanted to be a sharp spy caper or a nostalgic coming-of-age story. At 25%, I realized I wasn’t invested enough to keep going. The characters drifted instead of driving the story, and even the potential laughs landed flat. I kept waiting for the satirical bite or the gut-punch twist, yet the stakes never ignited.
Ultimately, this one is a case of a premise with promise but pacing and tone that didn’t match. I got to roughly 25% before I had to stop.
Would I Recommend It? Not really. Maybe fans of Ace Atkins’ slower, character-driven work will find more to love here, but for me, the momentum just wasn’t there. DNF at 25%.
Spy Games Gone Wrong? Have you ever picked up a book with a thrilling premise that just couldn’t keep you hooked? I’d love to hear your “almost great, but nope” reads in the comments!
🎧 Listened in Audio 📢 Narrated by MacLeod Andrews ⏱ Duration: 9 hours 🏷️ Publisher: HarperAudio Adult | William Morrow (ARC provided by NetGalley) 🗓️ Pub Date: December 2, 2025
I was all in for the neon-soaked premise: a scrappy 14-year-old channeling Ferris Bueller espionage vibes while Reagan and Gorbachev prep for Geneva. The Cold War nostalgia hits hard, Scientific Atlanta contracts, convertible Porsches, Phil Collins on repeat, and Atkins nails the ‘80s texture. MacLeod Andrews’ narration pops with teen sarcasm and drag-queen flair; you can practically hear Jackie Demure’s heels clicking.
Yet, despite MacLeod Andrews' engaging narration, the pacing dragged, and the tone felt uneven, like it couldn’t decide if it wanted to be a sharp spy caper or a nostalgic coming-of-age story. At 25%, I realized I wasn’t invested enough to keep going. The characters drifted instead of driving the story, and even the potential laughs landed flat. I kept waiting for the satirical bite or the gut-punch twist, yet the stakes never ignited.
Ultimately, this one is a case of a premise with promise but pacing and tone that didn’t match. I got to roughly 25% before I had to stop.
Would I Recommend It? Not really. Maybe fans of Ace Atkins’ slower, character-driven work will find more to love here, but for me, the momentum just wasn’t there. DNF at 25%.
Spy Games Gone Wrong? Have you ever picked up a book with a thrilling premise that just couldn’t keep you hooked? I’d love to hear your “almost great, but nope” reads in the comments!
🎧 Listened in audio 📢 Narrated by Caroline Hewitt ⏱ Duration: 8 hours 🏷️ Publisher: Harlequin Audio ARC provided by NetGalley
Eleanor is a quietly compelling character, though she often feels like she’s holding herself back. She’s given a position of potential power and responsibility, yet the story shows her tiptoeing rather than stepping fully into her role. There’s a soft, underlying strength in her character, a potential that feels like it’s waiting for the right push. Daniel, on the other hand, is the perfect foil: flawed but accountable, capable of mistakes but equally capable of stepping up to fix them. Together, they create a dynamic that’s engaging enough to carry you through the story. Odile, the original librarian, frustrated me. So. Many. Secrets. Her evasiveness felt like plot scaffolding I couldn’t ignore.
What hooked me? The premise: a book that writes your destiny if you bare your soul. The vibes: dark academia, magical realism, a scavenger hunt with consequences. What left me wanting? The ending, which fizzled rather than popped, after so much build-up, it just... deflated. And Daniel’s daughter? Blink and you miss her, despite the hints at deeper layers she might have brought. Still, the journey made for atmospheric listening, and boosted by Caroline Hewitt’s narration, the odd pacing felt less tedious.
The magical realism is subtle, fated books, handwritten futures, more atmospheric than flashy. The pacing drags in the middle, but the Paris clues and rekindled romance kept my earbuds glued. The ending? A fizzle where I craved fireworks. It surprised me, sure, but in a “wait, that’s it?” way. Still, the concept is fresh, and Caroline Hewitt’s narration carries the weight beautifully.
Would I recommend it? Torn. The Library of Fates lives up to its concept, builds a world you want to loiter in, and teases out that delicious “what if fate could be rewritten?” urge. Execution? Not always as sharp as its premise. Good for a cozy, contemplative listen, but don’t expect a knockout twist at the end.
Fates and Fortunes: What Do You Think? Have you ever wished a book could tell your future? Or imagined what secrets a library might hold? I’d love to hear your thoughts on Eleanor and Daniel’s journey. Did the ending surprise you, or leave you wanting more?
🎧 Listened in audio 📢 Narrated by Caroline Hewitt ⏱ Duration: 8 hours 🏷️ Publisher: Harlequin Audio ARC provided by NetGalley
Eleanor is a quietly compelling character, though she often feels like she’s holding herself back. She’s given a position of potential power and responsibility, yet the story shows her tiptoeing rather than stepping fully into her role. There’s a soft, underlying strength in her character, a potential that feels like it’s waiting for the right push. Daniel, on the other hand, is the perfect foil: flawed but accountable, capable of mistakes but equally capable of stepping up to fix them. Together, they create a dynamic that’s engaging enough to carry you through the story. Odile, the original librarian, frustrated me. So. Many. Secrets. Her evasiveness felt like plot scaffolding I couldn’t ignore.
What hooked me? The premise: a book that writes your destiny if you bare your soul. The vibes: dark academia, magical realism, a scavenger hunt with consequences. What left me wanting? The ending, which fizzled rather than popped, after so much build-up, it just... deflated. And Daniel’s daughter? Blink and you miss her, despite the hints at deeper layers she might have brought. Still, the journey made for atmospheric listening, and boosted by Caroline Hewitt’s narration, the odd pacing felt less tedious.
The magical realism is subtle, fated books, handwritten futures, more atmospheric than flashy. The pacing drags in the middle, but the Paris clues and rekindled romance kept my earbuds glued. The ending? A fizzle where I craved fireworks. It surprised me, sure, but in a “wait, that’s it?” way. Still, the concept is fresh, and Caroline Hewitt’s narration carries the weight beautifully.
Would I recommend it? Torn. The Library of Fates lives up to its concept, builds a world you want to loiter in, and teases out that delicious “what if fate could be rewritten?” urge. Execution? Not always as sharp as its premise. Good for a cozy, contemplative listen, but don’t expect a knockout twist at the end.
Fates and Fortunes: What Do You Think? Have you ever wished a book could tell your future? Or imagined what secrets a library might hold? I’d love to hear your thoughts on Eleanor and Daniel’s journey. Did the ending surprise you, or leave you wanting more?
One of the most comforting and amazing cozy mysteries I’ve read this year, Murder Most Fowl by Carmela Dutra goes straight onto my favorites shelf, right up there with Vicki Delaney and Carol J. Perry. This book reminded me why I adore cozy mysteries. Murder Most Fowl has everything I crave: the charm of small-town life, a cast of colorful characters, and an intriguing whodunit that managed to keep me guessing until the end.
