Hai
Added to listOwnedwith 1 book.
I read the book in sips, spanning 3 months for fewer than 200 pages. It did not arouse any strong feelings from me, but instead it is a healing story about reconnecting at old age. The ending has one of the most emotional and delicate farewells I have seen.
I read the book in sips, spanning 3 months for fewer than 200 pages. It did not arouse any strong feelings from me, but instead it is a healing story about reconnecting at old age. The ending has one of the most emotional and delicate farewells I have seen.
Can an unloved find love?
Can an unloved find love?
I picked this up hoping for a light read about magic and stones. Let's just say I did not look at the blurb long enough.
The world here ends every few hundred years with a "Season", during which human has to cope with extreme weather and such and such calamity. Among the human of this world are orogenes, who have some mysterious power on stones. We follows three orogenes of distinct ages as they wander around the land of Stillness, converging in the beginning of the end.
To be honest, I don't get how the orogenes wield control of the earth. The description lacks no details, yet my mind fail to conjure up any vivid imagery. Still, in those instances, I see the dream of taming Mother Nature, existing from as long as human has known of day and night. Even then, the Earth prevailed and denied all efforts to contain it, a bitter lesson much like real life.
Embed in the yoke of nature's indifference is a precarious society: an oppressing empire forcing unity and order, a caste formed from the fear of magical power, and a dysfunctional moral compass in apocalyptic time. Bespoke kernels of reality lie everywhere, demanding your attention, your reflection, your care. Each character feels as alive as they can be, filled with distinct traits and flaws that any mother, any lover, and any child might possess.
I did find some slight annoyances, especially with how in-your-face Essun's pain were re-iterated. These peeves are definitely personal and in no way affect the enthralling trip you will go on till the end.
I picked this up hoping for a light read about magic and stones. Let's just say I did not look at the blurb long enough.
The world here ends every few hundred years with a "Season", during which human has to cope with extreme weather and such and such calamity. Among the human of this world are orogenes, who have some mysterious power on stones. We follows three orogenes of distinct ages as they wander around the land of Stillness, converging in the beginning of the end.
To be honest, I don't get how the orogenes wield control of the earth. The description lacks no details, yet my mind fail to conjure up any vivid imagery. Still, in those instances, I see the dream of taming Mother Nature, existing from as long as human has known of day and night. Even then, the Earth prevailed and denied all efforts to contain it, a bitter lesson much like real life.
Embed in the yoke of nature's indifference is a precarious society: an oppressing empire forcing unity and order, a caste formed from the fear of magical power, and a dysfunctional moral compass in apocalyptic time. Bespoke kernels of reality lie everywhere, demanding your attention, your reflection, your care. Each character feels as alive as they can be, filled with distinct traits and flaws that any mother, any lover, and any child might possess.
I did find some slight annoyances, especially with how in-your-face Essun's pain were re-iterated. These peeves are definitely personal and in no way affect the enthralling trip you will go on till the end.
I picked up this book from a Reddit comment saying it is Murakami's most signatory work. Having only read 1Q84 prior to this, I expected a tinge of magical realism plastered here and there along a banal plotline. The book pleasantly surprised me on that front.
In the real world, there is a typical Japanese worker; maybe not so typical, since his work is mind encryption. In the magical world, there is a man whose shadow got sundered from him by the Gatekeeper of the Town. The mind encrypter received a job from a mad professor to perform memory obfuscation. The shadowless man became the Dreamreader, evoking dreams from animal skulls everyday. Some clashes happened, some trouble arose, some memory regained, some secrets revealed, and then it was the end of the world.
The real world in which our mind encrypter lives has surrealist elements, and they are quite direct. They are described through the first-person view as a matter of fact, but somehow it leaves quite an impression on me. It is the real world, occupied by real people, but there is always something that is off, detracting my mind from visualizing it. It is an enjoyable feeling.
