Victor Hugo Kebbe

I really loved this second volume. The cliffhanger left by the previous issue was resolved very satisfyingly, and the adventure remains intense. Once again, Jason Aaron perfectly captures the rhythm and spirit of the Classic Trilogy, much like Zahn did back in the old Expanded Universe.

I have to comment on the artwork. Simone Bianchi’s work is excellent, and her interpretation of Obi-Wan is fantastic. However, I was blown away by the work of Stuart Immonen and Wade von Grawbadger, which is stunning. The panels are incredibly dynamic, and the coloring is spectacular.

I really loved this second volume. The cliffhanger left by the previous issue was resolved very satisfyingly, and the adventure remains intense. Once again, Jason Aaron perfectly captures the rhythm and spirit of the Classic Trilogy, much like Zahn did back in the old Expanded Universe.

I have to comment on the artwork. Simone Bianchi’s work is excellent, and her interpretation of Obi-Wan is fantastic. However, I was blown away by the work of Stuart Immonen and Wade von Grawbadger, which is stunning. The panels are incredibly dynamic, and the coloring is spectacular.

I’d been putting off reading this title for years. Honestly, I haven’t been a huge fan of Disney’s take on Star Wars—except for Andor and Rogue One. Because of that, I’ve spent most of my time exploring the Expanded Universe instead.

So when I finally picked up this debut title, I was in for a real treat! From the very first chapters, I felt that familiar thrill of the Classic Trilogy. The author managed to capture the pacing and energy of those original films in a way that reminded me of Timothy Zahn’s work. Even better, the story treats the canon with respect and delivers one exciting moment after another.

If I had to point out one downside, it would be the cliffhanger. It just didn’t land for me—but I won’t spoil the details. That said, I still think this book is more than worth your time if you love the classic Star Wars films. Discovering it felt like reconnecting with the magic that made me fall in love with the galaxy far, far away in the first place.

While Star Wars: Darth Maul: Black, White and Red lacks originality and leans heavily into gore and combat, Darth Vader: Black, White and Red is a completely different story.

First and foremost, I have to give a shout-out to the writers and artists involved in this anthology. Every tale is bursting with creativity, and I especially loved how each story maintains its own distinct visual identity.

However, if you’re looking for deep character development to understand Vader better, you might find yourself frustrated. Instead of exploring his psyche, this anthology focuses on demonstrating that Vader is not just a powerhouse in the Dark Side, but also a brilliant and cunning warrior.

I just read #StarWars TIE Fighter, after reading Alexander Fred's Alphabet Squadron. It was a “cross event” marketing campaign by Marvel Comics and Del Rey, which I expected to fill some gaps regarding the book.

While Alphabet Squadron has an amazing story and it is an homage to X-Wing book series, TIE Fighter is quite dull and reminded me why I wasn't reading mainstream comics anymore (by the way, if you want to read some Star Wars comics, go to Dark Horse titles instead of Marvel; they did know what they're doing).

TIE Fighter has this story, it seems written with haste. It's impossible to feel connected or to sympathize with any of its characters, which is a shame. And I'm really sad to say this, but it has also an inconstant art, ranging from beautiful covers to low budget comic book publishers.

Unfortunately, Darth Maul: Black, White & Red falls into the trap of being incredibly repetitive. It’s an anthology of four stories, yet they all feel like variations of the same theme: Maul being a relentless weapon under Sidious. Because the plotlines are so similar, the novelty wears off quickly. It leans heavily on the 'cool factor' of his double-bladed lightsaber and martial arts, but if you’re looking for a deep dive into his psyche or a fresh perspective on his lore, you won't find much here beyond the gore and the combat.

Even though the 'Black, White, and Red' motif offers a great opportunity for bold visuals, the execution here is hit-or-miss. There is a jarring disconnect between the stunning cover art and the interior pencils. Considering the talent involved in the variant covers, the overall artistic direction feels like a missed opportunity for something truly experimental.

No Prisoners was a pleasant surprise I stumbled upon this year. It was also the first Clone Wars novel I decided to pick up, following my resolution to dive more consistently into the Star Wars literary universe.

The book is short and to the point, devoid of convoluted plots or subplots. This brevity is reflected in both the page count and the number of chapters. For those accustomed to the typical Star Wars novel, this often signals a "book that could have been great, but wasn't." I vehemently disagree. From the start, I viewed it as a story perfectly aligned with the episodic format of the Clone Wars series.

