 Stolen Focus: Why You Can't Pay Attention
| 3.84 | 4.5 | |
 Artful Sentences: Syntax as Style
| 0 | - | |
 The Norton Shakespeare: Based On The Oxford Edition
| 4 | - | |
 David Copperfield
| 3.93 | 5 | |
 The Road to Wigan Pier
| 3.82 | - | |
 Selfie: How We Became So Self-Obsessed and What It's Doing to Us
| 4 | - | |
 Emma
| 3.95 | - | |
 All My Puny Sorrows
| 4.42 | - | |
 Wide Sargasso Sea
| 3.41 | - | |
 A Perfect Spy
| 4.24 | - | |
 Meditations
| 4.17 | - | |
 Down and Out in Paris and London
| 3.97 | - | |
 Animal Farm
| 4.06 | - | |
 The Dubliners
| 3.86 | - | |
 The Jungle
| 4.2 | - | |
 Little Dorrit
| 4.27 | - | |
 Gravity's Rainbow
| 4.23 | - | |
 To a Fault
| 0 | - | |
 Bobby Fischer Teaches Chess
| 3.29 | - | |
 Berlin
| 0 | - | |
 Brave New World
| 3.89 | 5 | |
 Fahrenheit 451
| 3.93 | 5 | |
 Theft by Finding
| 4 | - | |
 The Elements of Style
| 4.31 | - | |
 Anna Karenina
| 3.96 | - | |
 The Iliad
| 3.79 | - | |
 Leaves of Grass
| 3.94 | - | |
 The Leopard
| 3.91 | - | |
 Gaudy Night
| 4.2 | - | |
 Syllabus
| 0 | - | |
 Modern Classics Essays
| 3 | - | |
 The Old Curiosity Shop
| 3.73 | - | |
 To Rise Again at a Decent Hour
| 3.21 | - | |
 King Lear
| 3.86 | - | |
 Bleak House
| 4.05 | 5 | |
 How to Do Nothing
| 3.56 | - | |
 Hamlet
| 4 | - | |
 Having and Being Had
| 3.6 | - | |
 Our Mutual Friend
| 3.58 | - | |
 The Playboy of the Western World and Other Plays
| 0 | - | |
 Diplomatic Baggage
| 4 | 4 | |
 Money
| 3.34 | - | |
 Blake
| 0 | - | |
 Mrs Dalloway
| 3.77 | 4 | |
 Religion and the Decline of Magic
| 0 | - | |
 Brighton Rock
| 3.61 | - | |
 The Master and His Emissary
| 0 | - | |
 Free Lunch
| 0 | - | |
 Capital
| 3.94 | - | |
 Martin Chuzzlewit
| 3.25 | - | |
 84 Charing Cross Road / The Duchess of Bloomsbury Street
| 4.42 | 4.5 | |
 American Pastoral
| 3.73 | - | |
 The Picture of Dorian Gray
| 4.05 | - | |
 Oliver Twist
| 3.66 | - | |
 Stiff: The Curious Lives of Human Cadavers
| 3.87 | - | |
 The Blackwater Lightship
| 4 | - | |
 The Power Broker
| 4.76 | - | |
 Into the Woods A Five-Act Journey into Story
| 0 | - | |
 Free Will
| 3.82 | - | |
 Aspects of the Novel
| 4 | - | |
 Letters to a Young Poet
| 4.43 | - | |
 Invisible Cities
| 4.08 | - | |
 Orlando
| 3.76 | - | |
 Hard Times
| 3.18 | - | |
 The Death of King Arthur
| 4 | - | |
 The Consolations Of Philosophy
| 4.04 | - | |
 Rabbit is Rich
| 3.17 | - | |
 Jews Don't Count
| 4.25 | - | |
 The Mystery of Edwin Drood
| 3.2 | - | |
 Autumn
| 4 | - | |
 Upstream: Selected Essays
| 3.89 | - | |
 Songs of Innocence and of Experience
| 3.84 | - | |
 The Third Policeman
| 3.5 | - | |
 Sons and Lovers
| 3.8 | - | |
 White Noise
| 3.81 | - | |
 How to Live
| 4.08 | - | |
 Independent People
| 0 | - | |
 Drive Your Plow Over the Bones of the Dead
| 3.79 | 4.5 | |
 Damn Good Advice
| 2.4 | - | |
 The Unbearable Lightness of Being
| 3.89 | - | |
 The Fran Lebowitz Reader
| 3.5 | - | |
 Against Nature
| 4.44 | - | |
 The adventures of Augie March
| 3.83 | - | |
 Leonardo Da Vinci
| 4.23 | - | |
 The Poetics of Space
| 4.33 | - | |
 John Donne's Poetry
| 3.8 | - | |
 The Wretched of the Earth
| 4.28 | - | |
 The Dictionary of Lost Words
| 4.1 | - | |
 Amusing Ourselves to Death: Public Discourse in the Age of Show Business
| 4.09 | - | |
 Blindness
| 3.99 | 4 | |
 The Spectator Bird
| 4.6 | - | |
 Molloy
| 4.33 | - | |
 Rabbit, Run
| 3.58 | 5 | |
 Don't Look Now and Other Stories
| 3.83 | - | |
 The New York Trilogy
| 3.99 | - | |
 The Master
| 3.75 | - | |
 Memoir
| 0 | - | |
 The Pine Barrens
| 4 | - | |
 Several Short Sentences about Writing
| 4.21 | - | |
 To Calais, in Ordinary Time
| 4 | - |
