2002 | 3.6 | |
2012 | 3.96 | |
2014 | 3 | |
In Living Color In Living Color: A Cultural History
| 0 | |
Black Diamond Queens Black Diamond Queens: African American Women and Rock and Roll
| 0 | |
2020 | 4.22 | |
0 | ||
2023 | 4 | |
2018 | 4.25 | |
1992 | 3.95 | |
2024 | 0 | |
1965 | 4.29 | |
They Break the Laws We Must Obey They Break the Laws We Must Obey
| 0 | |
2005 | 4.15 | |
2022 | 0 | |
2017 | 4.4 | |
2018 | 4.47 | |
1962 | 4.57 | |
2021 | 2.5 | |
2023 | 4.06 | |
2024 | 3.83 | |
2022 | 4.21 | |
2024 | 3.83 | |
2023 | 4.16 | |
2023 | 4.01 | |
2017 | 3.71 | |
2018 | 3.44 | |
2023 | 3.88 | |
1985 | 4.25 | |
2003 | 0 | |
2022 | 4.56 | |
Her First Palestinian Her First Palestinian
| 4.67 | |
2016 | 3.5 | |
2021 | 4.29 | |
3.63 | ||
2020 | 3.86 | |
2019 | 3.25 | |
2023 | 4.01 | |
2022 | 3.58 | |
2015 | 3.74 | |
2020 | 3.77 | |
2023 | 3.65 | |
2021 | 4.4 | |
2020 | 4.1 | |
2022 | 3.89 | |
2022 | 4.15 | |
2023 | 4.11 | |
2022 | 4.17 | |
1976 | 4.12 | |
2022 | 4.16 | |
2022 | 4.43 | |
2023 | 3.42 | |
2023 | 4.47 | |
2023 | 4.27 | |
2022 | 3.7 | |
2014 | 4.31 | |
Tinker Belles and Evil Queens Tinker Belles and Evil Queens: The Walt Disney Company from the Inside Out
| 0 | |
2023 | 3.97 | |
2023 | 3.65 | |
1993 | 4.25 | |
2019 | 4.06 | |
2019 | 4.11 | |
2020 | 4.19 | |
2017 | 4.07 | |
1956 | 4.38 | |
Never Whistle at Night
| 2023 | 3.9 |
2010 | 3.7 | |
2018 | 4.11 | |
1905 | 3.58 | |
2012 | 4.37 | |
2019 | 3.89 | |
2023 | 3.96 | |
2022 | 3.83 | |
2023 | 3.51 | |
2022 | 3.4 | |
2022 | 3.78 | |
2020 | 3.79 | |
2022 | 3.96 | |
The Queer Games Avant-Garde The Queer Games Avant-Garde: How LGBTQ Game Makers Are Reimagining the Medium of Video Games
| 2020 | 0 |
2022 | 4 | |
1950 | 4.32 | |
2020 | 0 | |
2020 | 3.76 | |
2021 | 4.08 | |
2022 | 3.67 | |
4.35 | ||
2018 | 3.76 | |
2018 | 3.83 | |
1976 | 3.17 | |
2011 | 4.01 | |
2014 | 4.24 | |
2022 | 2.13 | |
2020 | 3.87 | |
2016 | 3.95 | |
2018 | 3.76 | |
2020 | 3.2 | |
2021 | 5 | |
2020 | 4.23 | |
2022 | 4.09 | |
2011 | 3.62 |