What stood out most, though, was the heart in these pages. The portrayal of sibling love between the twins felt so authentic. It’s that perfect push-and-pull dynamic of love and exasperation that only a sibling relationship brings. Add in Beth’s effortless and genuine friendship with Rylie, and suddenly this wasn’t just a cozy mystery, it was a warm slice of life with people I didn’t want to leave behind.
It was with a heavy heart that I finished reading the book. I didn't want to exit the world of Seth, Beth, and Rylie. And oh my goodness, Tina Wolstencroft’s narration is incredible. She gives Beth her own personality with such precision and charm, it feels like she stepped right out of Carmela’s imagination.
I can’t wait for the next book in what I hope will be a long, long, looooong series. Carmela Dutra has just earned a permanent place on my cozy mystery reading list.
Originally posted at viewsshewrites.com.
One of the most comforting and amazing cozy mysteries I’ve read this year, Murder Most Fowl by Carmela Dutra goes straight onto my favorites shelf, right up there with Vicki Delaney and Carol J. Perry. This book reminded me why I adore cozy mysteries. Murder Most Fowl has everything I crave: the charm of small-town life, a cast of colorful characters, and an intriguing whodunit that managed to keep me guessing until the end.
What stood out most, though, was the heart in these pages. The portrayal of sibling love between the twins felt so authentic. It’s that perfect push-and-pull dynamic of love and exasperation that only a sibling relationship brings. Add in Beth’s effortless and genuine friendship with Rylie, and suddenly this wasn’t just a cozy mystery, it was a warm slice of life with people I didn’t want to leave behind.
It was with a heavy heart that I finished reading the book. I didn't want to exit the world of Seth, Beth, and Rylie. And oh my goodness, Tina Wolstencroft’s narration is incredible. She gives Beth her own personality with such precision and charm, it feels like she stepped right out of Carmela’s imagination.
I can’t wait for the next book in what I hope will be a long, long, looooong series. Carmela Dutra has just earned a permanent place on my cozy mystery reading list.
Originally posted at viewsshewrites.com.
My brain is still fried from how twisty and unexpected this book was. I picked it up not realizing it’s the third in Ragnar Jónasson’s Helgi Reykdal Mystery series. But because I’d already started, I didn’t have the patience to go back and read the first two. And here’s the good news! This crime thriller works perfectly as a stand-alone. (So if you’re hesitating because you haven’t read the series, you are SO WRONG. You have no excuse. Go pre-order it today!)
The story zips between 2012, where Helgi hunts for missing author Elín, 2005, revealing her dark secrets, and 1976, tying in a bank robbery with Helgi’s predecessor, Hulda. The Nordic chill seeps through every page, and the narrators’ crisp delivery amps up the suspense. The structure is a masterclass in misdirection, blending snippets of police interviews, flashbacks to a decades-old crime, and Helgi's offbeat personal drama. The domestic violence subplot, where Helgi himself is the victim, packs honesty you rarely see in mainstream crime fiction.
Here’s the tea: I thought I had this mystery pegged. First, it felt like The Seven Husbands of Evelyn Hugo with its layered character reveals. Then, I swore it was channeling Emily Henry’s "The Great Big Beautiful Life". By the end, I was betting on an Agatha Christie Peril at End House twist. Wrong, wrong, and wrong again! Jónasson keeps you guessing with a climax that ties up Elín’s case but leaves a maddening cliffhanger for Helgi’s story. The pacing is snappy, the Icelandic setting is moody perfection, and the audiobook’s multi-narrator magic makes every twist pop. Mark your calendars for this September 9, 2025 release! It’s a must for mystery fans!
Thank you, NetGalley, for this ARC!
Originally posted at viewsshewrites.com.
My brain is still fried from how twisty and unexpected this book was. I picked it up not realizing it’s the third in Ragnar Jónasson’s Helgi Reykdal Mystery series. But because I’d already started, I didn’t have the patience to go back and read the first two. And here’s the good news! This crime thriller works perfectly as a stand-alone. (So if you’re hesitating because you haven’t read the series, you are SO WRONG. You have no excuse. Go pre-order it today!)
The story zips between 2012, where Helgi hunts for missing author Elín, 2005, revealing her dark secrets, and 1976, tying in a bank robbery with Helgi’s predecessor, Hulda. The Nordic chill seeps through every page, and the narrators’ crisp delivery amps up the suspense. The structure is a masterclass in misdirection, blending snippets of police interviews, flashbacks to a decades-old crime, and Helgi's offbeat personal drama. The domestic violence subplot, where Helgi himself is the victim, packs honesty you rarely see in mainstream crime fiction.
Here’s the tea: I thought I had this mystery pegged. First, it felt like The Seven Husbands of Evelyn Hugo with its layered character reveals. Then, I swore it was channeling Emily Henry’s "The Great Big Beautiful Life". By the end, I was betting on an Agatha Christie Peril at End House twist. Wrong, wrong, and wrong again! Jónasson keeps you guessing with a climax that ties up Elín’s case but leaves a maddening cliffhanger for Helgi’s story. The pacing is snappy, the Icelandic setting is moody perfection, and the audiobook’s multi-narrator magic makes every twist pop. Mark your calendars for this September 9, 2025 release! It’s a must for mystery fans!
Thank you, NetGalley, for this ARC!
Originally posted at viewsshewrites.com.
Three words sum up my experience with The Inheritance: Insane. Intense. Incredible.
If you’re searching for a bingeable thriller with toxic family drama and jaw-dropping twists, The Inheritance by Trisha Sakhlecha should shoot to the top of your TBR. I started this psychological thriller audiobook on a workday morning, thinking I’d pace myself but Trisha Sakhlecha’s writing drags you in immediately. She creates a dark, twisted world with no escape, making it impossible to put the book down. This audiobook hooked me instantly, with narrators Avita Jay, Ellie Kendrick, and Tamaryn Payne delivering a masterclass in storytelling that amplifies every ounce of tension.
The Agarwals are a gloriously toxic bunch each character so unlikable, you’re torn between wanting them to face their comeuppance or wield the knife themselves. As an Indian reader, I shuddered at the thought of being trapped in this family’s web of greed, betrayal, and secrets, set against a claustrophobic Scottish island backdrop.
The audiobook experience is even more immersive, with Avita Jay, Ellie Kendrick, and Tamaryn Payne delivering mesmerizing narration. Their performances make the storytelling personal and immediate, drawing listeners deeper into every fraught exchange. Each twist left me genuinely guessing: which family member would betray, and who would fall victim to the dynasty’s curse? Not once did I wish for a break during the ten-hour listen. There’s simply no lag, only tightly layered secrets and gasp-worthy revelations.
