Ethan Poole

I listened to the audiobook version. This book was so engrossing that I actually looked forward to my commute where I could listen undisturbed. In many ways, it felt like watching a (good) movie. I really enjoyed the characters of Ender and Valentine. The ending is superb. However, conquering the world via blogging is a little silly, but I'm willing to accept it as having been believable in 1994. Having read [b:Speaker for the Dead 7967 Speaker for the Dead (Ender's Saga, #2) Orson Scott Card https://images.gr-assets.com/books/1295660894s/7967.jpg 2327777], I can see that everything in this book is necessary to build up to Speaker for the Dead, which is an even better novel.

As a reader (or listener in my case), The Way of Kings is a commitment, but it pays off. I would recommend this book to anyone who reads epic fantasy or to anyone who has enjoyed other Sanderson books and can readily place faith in the author to deliver a good story. The plot is incredibly slow at many points, but I found that this slowness made the ending more thrilling and exciting. It feels like a solid foundation for an incredible series, so I look forward to reading the next two published books. Sanderson is a master at world building and creating interesting characters, and these skills show in this book. I particularly enjoyed the storyline with Shallan and Jasnah, a female tutor-advisor relationship, which we don't get to see often in fantasy. I found the character Dalinar a bore at first, but grew to like him and his storyline.

I really enjoyed this book. It is a very different kind of book from [b:Ender's Game 375802 Ender's Game (Ender's Saga, #1) Orson Scott Card https://images.gr-assets.com/books/1408303130s/375802.jpg 2422333]. In many ways, I think that it is better, even if it lacks the action and suspense that made Ender's Game a page-turner. The character development is richer, and the story full of more mystery. The incorporation of Brazilian Portuguese and Catholicism gave the story an anchoring to the present and made the characters feel more tactile.

This book is the best fantasy novel that I have read in some time. Jemisin has mastered the art of showing, rather than telling. Her daring choice of literary devices, like using the second person, is refreshing, especially in a genre that is distinctly repetitive. The story itself unfolds in the most elegant and natural-feeling way. There are lots of “a-ha” movements towards the end of the book, when so many of the story's events and characters are drawn together—but nothing here feels forced or arbitrary. My single complaint is that the book's ending is not really an ending, but, I guess, this is what you get with a trilogy. It is mitigated by the fact that the rest of the trilogy is already published, so I don't have to wait for a resolution.