 Andre Bazin on Adaptation: Cinema's Literary Imagination
| 0 |
 Strange Tales from a Chinese Studio
| 3.67 |
 The Wall
| 3.27 |
 Diary of a madman and other stories
| 4.5 |
 Slow Cinema
| 0 |
 World Cinema and the Ethics of Realism World Cinema and the Ethics of Realism
| 0 |
 The Cinema of Raúl Ruiz: Impossible Cartographies
| 0 |
 Patriarchy and Accumulation On A World Scale
| 0 |
 Neglected or Misunderstood: The Radical Feminism of Shulamith Firestone
| 0 |
 Caliban and the Witch
| 4.25 |
 Philosophical Trends in the Feminist Movement
| 0 |
 The Subsistence Perspective: Beyond the Globalised Economy
| 0 |
 Orlando Furioso
| 4 |
 Swords Against Death
| 3.82 |
 The Sadeian Woman
| 0 |
 Kingdoms of Elfin
| 5 |
 We
| 3.73 |
 Petrarch's Lyric Poems Petrarch's Lyric Poems: The Rime Sparse and Other Lyrics
| 0 |
 The Dispossessed: An Ambiguous Utopia
| 4.17 |
 Dictionary of the Khazars (Male Edition)
| 3 |
 The Chronicles of Amber
| 4.08 |
 Death in Venice
| 3.73 |
 House Taken Over House Taken Over
| 0 |
 Swords and Deviltry
| 3.44 |
 The Shadow of the Torturer
| 3.66 |
 The Gormenghast Novels
| 3.57 |
 On the Marble Cliffs (Penguin Modern Classics) (English and German Edition)
| 0 |
The Total Art of Stalinism The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and Beyond
| 0 |
 Failure of a Revolution: Germany 1918-1919
| 0 |
 Shahnameh
| 3 |
 Kokoro
| 4.22 |
 Breasts and Eggs
| 3.91 |
 Ulysses
| 3.87 |
 Dubliners
| 3.88 |
 I Am a Cat
| 3.41 |
 Roadside Picnic
| 4.03 |
 The Yellow Wall-Paper
| 4.05 |
 Red Star
| 3 |
 The Revolt of the Angels
| 0 |
 The Conference of the Birds
| 4.43 |
 The Sufi Path of Knowledge The Sufi Path of Knowledge: Ibn Al-Arabi's Metaphysics of Imagination
| 0 |
 The Muqaddimah
| 5 |
 الفتوحات المكية | 0 |
The Bezels of Wisdom The Bezels of Wisdom
| 0 |
 The White Ship
| 0 |
 Cosmicomics
| 4.4 |
 The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media
| 4.5 |
 the Work of Art in the Age of Mechanical Reproduction
| 4 |
 Lent
| 4.09 |
 On Photography
| 3.98 |
 Stoner
| 4.49 |
 The Book of Disquiet
| 4.3 |
 The Name of the Rose
| 3.99 |
 The King's Painter: The Life of Hans Holbein
| 3 |
 The Blind Owl
| 3.23 |
 Jane Eyre
| 4 |
 The Prague Cemetery
| 3.62 |
 Selected Stories of Anton Chekhov
| 4.18 |
 Combined and Uneven Apocalypse Combined and Uneven Apocalypse: Luciferian Marxism
| 4 |
 A Little Princess
| 4.2 |
 Little Lord Fauntleroy
| 4.2 |
 Blood Lies
| 0 |
 In the Shadow of Revolution In the Shadow of Revolution: Life Stories of Russian Women from 1917 to the Second World War | 0 |
 Khrushchev Lied
| 0 |
 Another View of Stalin
| 5 |
 Everyday Stalinism: Ordinary Life in Extraordinary Times
| 3 |
 The Russian Revolution 1917-1932
| 0 |
 The Erasers
| 4 |
 The Revolution of Everyday Life
| 0 |
 Jealousy
| 0 |
 The Glass Bead Game
| 3.91 |
 The making of the English working class
| 4.33 |
 Considerations on Western Marxism
| 4 |
 How Nonviolence Protects the State
| 4 |
 Comments on the Society of the Spectacle
| 3 |
 Lenin's Tomb
| 3.75 |
 The Name of the Wind
| 4.39 |
 Tatlin's Dream - Russian Suprematist and Constructivist Art, 1910 - 1923
| 0 |
 Kasimir Malevich: Black and White: Suprematist Composition
| 0 |
The Film Factory The Film Factory: Russian and Soviet Cinema in Documents 1896-1939
| 0 |
 Cinema and Soviet Society
| 0 |
The Principles of Communism The Principles of Communism
| 4.5 |
The three sources and three component parts of Marxism. Karl Marx. Frederick Engels The three sources and three component parts of Marxism. Karl Marx. Frederick Engels
| 4 |
 The Non-Objective World: The Manifesto of Suprematism
| 0 |
 Kazimir Malevich and the Russian Avant-Garde | 0 |
 The Imperial Screen The Imperial Screen: Japanese Film Culture in the Fifteen Years' War, 1931-1945
| 0 |
 Poetics Of Cinema
| 0 |
 No Exit
| 3.94 |
 Critique of dialectical reason
| 0 |
 Being and Nothingness
| 3.8 |
 Continuity and Rupture: Philosophy in the Maoist Terrain
| 0 |
 Florante at Laura
| 3.25 |
 Ibong Adarna | 2.67 |
 Demian
| 4.13 |
 El Filibusterismo
| 3.83 |
 Noli me tángere =
| 3.94 |
 Narcissus and Goldmund
| 4.06 |
 Siddhartha
| 3.95 |
 The Society of the Spectacle
| 4.02 |
 Selections from the Prison Notebooks
| 5 |