What sets this suspenseful mystery apart is its masterful handling of the big reveal. Many thrillers save the secret for the final chapter, leaving a few pages for closure, but here, you’re guessing until the very last word, and the ending is truly unexpected. I was floored. The unlikable cast only heightens the stakes, making every revelation more deliciously chaotic. If you crave heart-pounding psychological thrillers or family dramas with bite, this is your next obsession.
Originally posted at viewsshewrites.com.
Three words sum up my experience with The Inheritance: Insane. Intense. Incredible.
If you’re searching for a bingeable thriller with toxic family drama and jaw-dropping twists, The Inheritance by Trisha Sakhlecha should shoot to the top of your TBR. I started this psychological thriller audiobook on a workday morning, thinking I’d pace myself but Trisha Sakhlecha’s writing drags you in immediately. She creates a dark, twisted world with no escape, making it impossible to put the book down. This audiobook hooked me instantly, with narrators Avita Jay, Ellie Kendrick, and Tamaryn Payne delivering a masterclass in storytelling that amplifies every ounce of tension.
The Agarwals are a gloriously toxic bunch each character so unlikable, you’re torn between wanting them to face their comeuppance or wield the knife themselves. As an Indian reader, I shuddered at the thought of being trapped in this family’s web of greed, betrayal, and secrets, set against a claustrophobic Scottish island backdrop.
The audiobook experience is even more immersive, with Avita Jay, Ellie Kendrick, and Tamaryn Payne delivering mesmerizing narration. Their performances make the storytelling personal and immediate, drawing listeners deeper into every fraught exchange. Each twist left me genuinely guessing: which family member would betray, and who would fall victim to the dynasty’s curse? Not once did I wish for a break during the ten-hour listen. There’s simply no lag, only tightly layered secrets and gasp-worthy revelations.
What sets this suspenseful mystery apart is its masterful handling of the big reveal. Many thrillers save the secret for the final chapter, leaving a few pages for closure, but here, you’re guessing until the very last word, and the ending is truly unexpected. I was floored. The unlikable cast only heightens the stakes, making every revelation more deliciously chaotic. If you crave heart-pounding psychological thrillers or family dramas with bite, this is your next obsession.
Originally posted at viewsshewrites.com.
Thank you, NetGalley, for the ARC copy.
Let me start by saying this: sixteen books in, and Spencer Quinn hasn’t lost a speck of magic. Somehow, the Chet and Bernie series keeps its charm while still feeling fresh, and Cat on a Hot Tin Woof absolutely proves that. What makes this one stand out is how much Chet detests the very idea of tracking down a cat and his inner commentary on why is laugh-out-loud funny. But of course, his devotion to Bernie wins out. That push-pull between canine instincts and loyalty makes for some of the most delightful passages.
What makes the Chet and Bernie Mystery series so special is the unique perspective. Everything is told from Chet’s point of view. The humor is authentic, the voice is charming, and you can’t help but fall in love with the way Spencer Quinn captures a dog’s worldview. This series has always blended the warmth of a cozy mystery with the intrigue of a detective novel, and Cat on a Hot Tin Woof continues the streak of clever plots, witty writing, and authentic character dynamics.
The pacing keeps you hooked, with just enough red herrings to make the detective work engaging without overwhelming the cozy vibe. While the mystery itself isn’t the most complex in the series, the authenticity of Chet’s voice and Bernie’s steady charm make every moment a joy. Fans of the previous 15 books will find this adventure just as captivating, with Quinn’s signature blend of heart, humor, and suspense. For anyone searching for a dog-themed cozy mystery or a laugh-out-loud detective novel, this one’s a must-read. Mark your calendar for April 14, 2026. This tail-wagging tale belongs on your TBR! I'm definitely going to revisit the audiobook once its out.
Originally posted at viewsshewrites.com.
Thank you, NetGalley, for the ARC copy.
Let me start by saying this: sixteen books in, and Spencer Quinn hasn’t lost a speck of magic. Somehow, the Chet and Bernie series keeps its charm while still feeling fresh, and Cat on a Hot Tin Woof absolutely proves that. What makes this one stand out is how much Chet detests the very idea of tracking down a cat and his inner commentary on why is laugh-out-loud funny. But of course, his devotion to Bernie wins out. That push-pull between canine instincts and loyalty makes for some of the most delightful passages.
What makes the Chet and Bernie Mystery series so special is the unique perspective. Everything is told from Chet’s point of view. The humor is authentic, the voice is charming, and you can’t help but fall in love with the way Spencer Quinn captures a dog’s worldview. This series has always blended the warmth of a cozy mystery with the intrigue of a detective novel, and Cat on a Hot Tin Woof continues the streak of clever plots, witty writing, and authentic character dynamics.
The pacing keeps you hooked, with just enough red herrings to make the detective work engaging without overwhelming the cozy vibe. While the mystery itself isn’t the most complex in the series, the authenticity of Chet’s voice and Bernie’s steady charm make every moment a joy. Fans of the previous 15 books will find this adventure just as captivating, with Quinn’s signature blend of heart, humor, and suspense. For anyone searching for a dog-themed cozy mystery or a laugh-out-loud detective novel, this one’s a must-read. Mark your calendar for April 14, 2026. This tail-wagging tale belongs on your TBR! I'm definitely going to revisit the audiobook once its out.
Originally posted at viewsshewrites.com.
I’ll be honest: I didn’t have high expectations going into Kill Joy by Holly Jackson, mostly because A Good Girl’s Guide to Murder just didn’t click for me. But at just three hours long in audio, I decided to give it a try. And wow, this novella worked for me in a way the main novel never did.
The setup is simple but surprisingly fun. A group of teens are drawn into a 1920s-themed murder mystery dinner party, each one taking on a role in the game. Holly Jackson makes the fake investigation just as engaging as a “real” one. It becomes a layered game of clues and secrets—you know it is make-believe, but Pip Fitz-Amobi approaches it with the same relentless curiosity that defines her character throughout the series. Following her through the red herrings, the mistakes, and the final reveal kept me hooked from start to finish.
The audiobook narrators—Bailey Carr, Raymond J. Lee, and Bruce Mann—deliver distinct, lively performances that give the ensemble cast real energy and personality.
The ending felt especially satisfying. Without giving spoilers, I appreciated Jackson’s choice. It was grounded and realistic, though I would have been just as happy with a more traditional twist. What impressed me most was how well Kill Joy stands on its own. Even if you never read A Good Girl’s Guide to Murder, this novella works perfectly as a standalone. For once, I genuinely enjoyed being inside Pip’s head, no baggage required.
If you’re looking for a short, clever, and entertaining YA mystery audiobook, Kill Joy is a great pick. It is the perfect listen for fans of murder mystery games, Holly Jackson’s storytelling, or anyone wanting a fast-paced introduction to Pip Fitz-Amobi’s world.
Originally posted at viewsshewrites.com.
