4.13 | |
4 | |
2 | |
3.67 | |
3.36 | |
3.71 | |
3.78 | |
3.76 | |
3.96 | |
4.16 | |
3.34 | |
3.86 | |
4.31 | |
0 | |
4.27 | |
4.06 | |
4.9 | |
4.61 | |
4.08 | |
3.66 | |
4.67 | |
3.81 | |
4.64 | |
3.94 | |
5 | |
4 | |
3.82 | |
4.43 | |
3.89 | |
3.77 | |
4.26 | |
3.81 | |
4.18 | |
4 | |
3.98 | |
0 | |
0 | |
5 | |
4 | |
0 | |
0 | |
3.5 | |
0 | |
4.17 | |
3.38 | |
3.89 | |
0 | |
0 | |
4.51 | |
0 | |
0 | |
0 | |
3.95 | |
The Dame in the Kimono The Dame in the Kimono: Hollywood, Censorship, and the Production Code, from the 1920s to the 1960s
| 0 |
Seductive Cinema Seductive Cinema: The Art of Silent Film
| 0 |
5 | |
The Major Film Theories The Major Film Theories: An Introduction
| 0 |
0 | |
0 | |
Film Comedy Film Comedy
| 0 |
0 | |
0 | |
3.86 | |
3.93 | |
4 | |
3.86 | |
0 | |
0 | |
The New York Times Guide to the Best 1,000 Movies Ever Made The New York Times Guide to the Best 1,000 Movies Ever Made: An Indispensable Collection of Original Reviews of Box-Office Hits and Misses
| 0 |
0 | |
Essential Cinema Essential Cinema: On the Necessity of Film Canons
| 5 |
0 | |
0 | |
3.49 | |
4 | |
0 | |
4.27 | |
4.19 | |
3.2 | |
4.22 | |
4.06 | |
4.23 | |
4.45 | |
0 | |
4.11 | |
4.19 | |
3.87 | |
Det overnaturlige Det overnaturlige
| 0 |
4 | |
3.79 | |
3.76 | |
3.76 | |
4 |