The book poses philosophical questions on the relationship between memory and identity. I did not particularly engage with this theme, nor do I warrant the sci-fi details much interest, but I do believe the book is invested in those areas, if that is your cup of tea. For me, I read the book in a hazy state of mind, haphazardly immersing myself in the world of dreams and shadowless townpeople, and I think it is how the book is intended to be experienced.
I picked up this book from a Reddit comment saying it is Murakami's most signatory work. Having only read 1Q84 prior to this, I expected a tinge of magical realism plastered here and there along a banal plotline. The book pleasantly surprised me on that front.
In the real world, there is a typical Japanese worker; maybe not so typical, since his work is mind encryption. In the magical world, there is a man whose shadow got sundered from him by the Gatekeeper of the Town. The mind encrypter received a job from a mad professor to perform memory obfuscation. The shadowless man became the Dreamreader, evoking dreams from animal skulls everyday. Some clashes happened, some trouble arose, some memory regained, some secrets revealed, and then it was the end of the world.
The real world in which our mind encrypter lives has surrealist elements, and they are quite direct. They are described through the first-person view as a matter of fact, but somehow it leaves quite an impression on me. It is the real world, occupied by real people, but there is always something that is off, detracting my mind from visualizing it. It is an enjoyable feeling.
The book poses philosophical questions on the relationship between memory and identity. I did not particularly engage with this theme, nor do I warrant the sci-fi details much interest, but I do believe the book is invested in those areas, if that is your cup of tea. For me, I read the book in a hazy state of mind, haphazardly immersing myself in the world of dreams and shadowless townpeople, and I think it is how the book is intended to be experienced.
I find every character in the cast unlikeable, and the dual timeline feels haphazardly connected. The only good thing is the action scenes, which are described with alacrity and aplomb.
I find every character in the cast unlikeable, and the dual timeline feels haphazardly connected. The only good thing is the action scenes, which are described with alacrity and aplomb.
I picked up this book from a Reddit comment saying it is Murakami's most signatory work. Having only read 1Q84 prior to this, I expected a tinge of magical realism plastered here and there along a banal plotline. The book pleasantly surprised me on that front.
In the real world, there is a typical Japanese worker; maybe not so typical, since his work is mind encryption. In the magical world, there is a man whose shadow got sundered from him by the Gatekeeper of the Town. The mind encrypter received a job from a mad professor to perform memory obfuscation. The shadowless man became the Dreamreader, evoking dreams from animal skulls everyday. Some clashes happened, some trouble arose, some memory regained, some secrets revealed, and then it was the end of the world.
The real world in which our mind encrypter lives has surrealist elements, and they are quite direct. They are described through the first-person view as a matter of fact, but somehow it leaves quite an impression on me. It is the real world, occupied by real people, but there is always something that is off, detracting my mind from visualizing it. It is an enjoyable feeling.
The book poses philosophical questions on the relationship between memory and identity. I did not particularly engage with this theme, nor do I warrant the sci-fi details much interest, but I do believe the book is invested in those areas, if that is your cup of tea. For me, I read the book in a hazy state of mind, haphazardly immersing myself in the world of dreams and shadowless townpeople, and I think it is how the book is intended to be experienced.
I picked up this book from a Reddit comment saying it is Murakami's most signatory work. Having only read 1Q84 prior to this, I expected a tinge of magical realism plastered here and there along a banal plotline. The book pleasantly surprised me on that front.
In the real world, there is a typical Japanese worker; maybe not so typical, since his work is mind encryption. In the magical world, there is a man whose shadow got sundered from him by the Gatekeeper of the Town. The mind encrypter received a job from a mad professor to perform memory obfuscation. The shadowless man became the Dreamreader, evoking dreams from animal skulls everyday. Some clashes happened, some trouble arose, some memory regained, some secrets revealed, and then it was the end of the world.