I’ll be honest: I didn’t have high expectations going into Kill Joy by Holly Jackson, mostly because A Good Girl’s Guide to Murder just didn’t click for me. But at just three hours long in audio, I decided to give it a try. And wow, this novella worked for me in a way the main novel never did.
The setup is simple but surprisingly fun. A group of teens are drawn into a 1920s-themed murder mystery dinner party, each one taking on a role in the game. Holly Jackson makes the fake investigation just as engaging as a “real” one. It becomes a layered game of clues and secrets—you know it is make-believe, but Pip Fitz-Amobi approaches it with the same relentless curiosity that defines her character throughout the series. Following her through the red herrings, the mistakes, and the final reveal kept me hooked from start to finish.
The audiobook narrators—Bailey Carr, Raymond J. Lee, and Bruce Mann—deliver distinct, lively performances that give the ensemble cast real energy and personality.
The ending felt especially satisfying. Without giving spoilers, I appreciated Jackson’s choice. It was grounded and realistic, though I would have been just as happy with a more traditional twist. What impressed me most was how well Kill Joy stands on its own. Even if you never read A Good Girl’s Guide to Murder, this novella works perfectly as a standalone. For once, I genuinely enjoyed being inside Pip’s head, no baggage required.
If you’re looking for a short, clever, and entertaining YA mystery audiobook, Kill Joy is a great pick. It is the perfect listen for fans of murder mystery games, Holly Jackson’s storytelling, or anyone wanting a fast-paced introduction to Pip Fitz-Amobi’s world.
Originally posted at viewsshewrites.com.
I can’t believe this series has come to an end. As a huge fan of Mr. Lemoncello, Kyle Keeley, and all their friends, saying goodbye feels bittersweet. This final adventure is an emotional roller coaster, not just because of my own feelings, but because the story itself is packed with excitement and heart.
In this grand finale, thirteen thirteen-year-olds compete for the ultimate prize: Mr. Lemoncello’s entire empire. Ever since the last book, he’s made it clear: there can only be one winner. But who will it be?
Kyle, Sierra, Simon, Soraiya, and a fresh batch of competitors brought a friendship so pure it felt like sunshine in book form. Sierra’s clever wit sparkled, while Charles Chiltington, ever the schemer, planted a mole in the game, stirring up delicious drama. The emotional finale wrapped this series in a whimsical, heart-wrenching bow.
The stakes have never been higher, and the twists kept me hooked from start to finish. The ending was both surprising and deeply satisfying, tying together the series in a way that honors its clever puzzles, wild imagination, and memorable characters.
I turned the last page with a very heavy heart, wishing there was just one more game, one more riddle, one more adventure in the Lemoncello Library. A truly “fantabulous” send-off to one of the most joyful series I’ve ever read.
Originally posted at viewsshewrites.com.
I can’t believe this series has come to an end. As a huge fan of Mr. Lemoncello, Kyle Keeley, and all their friends, saying goodbye feels bittersweet. This final adventure is an emotional roller coaster, not just because of my own feelings, but because the story itself is packed with excitement and heart.
In this grand finale, thirteen thirteen-year-olds compete for the ultimate prize: Mr. Lemoncello’s entire empire. Ever since the last book, he’s made it clear: there can only be one winner. But who will it be?
Kyle, Sierra, Simon, Soraiya, and a fresh batch of competitors brought a friendship so pure it felt like sunshine in book form. Sierra’s clever wit sparkled, while Charles Chiltington, ever the schemer, planted a mole in the game, stirring up delicious drama. The emotional finale wrapped this series in a whimsical, heart-wrenching bow.
The stakes have never been higher, and the twists kept me hooked from start to finish. The ending was both surprising and deeply satisfying, tying together the series in a way that honors its clever puzzles, wild imagination, and memorable characters.
I turned the last page with a very heavy heart, wishing there was just one more game, one more riddle, one more adventure in the Lemoncello Library. A truly “fantabulous” send-off to one of the most joyful series I’ve ever read.
Originally posted at viewsshewrites.com.
Anthologies are always a gamble. You hope for variety without losing cohesion, for sharp writing without filler. The Mysterious Bookshop Presents the Best Mystery Stories of the Year 2025, curated by Otto Penzler with an introduction by John Grisham, does exactly that. It’s a literary sampler platter for mystery lovers, bringing together 20 tales that showcase the genre’s wide range: from noir grit to classic whodunits to psychological suspense.
Several tales lingered long after the listen:
The Golden Road by David Avallone – a bittersweet story of survival. Home Game by Craig Faustus Buck – a clever, tightly wound domestic mystery. The Art of Disappearance by April Kelly – haunting moral dilemmas set in the swamp. Jamming at Jollies by Tracy Falenwolfe – a moving tale of second chances. Totality by James A. Hearn – a cold case solved under a solar eclipse. Through Thick and Thin by Andrew Welsh-Huggins – secrets, twists, and tension. The Problem of Cell 13 by Jacques Futrelle – a classic locked-room mystery bonus.
Narrators Marnye Young and Jamie Renell keep the pacing lively and voices distinct, making this audiobook perfect for quick dips or binge listening. With such variety, there’s truly a story here for every mystery fan—cozy, twisty, dark, or heart-pounding. Whether you like your mysteries cozy, atmospheric, dark, or twisty, this collection delivers. If quick, satisfying reads packed with suspense are your thing—this is one to add to the TBR for sure.
Originally posted at viewsshewrites.com.
Anthologies are always a gamble. You hope for variety without losing cohesion, for sharp writing without filler. The Mysterious Bookshop Presents the Best Mystery Stories of the Year 2025, curated by Otto Penzler with an introduction by John Grisham, does exactly that. It’s a literary sampler platter for mystery lovers, bringing together 20 tales that showcase the genre’s wide range: from noir grit to classic whodunits to psychological suspense.
Several tales lingered long after the listen:
The Golden Road by David Avallone – a bittersweet story of survival. Home Game by Craig Faustus Buck – a clever, tightly wound domestic mystery. The Art of Disappearance by April Kelly – haunting moral dilemmas set in the swamp. Jamming at Jollies by Tracy Falenwolfe – a moving tale of second chances. Totality by James A. Hearn – a cold case solved under a solar eclipse. Through Thick and Thin by Andrew Welsh-Huggins – secrets, twists, and tension. The Problem of Cell 13 by Jacques Futrelle – a classic locked-room mystery bonus.
Narrators Marnye Young and Jamie Renell keep the pacing lively and voices distinct, making this audiobook perfect for quick dips or binge listening. With such variety, there’s truly a story here for every mystery fan—cozy, twisty, dark, or heart-pounding. Whether you like your mysteries cozy, atmospheric, dark, or twisty, this collection delivers. If quick, satisfying reads packed with suspense are your thing—this is one to add to the TBR for sure.