Karen Traviss succeeded brilliantly in raising profound questions about war and the Force (specifically, the Jedi monopoly over it). It’s impressive how, within such a limited scope, the author provokes the reader with serious inquiries into the purpose and meaning of conflict.

We also see what might be Pellaeon’s first appearance, right at the start of his military career. He is still immature here, and it’s clear how the events of the following decades shaped such an iconic character. While some argue he feels nothing like the Pellaeon from the Thrawn Trilogy, I found his portrayal fitting. He should be radically different here—he’s much younger and still susceptible to mundane mistakes.

The introduction of Master Altis’s disciples—a group that left the Jedi Order due to its growing militarism and dogmas like celibacy—creates a brilliant dynamic when they clash with Ahsoka and members of the 501st. The questions raised here spark perhaps the most significant intellectual and spiritual growth for Ahsoka, helping the reader understand why she changed so much as an adult.

There is also a brief interaction between Altis and Anakin. It is arguably the most revealing exchange in the book—one that might have altered the entire Star Wars universe had Anakin truly understood the renegade Master’s words.

No Prisoners is a fast-paced, concise read. I suggest readers set aside any preconceptions and give Traviss’s narrative a chance. Without giving away spoilers, the title itself is powerful, but its full weight only lands once you've finished the journey.

No Prisoners was a pleasant surprise I stumbled upon this year. It was also the first Clone Wars novel I decided to pick up, following my resolution to dive more consistently into the Star Wars literary universe.

The book is short and to the point, devoid of convoluted plots or subplots. This brevity is reflected in both the page count and the number of chapters. For those accustomed to the typical Star Wars novel, this often signals a "book that could have been great, but wasn't." I vehemently disagree. From the start, I viewed it as a story perfectly aligned with the episodic format of the Clone Wars series.

Karen Traviss succeeded brilliantly in raising profound questions about war and the Force (specifically, the Jedi monopoly over it). It’s impressive how, within such a limited scope, the author provokes the reader with serious inquiries into the purpose and meaning of conflict.

We also see what might be Pellaeon’s first appearance, right at the start of his military career. He is still immature here, and it’s clear how the events of the following decades shaped such an iconic character. While some argue he feels nothing like the Pellaeon from the Thrawn Trilogy, I found his portrayal fitting. He should be radically different here—he’s much younger and still susceptible to mundane mistakes.

The introduction of Master Altis’s disciples—a group that left the Jedi Order due to its growing militarism and dogmas like celibacy—creates a brilliant dynamic when they clash with Ahsoka and members of the 501st. The questions raised here spark perhaps the most significant intellectual and spiritual growth for Ahsoka, helping the reader understand why she changed so much as an adult.

There is also a brief interaction between Altis and Anakin. It is arguably the most revealing exchange in the book—one that might have altered the entire Star Wars universe had Anakin truly understood the renegade Master’s words.

No Prisoners is a fast-paced, concise read. I suggest readers set aside any preconceptions and give Traviss’s narrative a chance. Without giving away spoilers, the title itself is powerful, but its full weight only lands once you've finished the journey.

I really loved this second volume. The cliffhanger left by the previous issue was resolved very satisfyingly, and the adventure remains intense. Once again, Jason Aaron perfectly captures the rhythm and spirit of the Classic Trilogy, much like Zahn did back in the old Expanded Universe.

I have to comment on the artwork. Simone Bianchi’s work is excellent, and her interpretation of Obi-Wan is fantastic. However, I was blown away by the work of Stuart Immonen and Wade von Grawbadger, which is stunning. The panels are incredibly dynamic, and the coloring is spectacular.

I’d been putting off reading this title for years. Honestly, I haven’t been a huge fan of Disney’s take on Star Wars—except for Andor and Rogue One. Because of that, I’ve spent most of my time exploring the Expanded Universe instead.

So when I finally picked up this debut title, I was in for a real treat! From the very first chapters, I felt that familiar thrill of the Classic Trilogy. The author managed to capture the pacing and energy of those original films in a way that reminded me of Timothy Zahn’s work. Even better, the story treats the canon with respect and delivers one exciting moment after another.

If I had to point out one downside, it would be the cliffhanger. It just didn’t land for me—but I won’t spoil the details. That said, I still think this book is more than worth your time if you love the classic Star Wars films. Discovering it felt like reconnecting with the magic that made me fall in love with the galaxy far, far away in the first place.