#2 | 3.5 | |
#3 | ![]() The Red Record The Red Record
| 3 |
#4 | 4.44 | |
#5 | 3.91 | |
#6 | ![]() Farbe bekennen Farbe bekennen: Afro-deutsche Frauen auf den Spuren ihrer Geschichte
| 4 |
#7 | 4.53 | |
#8 | 4 | |
#9 | 5 | |
#10 | 4.29 | |
#11 | 4.5 | |
#12 | 4.29 | |
#13 | 4.33 | |
#14 | 4 | |
#15 | 3 | |
#16 | 4.67 | |
#17 | 4 | |
#18 | 3.5 | |
#19 | 4 | |
#20 | 5 | |
#21 | 4 | |
#22 | 4 | |
#23 | ![]() Making Our Way Home Making Our Way Home
| 4.5 |
#24 | 1.75 | |
#25 | ![]() Transgender History Transgender History: The Roots of Today's Revolution
| 3.25 |
#26 | ![]() Pourin' Down Rain Pourin' Down Rain: A Black Woman Claims Her Place in the Canadian West
| 5 |
#27 | 4.13 | |
#28 | 4 | |
#29 | ![]() Déclaration des Droits de la Femme et de la Citoyenne Déclaration des Droits de la Femme et de la Citoyenne
| 0 |
#30 | 4 | |
#31 | ![]() The Cross of Redemption The Cross of Redemption: Uncollected Writings
| 4 |
#32 | 4.33 | |
#33 | 3.8 | |
#34 | ![]() How We Get Free How We Get Free: Black Feminism and the Combahee River Collective
| 4.83 |
#35 | 4.08 | |
#36 | 4.36 | |
#37 | 4.42 | |
#38 | 4.29 | |
#39 | 4.07 | |
#40 | 3.9 | |
#41 | ![]() Letter from the Birmingham Jail Letter from the Birmingham Jail
| 4.75 |
#42 | 4.17 | |
#43 | 4 | |
#44 | 2 | |
#45 | 4.13 | |
#46 | 3.86 | |
#47 | 4 | |
#48 | 3.83 | |
#49 | 4 | |
#50 | 5 | |
#51 | ![]() Genie Genie: A Scientific Tragedy
| 3 |
#52 | ![]() Game Over, Press Start to Continue Game Over, Press Start to Continue: How Nintendo Conquered the World
| 4.13 |
#53 | ![]() SCTV SCTV: Behind the Scenes
| 3 |
#54 | 3.83 | |
#55 | ![]() The House of Lim The House of Lim: A Study of a Chinese Family
| 0 |
#56 | 4 | |
#57 | 3.25 | |
#58 | 3.75 | |
#59 | 5 | |
#60 | 4.35 | |
#61 | 3.5 | |
#62 | 4.5 | |
#63 | 4.45 | |
#64 | 4 | |
#65 | 4 | |
#66 | 5 | |
#67 | ![]() Woven of the World Woven of the World
| 4 |
#68 | 3 | |
#69 | ![]() The History of Sketch Comedy The History of Sketch Comedy: A Journey through the Art and Craft of Humor
| 0 |
#70 | 4 |