Originally posted at viewsshewrites.com.
It’s downright wild how The Hunting Party dials up the toxicity within its friend group until it almost feels surreal. So many red herrings, emotional landmines, and secret histories that the drama barely lets up. Lucy Foley has crafted these characters to be part of a tradition: old “friends” who have become more like frenemies, holding together out of habit and nostalgia rather than genuine warmth. Their connections are heavy with grudges, betrayals, and the kind of competitive edge that makes every gathering a potential battleground.
There are plenty of red herrings, which is fun for a whodunit, but the excess left me more confused than intrigued. Add in the toxicity of this so-called “friend group”, the bullying, manipulation, and constant undercutting, and I couldn’t help but wonder: why are they even friends? Friends are the family you choose, and you can always “unchoose.” Maybe I’m naive, or maybe just lucky, but I’ve never met people who thrive in such poisonous relationships.
The audiobook narrations were a mixed bag: the female narrators, Elle Newlands, Morag Sims, Imogen Church, and Moira Quirk, brought lively energy and emotional nuance to their characters. Unfortunately, Gary Furlong’s narration of Doug fell flat, depriving a key character of the depth and grittiness he deserved.
It’s not a bad thriller, but it’s not one I’ll be raving about at book club either, considering I am reading this for a book club. If you love complex mysteries, it’s worth a shot. Just keep a character chart handy.
Originally posted at viewsshewrites.com.
It’s downright wild how The Hunting Party dials up the toxicity within its friend group until it almost feels surreal. So many red herrings, emotional landmines, and secret histories that the drama barely lets up. Lucy Foley has crafted these characters to be part of a tradition: old “friends” who have become more like frenemies, holding together out of habit and nostalgia rather than genuine warmth. Their connections are heavy with grudges, betrayals, and the kind of competitive edge that makes every gathering a potential battleground.
There are plenty of red herrings, which is fun for a whodunit, but the excess left me more confused than intrigued. Add in the toxicity of this so-called “friend group”, the bullying, manipulation, and constant undercutting, and I couldn’t help but wonder: why are they even friends? Friends are the family you choose, and you can always “unchoose.” Maybe I’m naive, or maybe just lucky, but I’ve never met people who thrive in such poisonous relationships.
The audiobook narrations were a mixed bag: the female narrators, Elle Newlands, Morag Sims, Imogen Church, and Moira Quirk, brought lively energy and emotional nuance to their characters. Unfortunately, Gary Furlong’s narration of Doug fell flat, depriving a key character of the depth and grittiness he deserved.
It’s not a bad thriller, but it’s not one I’ll be raving about at book club either, considering I am reading this for a book club. If you love complex mysteries, it’s worth a shot. Just keep a character chart handy.
Originally posted at viewsshewrites.com.
If you’re after a cozy mystery with small-town charm, The Bingo Hall Detectives is just the ticket. Think eccentric locals, a sleepy village, and murder lurking behind the bingo cards. The real magic, though, lies in Jason and his mother-in-law Amita. Jason, nursing the sting of a newspaper layoff, stumbles into sleuthing reluctantly, while Amita charges ahead with sharp wit and unshakable determination. Their banter is equal parts funny and exasperating, but beneath it grows a bond that’s unexpectedly touching. By the final chapters, their respect and affection feel wonderfully earned.
The mystery itself is engaging, though not overly tricky—I spotted the culprit a bit early. The pacing dips now and then, especially during long stretches of bingo hall gossip, and sometimes the jump from clue to conclusion feels a little quick. But the warmth, humor, and atmosphere more than make up for it. Jonathan Whitelaw has crafted more than a whodunit; he’s written a story about resilience, family, and unexpected friendship. Jason and Amita’s partnership makes every clue feel like an adventure worth joining.
The Bingo Hall Detectives is cozy, charming, and quietly moving, like finding a forgotten tenner in your pocket, it’s pure delight.
Originally posted at viewsshewrites.com.
If you’re after a cozy mystery with small-town charm, The Bingo Hall Detectives is just the ticket. Think eccentric locals, a sleepy village, and murder lurking behind the bingo cards. The real magic, though, lies in Jason and his mother-in-law Amita. Jason, nursing the sting of a newspaper layoff, stumbles into sleuthing reluctantly, while Amita charges ahead with sharp wit and unshakable determination. Their banter is equal parts funny and exasperating, but beneath it grows a bond that’s unexpectedly touching. By the final chapters, their respect and affection feel wonderfully earned.
The mystery itself is engaging, though not overly tricky—I spotted the culprit a bit early. The pacing dips now and then, especially during long stretches of bingo hall gossip, and sometimes the jump from clue to conclusion feels a little quick. But the warmth, humor, and atmosphere more than make up for it. Jonathan Whitelaw has crafted more than a whodunit; he’s written a story about resilience, family, and unexpected friendship. Jason and Amita’s partnership makes every clue feel like an adventure worth joining.
The Bingo Hall Detectives is cozy, charming, and quietly moving, like finding a forgotten tenner in your pocket, it’s pure delight.
Originally posted at viewsshewrites.com.
The Club is an intense and absorbing tale that pulls readers into a glittering yet toxic world of the rich and famous, where every cocktail comes with a side of secrets. The story’s strength lies in its raw, gritty depiction of wealth, privilege, and the way corruption trickles down to those caught in its wake. The morally complex characters and their perverse habits offer a thrilling, if unsettling, glimpse into the underbelly of affluence.
Tamaryn Payne’s narration was a highlight, electric and engaging, giving each character a distinct energy that kept the sprawling cast vivid.
Where the book faltered for me was in its execution. The sheer number of perspectives made the narrative feel cluttered, and I often found myself confused about whose point of view I was following. Compounding this, the audiobook included references such as “continuing from page xx” at the start of some chapters. Without a physical book to flip back to, these cues were disorienting and left parts of the story difficult to fully follow.
While the dark twists and ambitious storytelling had me hooked at times, the uneven pacing and disjointed structure ultimately kept this from being a standout listen. A mixed experience overall.
Originally posted at viewsshewrites.com.
The Club is an intense and absorbing tale that pulls readers into a glittering yet toxic world of the rich and famous, where every cocktail comes with a side of secrets. The story’s strength lies in its raw, gritty depiction of wealth, privilege, and the way corruption trickles down to those caught in its wake. The morally complex characters and their perverse habits offer a thrilling, if unsettling, glimpse into the underbelly of affluence.
Tamaryn Payne’s narration was a highlight, electric and engaging, giving each character a distinct energy that kept the sprawling cast vivid.
Where the book faltered for me was in its execution. The sheer number of perspectives made the narrative feel cluttered, and I often found myself confused about whose point of view I was following. Compounding this, the audiobook included references such as “continuing from page xx” at the start of some chapters. Without a physical book to flip back to, these cues were disorienting and left parts of the story difficult to fully follow.
