 Elon Musk
| 4.28 | 5 | |
 1984
| 4.21 | 5 | |
 The Book That Held Her Heart
| 0 | - | |
 The Book That Broke the World
| 4.23 | - | |
 Knife: Meditations After an Attempted Murder
| 3.94 | - | |
 On the Edge: The Art of Risking Everything
| 3.2 | - | |
 The Familiar
| 3.69 | - | |
 The Book of Doors
| 3.9 | 4 | |
 The Other Valley
| 3.73 | - | |
 A Short Walk Through a Wide World
| 3.67 | 4 | |
 The Book That Wouldn't Burn
| 4.03 | 4 | |
 The Tainted Cup
| 4.34 | - | |
 Advertising: Concept and Copy
| 4 | - | |
 The Book of Gossage
| 0 | - | |
 Junior: Writing Your Way Ahead In Advertising
| 4.17 | 3.5 | |
 Less but Better
| 0 | - | |
 Delusions Of Brandeur
| 4 | - | |
 The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America
| 4.01 | 3 | |
 Art and Visual Perception
| 5 | - | |
 At Day's Close: Night in Times Past
| 3 | - | |
 Co-Intelligence: Living and Working with AI
| 4 | - | |
 The Deep Places
| 4.5 | - | |
 The Eye of the World
| 4.01 | 4 | |
 The Great Hunt
| 4.12 | 4 | |
 The Residence
| 3.57 | 3 | |
 Wired for Story
| 3.83 | - | |
 Foundry
| 3 | - | |
 Book of Night
| 3.32 | - | |
 The Uncertainty Mindset: Innovation Insights from the Frontiers of Food
| 0 | - | |
 Flavor
| 0 | - | |
 Axiomatic
| 4.17 | - | |
 You Are What You Watch
| 4.25 | - | |
 Shape Shape
| 3.5 | - | |
 How Not to Be Wrong: The Power of Mathematical Thinking
| 3.99 | - | |
 Hidden Systems Hidden Systems
| 0 | - | |
 Revising Prose
| 5 | - | |
 Rule of Wolves
| 4.22 | - | |
 Shift
| 4.02 | - | |
 Dust
| 4.13 | - | |
 Wool Omnibus
| 4.11 | - | |
 The White Pill The White Pill: A Tale of Good and Evil
| 3.5 | - | |
 To Sleep in a Sea of Stars
| 3.64 | 3 | |
 I Let You Go
| 3.54 | - | |
 I See You
| 3.71 | 4 | |
 Bird by Bird: Some Instructions on Writing and Life
| 4.17 | - | |
 On Writing: A Memoir of the Craft
| 4.34 | - | |
 On writing well
| 4.24 | - | |
 The Night Country
| 3.46 | - | |
 Atalanta
| 3.5 | - | |
 Mr. Miller
| 1 | 1 | |
 The Devil and the Dark Water
| 3.84 | 4 | |
 This Is How You Lose the Time War
| 3.89 | - | |
 The Sound Book
| 2 | - | |
 Dark Matter
| 4.03 | - | |
 Tomorrow and Tomorrow
| 3.21 | - | |
 The Gone World
| 3.87 | 3 | |
 Upgrade
| 3.63 | - | |
 Elektra
| 3.37 | 4 | |
 Ariadne
| 3.6 | - | |
 Maverick: A Biography of Thomas Sowell
| 3.5 | - | |
 Dieter Rams: As Little Design as Possible
| 0 | - | |
 Less and More: The Design Ethos of Dieter Rams
| 0 | - | |
 Dieter Rams | 5 | - | |
 The Escape Room
| 3.36 | 1 | |
 Arriving Today
| 4 | 5 | |
 Warrior of the Altaii
| 3.17 | 4 | |
 The Klutz Book of Inventions
| 0 | - | |
 The Klutz Book of Inventions
| 0 | - | |
 Seeker
| 3 | - | |
 A Winter's Promise
| 3.94 | - | |
 The Antidote: Happiness for People Who Can't Stand Positive Thinking
| 3.83 | - | |
 The Glass Spare
| 3.29 | - | |
 Last Song Before Night
| 3.43 | - | |
Fake Love Letters, Forged Telegrams, and Prison Escape Maps Fake Love Letters, Forged Telegrams, and Prison Escape Maps: Designing Graphic Props for Filmmaking
| 0 | - | |
 Legion: The Many Lives of Stephen Leeds
| 4.02 | - | |
 The Loop
| 3.5 | 2 | |
 The Block
| 0 | - | |
 Hostage
| 3.5 | 2 | |
 The Binding
| 3.94 | 2 | |
 The Betrayals
| 3.68 | 3 | |
 Creativity
| 3.7 | 2 | |
 Creative Selection: Inside Apple's Design Process During the Golden Age of Steve Jobs
| 3.75 | - | |
 I Am No One
| 4 | 3 | |
 The Non-designer's Design Book
| 0 | - | |
 We Don't Eat Our Classmates
| 3.89 | - | |
 What If? 2: Additional Serious Scientific Answers to Absurd Hypothetical Questions
| 4.35 | 5 | |
 The Hazel Wood
| 3.55 | 3 | |
 After Steve
| 3.57 | - | |
 The cruelty
| 0 | 3 | |
 Build
| 4.29 | 4 | |
 The Letter for the King
| 4.4 | 2 | |
 Range: Why Generalists Triumph in a Specialized World
| 4.14 | - | |
 Ithaca
| 3.67 | - | |
 Evermore
| 3.46 | 4 | |
 The Extraordinary and Unusual Adventures of Horatio Lyle
| 4 | - | |
 Playing to Win: How Strategy Really Works
| 4.14 | - | |
 Project Hail Mary
| 4.44 | 4 | |
 Everless
| 3.84 | 4 | |
 What If? Serious Scientific Answers to Absurd Hypothetical Questions
| 4.23 | 5 | |
 The Passengers
| 3.91 | 2 |
