#2 | 4.16 | |
#3 | 4 | |
#4 | 5 | |
#5 | 3.87 | |
#6 | 0 | |
#7 | 4 | |
#8 | 0 | |
#9 | 4.5 | |
#10 | Shamrock Tea Shamrock Tea
| 0 |
#11 | 3.41 | |
#12 | 0 | |
#13 | Эстетическая бесконечность Эстетическая бесконечность
| 0 |
#14 | Être ici est une splendeur. Vie de Paula M. Becker Être ici est une splendeur. Vie de Paula M. Becker
| 4 |
#15 | 4.67 | |
#16 | 5 | |
#17 | 4 | |
#18 | 3.93 | |
#19 | 0 | |
#20 | 0 | |
#21 | 0 | |
#22 | The Originality of the Avant-Garde and Other Modernist Myths The Originality of the Avant-Garde and Other Modernist Myths
| 0 |
#23 | The Destruction of Tilted Arc The Destruction of Tilted Arc: Documents | 0 |
#24 | Hall of Mirrors Hall of Mirrors: Roy Lichtenstein and the Face of Painting in the 1960s
| 0 |
#25 | Bachelors Bachelors
| 0 |
#26 | 0 | |
#27 | Mysteries of the Rectangle Mysteries of the Rectangle: Essays on Painting
| 0 |
#28 | 3.5 | |
#29 | 4 | |
#30 | Art on the Edge Art on the Edge: Creators and Situations
| 0 |
#31 | 4 | |
#32 | Der große Preis Der große Preis: Kunst zwischen Markt und Celebrity
| 0 |
#33 | 4 | |
#34 | Pastiche Pastiche
| 0 |
#35 | Ghada Amer Ghada Amer | 0 |