While the dark twists and ambitious storytelling had me hooked at times, the uneven pacing and disjointed structure ultimately kept this from being a standout listen. A mixed experience overall.
Originally posted at viewsshewrites.com.
What worked for me right away was the relationship between Freya and Aunt Carole. Their dynamic had that honest, intergenerational warmth I crave in cozy mysteries. Bound by a genuine niece-aunt bond, they embark on a treasure hunt sparked by a cryptic letter from Carole’s late friend, Arthur. The early chapters sparkle with intrigue, unfolding in a creaky manor filled with hidden passages and suspicious characters.
Emilia Fox’s narration was a delight—her crisp delivery brought each quirky moment and tense exchange to life.
Where it stumbled a little for me was in the detail-heavy world of antiques. While fascinating on the surface, the specialized jargon sometimes slowed the pacing, especially for those without niche knowledge. At times it veered from clever to a bit confusing.
Still, the heart of the story, Freya and Carole’s dynamic kept me hooked. The mystery wrapped up with a satisfying, if slightly predictable, twist. Not a perfect debut, but one with enough charm to make me curious about the next book in the series.
Originally posted at viewsshewrites.com.
What worked for me right away was the relationship between Freya and Aunt Carole. Their dynamic had that honest, intergenerational warmth I crave in cozy mysteries. Bound by a genuine niece-aunt bond, they embark on a treasure hunt sparked by a cryptic letter from Carole’s late friend, Arthur. The early chapters sparkle with intrigue, unfolding in a creaky manor filled with hidden passages and suspicious characters.
Emilia Fox’s narration was a delight—her crisp delivery brought each quirky moment and tense exchange to life.
Where it stumbled a little for me was in the detail-heavy world of antiques. While fascinating on the surface, the specialized jargon sometimes slowed the pacing, especially for those without niche knowledge. At times it veered from clever to a bit confusing.
Still, the heart of the story, Freya and Carole’s dynamic kept me hooked. The mystery wrapped up with a satisfying, if slightly predictable, twist. Not a perfect debut, but one with enough charm to make me curious about the next book in the series.
Originally posted at viewsshewrites.com.
Julia Alvarez’s The Cemetery of Untold Stories is a haunting blend of magical realism, Dominican history, and the universal ache of unfinished business. In this latest work of literary fiction, retired author Alma buries her abandoned drafts in Dominican soil, only to discover the stories refuse to stay silent. Instead, they rise up—demanding to be told.
What starts as a quirky premise quickly becomes a profound metaphor for the immigrant experience, always split between languages, countries, and memories, always translating loss into legacy. Characters like Bienvenida and Manuel don’t simply haunt the page; they seize it, bringing fury, love, and rebellion to the forefront.
At its core, this novel asks timeless questions: Whose stories deserve to be told? Who decides when a tale is finished? Alvarez explores these themes with her signature lyricism, weaving together Dominican culture, family history, and magical elements that feel both grounded and otherworldly.
The audiobook performance by Alma Cuervo is stunning: warm, layered, and deeply sensitive. Her narration elevates the text, giving each ghostly voice a presence that lingers long after listening.
That said, the pacing does falter at times. Around the 50–75% mark, I found my attention wandering as certain sections stretched longer than necessary. Still, the story regains momentum toward the end, closing with resonance and beauty.
For fans of Julia Alvarez books, magical realism novels, and literary fiction audiobooks, The Cemetery of Untold Stories is a moving meditation on memory, loss, and the power of storytelling. A must-read (or must-listen) for anyone who has ever grieved their own lost words.
Originally posted at viewsshewrites.com.
Julia Alvarez’s The Cemetery of Untold Stories is a haunting blend of magical realism, Dominican history, and the universal ache of unfinished business. In this latest work of literary fiction, retired author Alma buries her abandoned drafts in Dominican soil, only to discover the stories refuse to stay silent. Instead, they rise up—demanding to be told.
What starts as a quirky premise quickly becomes a profound metaphor for the immigrant experience, always split between languages, countries, and memories, always translating loss into legacy. Characters like Bienvenida and Manuel don’t simply haunt the page; they seize it, bringing fury, love, and rebellion to the forefront.
At its core, this novel asks timeless questions: Whose stories deserve to be told? Who decides when a tale is finished? Alvarez explores these themes with her signature lyricism, weaving together Dominican culture, family history, and magical elements that feel both grounded and otherworldly.
The audiobook performance by Alma Cuervo is stunning: warm, layered, and deeply sensitive. Her narration elevates the text, giving each ghostly voice a presence that lingers long after listening.
That said, the pacing does falter at times. Around the 50–75% mark, I found my attention wandering as certain sections stretched longer than necessary. Still, the story regains momentum toward the end, closing with resonance and beauty.
For fans of Julia Alvarez books, magical realism novels, and literary fiction audiobooks, The Cemetery of Untold Stories is a moving meditation on memory, loss, and the power of storytelling. A must-read (or must-listen) for anyone who has ever grieved their own lost words.
Originally posted at viewsshewrites.com.
Genre: 🕵️♂️ Mystery Thriller Format: 🎧 Audiobook Narrator: 🎙️ Elizabeth Wiley Duration: ⏳ 11 hours Book Blurb:
In Too Old for This by Samantha Downing, a cunning serial killer narrates their chilling tale, weaving a life of calculated murders with a deceptively ordinary facade. Set against a backdrop of small-town normalcy, the killer’s unique perspective reveals a twisted psyche, blending dark humor with psychological depth. As bodies pile up, the line between necessity and impulse blurs, keeping readers guessing about the killer’s next move. This bold thriller, released in 2025, explores the mind of a predator hiding in plain sight, delivering a provocative spin on the cozy mystery genre. Let’s talk about the book:
Samantha Downing’s Too Old for This lured me in with its audacious premise: a serial killer’s POV, served with a side of (at least from my perspective) a semi-cozy mystery vibes. I’ve read and written stories from a killer’s POV before, so I went in curious and open-minded. Downing’s setup is strong, the psychology’s on point, and the writing puts you right inside Lottie’s twisted logic. Elizabeth Wiley’s narration is a standout. Her voice shifts are so spot-on, they make the killer’s twisted mind feel unnervingly real, like you’re eavesdropping on their darkest thoughts.
But here’s where it stumbled for me: I spent most of the book wondering where it was headed, not in a thrilling “can’t wait to find out” way, but more like, “WTF is going on?” The murders, while tied to Lottie’s warped logic, often felt excessive, lacking the deeper “why” I needed to stay invested. Curiosity kept me from DNF’ing, but it wasn’t the heart-pounding excitement I craved. I wanted to love this book, especially for its bold mashup of cozy mystery and pitch-black psychological edge, a combo I’ve never seen before. But when the final chapter hit, I felt more puzzled than satisfied, like I’d missed the spark that makes a story unforgettable.
