 The Death of the Author
| 3.71 | - | |
 Life on the Screen
| 4.33 | - | |
 The Second Self, Twentieth Anniversary Edition
| 0 | - | |
 Simulation and Its Discontents
| 0 | - | |
 Lighter: Let Go of the Past, Connect with the Present, and Expand the Future
| 2.33 | - | |
 One Hundred Years of Solitude
| 4.11 | - | |
 The Foucault Reader
| 0 | - | |
 Already Enough Already Enough: A Path to Self-Acceptance
| 3.67 | - | |
 Alien Phenomenology, or What It’s Like to Be a Thing
| 5 | - | |
 Fear Fear: Essential Wisdom for Getting Through the Storm
| 4 | - | |
 Don Quixote
| 4.13 | - | |
 How to Talk about Videogames
| 5 | - | |
 Real Change: Mindfulness to Heal Ourselves and the World
| 4 | - | |
 Real Happiness, 10th Anniversary Edition
| 3 | - | |
 A Light in the Attic
| 4.36 | - | |
 Philosophy of Mind
| 5 | - | |
Comedy Bang! Bang! The Podcast Comedy Bang! Bang! The Podcast: The Book
| 4.25 | - | |
 Filterworld: How Algorithms Flattened Culture
| 3.83 | - | |
 Co-Intelligence
| 4 | - | |
 The City and Its Uncertain Walls
| 3.67 | - | |
 We Solve Murders
| 4.12 | - | |
 Intermezzo
| 3.95 | - | |
 All Fours
| 3.92 | - | |
 Lifeform
| 4 | - | |
 How to Stop Breaking Your Own Heart How to Stop Breaking Your Own Heart
| 5 | - | |
 Be Ready When the Luck Happens: A Memoir
| 5 | - | |
The GNU Manifesto The GNU Manifesto
| 5 | - | |
 Character Limit: How Elon Musk Destroyed Twitter
| 4.21 | - | |
 Free Software, Free Society: Selected Essays of Richard M. Stallman
| 0 | - | |
 Capital in the Twenty-First Century
| 4.08 | - | |
 My Brilliant Friend
| 4.05 | - | |
 The Artist's Way: A Spiritual Path to Higher Creativity
| 3.89 | - | |
 The idiot
| 4 | - | |
 A Visit from the Goon Squad
| 3.83 | - | |
 The Adventures of Huckleberry Finn
| 3.6 | - | |
 The Year of Magical Thinking
| 4.01 | - | |
 Song of Solomon
| 4.2 | - | |
 Ready Player One
| 3.93 | - | |
 The Divine Comedy
| 4.16 | - | |
 Heart of Darkness
| 3.31 | - | |
 Flatland
| 3.64 | - | |
 Alone Together: Why We Expect More from Technology and Less from Each Other
| 3.2 | - | |
 The Road
| 4.04 | - | |
 Flow: The Psychology of Optimal Experience
| 4.06 | - | |
 Sense and Sensibility
| 3.83 | - | |
 Orlando: A Biography
| 3.77 | - | |
 Normal People
| 3.63 | - | |
 Emma
| 3.96 | - | |
 The Invisible Man
| 3.48 | - | |
 Antic Hay
| 3.33 | - | |
 Infinite Jest
| 4.24 | - | |
 Middlesex
| 4.13 | - | |
 Snow Crash
| 3.93 | - | |
 Stories of Your Life and Others
| 4.28 | - | |
 How to Read and Why
| 3.5 | - | |
 Slaughterhouse 5
| 4.1 | - | |
 the Work of Art in the Age of Mechanical Reproduction
| 4 | - | |
 Understanding Comics: The Invisible Art
| 4.29 | - | |
 Mason & Dixon
| 4.28 | - | |
 Where The Sidewalk Ends
| 4.36 | - | |
 Mansfield Park
| 3.7 | - | |
 Poems
| 4.33 | - | |
 On Writing: A Memoir of the Craft
| 4.34 | - | |
 I Know Why the Caged Bird Sings
| 4.11 | - | |
 Me Talk Pretty One Day
| 4 | - | |
 Walden
| 3.65 | - | |
 The Brothers Karamazov
| 4.37 | - | |
 Finnegans Wake
| 4 | - | |
 The Metamorphosis
| 3.8 | - | |
 A Room of One's Own
| 4.5 | - | |
 The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life
| 3.59 | - | |
 The Scarlet Letter
| 3.33 | - | |
 Musicophilia: Tales of Music and the Brain
| 3.82 | - | |
 Mythologies
| 4.18 | - | |
 New Dark Age: Technology and the End of the Future
| 3.95 | - | |
 Jazz
| 3.92 | - | |
 To the Lighthouse
| 3.75 | - | |
 Persuasion
| 4.09 | - | |
 Hamlet
| 4.03 | - | |
 Invisible Cities
| 4.11 | - | |
 I Am Malala
| 4.2 | - | |
 Hopscotch
| 4 | - | |
 The Stranger
| 3.93 | - | |
 Do Androids Dream of Electric Sheep?
| 3.95 | - | |
 Selected Poems
| 2 | - | |
 Breakfast of Champions
| 3.87 | - | |
 The Awakening
| 3.58 | - | |
 Mrs Dalloway
| 3.77 | - | |
 A Midsummer Night's Dream
| 3.88 | - | |
 When You Are Engulfed in Flames
| 3.96 | - | |
 The Inferno
| 4.04 | - | |
 Selected Stories of Anton Chekhov
| 4.18 | - | |
 House of Leaves
| 4.12 | - | |
 Against Interpretation
| 3.75 | - | |
 The Complete Poems of Emily Dickinson
| 4.5 | - | |
 Bossypants
| 3.81 | - | |
 Being and Nothingness
| 3.88 | - | |
 Neuromancer
| 3.85 | - | |
 The waves
| 4.36 | - | |
 Steal Like an Artist
| 4.15 | - |