The real world in which our mind encrypter lives has surrealist elements, and they are quite direct. They are described through the first-person view as a matter of fact, but somehow it leaves quite an impression on me. It is the real world, occupied by real people, but there is always something that is off, detracting my mind from visualizing it. It is an enjoyable feeling.
The book poses philosophical questions on the relationship between memory and identity. I did not particularly engage with this theme, nor do I warrant the sci-fi details much interest, but I do believe the book is invested in those areas, if that is your cup of tea. For me, I read the book in a hazy state of mind, haphazardly immersing myself in the world of dreams and shadowless townpeople, and I think it is how the book is intended to be experienced.
I picked this up hoping for a light read about magic and stones. Let's just say I did not look at the blurb long enough.
The world here ends every few hundred years with a "Season", during which human has to cope with extreme weather and such and such calamity. Among the human of this world are orogenes, who have some mysterious power on stones. We follows three orogenes of distinct ages as they wander around the land of Stillness, converging in the beginning of the end.
To be honest, I don't get how the orogenes wield control of the earth. The description lacks no details, yet my mind fail to conjure up any vivid imagery. Still, in those instances, I see the dream of taming Mother Nature, existing from as long as human has known of day and night. Even then, the Earth prevailed and denied all efforts to contain it, a bitter lesson much like real life.
Embed in the yoke of nature's indifference is a precarious society: an oppressing empire forcing unity and order, a caste formed from the fear of magical power, and a dysfunctional moral compass in apocalyptic time. Bespoke kernels of reality lie everywhere, demanding your attention, your reflection, your care. Each character feels as alive as they can be, filled with distinct traits and flaws that any mother, any lover, and any child might possess.
I did find some slight annoyances, especially with how in-your-face Essun's pain were re-iterated. These peeves are definitely personal and in no way affect the enthralling trip you will go on till the end.
I picked this up hoping for a light read about magic and stones. Let's just say I did not look at the blurb long enough.
The world here ends every few hundred years with a "Season", during which human has to cope with extreme weather and such and such calamity. Among the human of this world are orogenes, who have some mysterious power on stones. We follows three orogenes of distinct ages as they wander around the land of Stillness, converging in the beginning of the end.
To be honest, I don't get how the orogenes wield control of the earth. The description lacks no details, yet my mind fail to conjure up any vivid imagery. Still, in those instances, I see the dream of taming Mother Nature, existing from as long as human has known of day and night. Even then, the Earth prevailed and denied all efforts to contain it, a bitter lesson much like real life.
Embed in the yoke of nature's indifference is a precarious society: an oppressing empire forcing unity and order, a caste formed from the fear of magical power, and a dysfunctional moral compass in apocalyptic time. Bespoke kernels of reality lie everywhere, demanding your attention, your reflection, your care. Each character feels as alive as they can be, filled with distinct traits and flaws that any mother, any lover, and any child might possess.
I did find some slight annoyances, especially with how in-your-face Essun's pain were re-iterated. These peeves are definitely personal and in no way affect the enthralling trip you will go on till the end.
Raymond, a battered captain who crabs for a living. Jenny, his estranged addict of a daughter. Sitka, his coming-of-age granddaughter. All tried to mend the cracks in their relationship on a tepid reunion.
I know nothing about fishing, nothing about Alaska, and nothing about the gods. Yet, the book enchants me into the rocky world of Yatki Island with meticulous craft and raw poignancy.
The book gets increasingly harrowing towards the end, but I find the final chapters a bit rushed. If there were one more chapter at the end, it would have been a 5-star.
Raymond, a battered captain who crabs for a living. Jenny, his estranged addict of a daughter. Sitka, his coming-of-age granddaughter. All tried to mend the cracks in their relationship on a tepid reunion.
I know nothing about fishing, nothing about Alaska, and nothing about the gods. Yet, the book enchants me into the rocky world of Yatki Island with meticulous craft and raw poignancy.
The book gets increasingly harrowing towards the end, but I find the final chapters a bit rushed. If there were one more chapter at the end, it would have been a 5-star.