The silver lining? I’ve literally never encountered (again, from my perspective) a semi-cozy mystery with this kind of pitch-black psychological edge before. If you want something truly unique, this is it. Would I recommend it?
This one really comes down to taste. If you love experimental POVs that drag you into unsettling headspace, give it a go—you might vibe with it more than I did. For me, though, curiosity kept me reading, not excitement, and I closed the last page feeling underwhelmed.
⭐⭐ Rating: 2 out of 5. Share your deep, dark secrets!
Do you enjoy stories told from a killer’s perspective? Or does it make it harder to stay invested in the story? I’d love to hear if this is your jam, or if it’s a hard pass.
Originally posted at viewsshewrites.com.
Genre: 🕵️♂️ Mystery Thriller Format: 🎧 Audiobook Narrator: 🎙️ Elizabeth Wiley Duration: ⏳ 11 hours Book Blurb:
In Too Old for This by Samantha Downing, a cunning serial killer narrates their chilling tale, weaving a life of calculated murders with a deceptively ordinary facade. Set against a backdrop of small-town normalcy, the killer’s unique perspective reveals a twisted psyche, blending dark humor with psychological depth. As bodies pile up, the line between necessity and impulse blurs, keeping readers guessing about the killer’s next move. This bold thriller, released in 2025, explores the mind of a predator hiding in plain sight, delivering a provocative spin on the cozy mystery genre. Let’s talk about the book:
Samantha Downing’s Too Old for This lured me in with its audacious premise: a serial killer’s POV, served with a side of (at least from my perspective) a semi-cozy mystery vibes. I’ve read and written stories from a killer’s POV before, so I went in curious and open-minded. Downing’s setup is strong, the psychology’s on point, and the writing puts you right inside Lottie’s twisted logic. Elizabeth Wiley’s narration is a standout. Her voice shifts are so spot-on, they make the killer’s twisted mind feel unnervingly real, like you’re eavesdropping on their darkest thoughts.
But here’s where it stumbled for me: I spent most of the book wondering where it was headed, not in a thrilling “can’t wait to find out” way, but more like, “WTF is going on?” The murders, while tied to Lottie’s warped logic, often felt excessive, lacking the deeper “why” I needed to stay invested. Curiosity kept me from DNF’ing, but it wasn’t the heart-pounding excitement I craved. I wanted to love this book, especially for its bold mashup of cozy mystery and pitch-black psychological edge, a combo I’ve never seen before. But when the final chapter hit, I felt more puzzled than satisfied, like I’d missed the spark that makes a story unforgettable.
The silver lining? I’ve literally never encountered (again, from my perspective) a semi-cozy mystery with this kind of pitch-black psychological edge before. If you want something truly unique, this is it. Would I recommend it?
This one really comes down to taste. If you love experimental POVs that drag you into unsettling headspace, give it a go—you might vibe with it more than I did. For me, though, curiosity kept me reading, not excitement, and I closed the last page feeling underwhelmed.
⭐⭐ Rating: 2 out of 5. Share your deep, dark secrets!
Do you enjoy stories told from a killer’s perspective? Or does it make it harder to stay invested in the story? I’d love to hear if this is your jam, or if it’s a hard pass.
Originally posted at viewsshewrites.com.
I came for the promise of holiday coziness: Christmas lights on palm trees, ghostly shenanigans, and Maureen and Finn navigating the holiday rush with a side of supernatural chaos. What surprised me was how seamlessly the murder mystery wove its way through the festivities. Perry’s small-town Haven is endearing—a little sun-drenched, a little spooky, and full of oddball characters (alive and otherwise) who make every page pop. The parade of lovable ghosts feels like a warm hug, even when things get dicey. C.S.E. Cooney adds another layer of magic to the narration by bringing Maureen and the folks to life.
The pacing kept me hooked, moving between Maureen’s attempts to save her inn and the unraveling threads of both a new and an old murder. The setting is dripping with cozy, Gulf Coast charm, and by the end, I wanted to book a holiday at Haven House—even if it is haunted. The rapport between Maureen and her ghostly companions (plus her ever-faithful Finn) brings big heart, and while the whodunit isn’t the trickiest, the journey is the real treat. You’ll laugh at the ghosts sabotaging dinner, cheer for Maureen’s tenacity, and maybe even tear up at moments of unexpected connection.
Originally posted at viewsshewrites.com.
I came for the promise of holiday coziness: Christmas lights on palm trees, ghostly shenanigans, and Maureen and Finn navigating the holiday rush with a side of supernatural chaos. What surprised me was how seamlessly the murder mystery wove its way through the festivities. Perry’s small-town Haven is endearing—a little sun-drenched, a little spooky, and full of oddball characters (alive and otherwise) who make every page pop. The parade of lovable ghosts feels like a warm hug, even when things get dicey. C.S.E. Cooney adds another layer of magic to the narration by bringing Maureen and the folks to life.
The pacing kept me hooked, moving between Maureen’s attempts to save her inn and the unraveling threads of both a new and an old murder. The setting is dripping with cozy, Gulf Coast charm, and by the end, I wanted to book a holiday at Haven House—even if it is haunted. The rapport between Maureen and her ghostly companions (plus her ever-faithful Finn) brings big heart, and while the whodunit isn’t the trickiest, the journey is the real treat. You’ll laugh at the ghosts sabotaging dinner, cheer for Maureen’s tenacity, and maybe even tear up at moments of unexpected connection.
Originally posted at viewsshewrites.com.
🎭 Genre: Nordic Thriller 🎧 Format: Audiobook 🎙 Narrator: Sam Woolf ⏳ Duration: 7 hours Publisher: Minotaur Books & Macmillan Audio
Book blurb:
Death at the Sanatorium by Ragnar Jónasson is a gripping thriller that effortlessly builds atmosphere and tension from the first chapter, pulling you into its chilling mystery set in Iceland. I found the pacing smooth and engaging, carrying me almost all the way to the end. The ending, however, didn’t hit quite as hard as I hoped — a bit underwhelming next to the story’s strong momentum. What truly deepened my connection was Jónasson’s author’s note, revealing his deep admiration for Agatha Christie and his efforts translating her work into Icelandic, which added a special layer of appreciation for his storytelling.
Let’s Talk about the book:
From the very first chapter, Death at the Sanatorium gripped me. The atmosphere, pacing, and tension carried me smoothly from start to (almost) finish, and Jónasson’s ability to craft a chilling mystery is undeniable. The ending, however, left me feeling a little unsatisfied—it felt slightly off compared to the brilliant drive of the rest of the book, and I couldn’t help but wish it had landed with more impact.
What truly deepened my appreciation, though, wasn’t just the story itself but the author’s note at the end (which, of course, I read first). Jónasson revealed how much of an admirer he is of Agatha Christie, and how he has translated 14 of her novels into Icelandic. He also shared that he started reading Christie’s work at a very young age—just like me. The only difference is that, growing up, I had the privilege of reading her books in English and always had access to her complete body of work. Jónasson, on the other hand, struggled to find Icelandic translations, since not all of her books were available in his language. Instead of accepting that gap, he decided to solve it for the next Christie-loving kid in Iceland by translating them himself.
As a huge Christie fan, this revelation instantly endeared him to me. I can see her influence woven into his storytelling, and it makes me appreciate his writing on an entirely different level.
Overall, while the conclusion didn’t quite meet the heights of the build-up, the journey was still captivating. And knowing the Christie connection? That gives Jónasson’s books a special place on my shelf.
Would I recommend it?
Definitely a worthwhile read for fans of atmospheric, intricately woven mysteries and those who appreciate the golden age detective style. Fun and engaging, though just missing a truly strong finale. Sam Woolf’s narration is a big plus if you go the audiobook route. Add this to your TBR if you love a Northern noir twist on classic murder mysteries!
⭐⭐⭐⭐ Rating: 4 out of 5.
Share your thoughts!
Have you read any other Ragnar Jónasson books or enjoy Icelandic thrillers? How do you feel about mysteries with dual timelines. Do they draw you in or distract you? Let’s hear your thoughts! Links to the book:
Originally posted at viewsshewrites.com.
🎭 Genre: Nordic Thriller 🎧 Format: Audiobook 🎙 Narrator: Sam Woolf ⏳ Duration: 7 hours Publisher: Minotaur Books & Macmillan Audio
Book blurb:
Death at the Sanatorium by Ragnar Jónasson is a gripping thriller that effortlessly builds atmosphere and tension from the first chapter, pulling you into its chilling mystery set in Iceland. I found the pacing smooth and engaging, carrying me almost all the way to the end. The ending, however, didn’t hit quite as hard as I hoped — a bit underwhelming next to the story’s strong momentum. What truly deepened my connection was Jónasson’s author’s note, revealing his deep admiration for Agatha Christie and his efforts translating her work into Icelandic, which added a special layer of appreciation for his storytelling.
Let’s Talk about the book:
From the very first chapter, Death at the Sanatorium gripped me. The atmosphere, pacing, and tension carried me smoothly from start to (almost) finish, and Jónasson’s ability to craft a chilling mystery is undeniable. The ending, however, left me feeling a little unsatisfied—it felt slightly off compared to the brilliant drive of the rest of the book, and I couldn’t help but wish it had landed with more impact.
What truly deepened my appreciation, though, wasn’t just the story itself but the author’s note at the end (which, of course, I read first). Jónasson revealed how much of an admirer he is of Agatha Christie, and how he has translated 14 of her novels into Icelandic. He also shared that he started reading Christie’s work at a very young age—just like me. The only difference is that, growing up, I had the privilege of reading her books in English and always had access to her complete body of work. Jónasson, on the other hand, struggled to find Icelandic translations, since not all of her books were available in his language. Instead of accepting that gap, he decided to solve it for the next Christie-loving kid in Iceland by translating them himself.
As a huge Christie fan, this revelation instantly endeared him to me. I can see her influence woven into his storytelling, and it makes me appreciate his writing on an entirely different level.
Overall, while the conclusion didn’t quite meet the heights of the build-up, the journey was still captivating. And knowing the Christie connection? That gives Jónasson’s books a special place on my shelf.
Would I recommend it?
Definitely a worthwhile read for fans of atmospheric, intricately woven mysteries and those who appreciate the golden age detective style. Fun and engaging, though just missing a truly strong finale. Sam Woolf’s narration is a big plus if you go the audiobook route. Add this to your TBR if you love a Northern noir twist on classic murder mysteries!
⭐⭐⭐⭐ Rating: 4 out of 5.
Share your thoughts!
Have you read any other Ragnar Jónasson books or enjoy Icelandic thrillers? How do you feel about mysteries with dual timelines. Do they draw you in or distract you? Let’s hear your thoughts! Links to the book:
Originally posted at viewsshewrites.com.
I picked up The Fury by Alex Michaelides as part of my Book Club challenge, and it instantly caught my attention with its irresistible premise. Set against the glamorous yet sinister backdrop of Hollywood, the story brings together past and present stars on a secluded island for an exclusive event. But when the glitz fades and the bodies start piling up, this glittering retreat turns into a deadly game of secrets and betrayal.
The writing dives deep into the dark side of the entertainment industry, with descriptions that are vivid, binge-worthy, and dripping with tension. Imagine the perfect storm of celebrity drama, suspense, and murder mystery! That's exactly the vibe this book delivers. The setup with glamorous guests, toxic relationships, and an isolated island, felt straight out of an Agatha Christie-inspired whodunit, but with a modern psychological thriller twist.
What truly makes The Fury stand out is the unreliable narrator, Eliot Chase. His descent from wide-eyed observer to manipulative schemer and finally into something far more sinister, is a wild ride. Watching his psychological unraveling gave the book its most compelling edge, keeping me hooked to my Kobo Libra Colour (a birthday gift) like I was bingeing a Hollywood drama turned murder mystery thriller.
That said, the ending left me wanting more. Too many unanswered questions and shallow Hollywood stereotypes (the catty diva, the shady producer) kept the finale from reaching the truly haunting potential it had promised. With such a gripping setup, I expected a knockout conclusion, but instead, it felt like the story dropped the ball. 1 like
I picked up The Fury by Alex Michaelides as part of my Book Club challenge, and it instantly caught my attention with its irresistible premise. Set against the glamorous yet sinister backdrop of Hollywood, the story brings together past and present stars on a secluded island for an exclusive event. But when the glitz fades and the bodies start piling up, this glittering retreat turns into a deadly game of secrets and betrayal.
The writing dives deep into the dark side of the entertainment industry, with descriptions that are vivid, binge-worthy, and dripping with tension. Imagine the perfect storm of celebrity drama, suspense, and murder mystery! That's exactly the vibe this book delivers. The setup with glamorous guests, toxic relationships, and an isolated island, felt straight out of an Agatha Christie-inspired whodunit, but with a modern psychological thriller twist.
What truly makes The Fury stand out is the unreliable narrator, Eliot Chase. His descent from wide-eyed observer to manipulative schemer and finally into something far more sinister, is a wild ride. Watching his psychological unraveling gave the book its most compelling edge, keeping me hooked to my Kobo Libra Colour (a birthday gift) like I was bingeing a Hollywood drama turned murder mystery thriller.
That said, the ending left me wanting more. Too many unanswered questions and shallow Hollywood stereotypes (the catty diva, the shady producer) kept the finale from reaching the truly haunting potential it had promised. With such a gripping setup, I expected a knockout conclusion, but instead, it felt like the story dropped the ball. 1 like
