 Gone So Long
| 4 | 4 | |
 Small Things Like These
| 4.15 | 4 | |
 The Haunting of Hill House
| 3.74 | 5 | |
 The Only Good Indians
| 3.79 | 3 | |
 Never Let Me Go
| 3.82 | 5 | |
 The Spirit of the Disciplines: Understanding How God Changes Lives
| 3.67 | 3 | |
 Catch-22
| 3.98 | 4 | |
 Heart of Darkness
| 3.33 | 3 | |
 Green Sky Innovation: Make the Future of Ministry
| 5 | 5 | |
 Fingersmith
| 4.11 | 3 | |
 Light
| 3.38 | 2 | |
 Penpal
| 3.97 | 5 | |
 'Salem's Lot
| 3.86 | 3 | |
 The Sense of an Ending
| 3.96 | 5 | |
 Reach: Create the Biggest Possible Audience for Your Message, Book, or Cause
| 3 | 3 | |
 Night
| 4.34 | 4 | |
 Becoming a Contagious Christian
| 3 | 3 | |
 Ghachar Ghochar
| 3.78 | 3 | |
 Dark Black and Blue: The Soundgarden Story
| 4 | 4 | |
 Their Eyes Were Watching God
| 3.94 | 4 | |
 The Children of Men
| 3.37 | 4 | |
 The Beauty of Short Hops: How Chance and Circumstance Confound the Moneyball Approach to Baseball
| 3 | 3 | |
 The Terror
| 4 | 3 | |
 What Happened to Sophie Wilder
| 4 | 4 | |
 Paul
| 4.67 | - | |
 Is This Anything?
| 3.53 | 3 | |
 State of Play State of Play
| 0 | - | |
 State of Play State of Play: The Old School Guide To New School Baseball
| 0 | - | |
 No God but One
| 4.5 | - | |
 Little Star
| 3 | 3 | |
 Self-Editing for Fiction Writers: How to Edit Yourself Into Print
| 4.27 | 5 | |
 Seeking Allah, Finding Jesus
| 4.12 | 4 | |
 From Social Media to Social Ministry From Social Media to Social Ministry
| 3 | 3 | |
 From Social Media to Social Ministry: A Guide to Digital Discipleship
| 3 | 3 | |
 Acceptance
| 3.6 | 3 | |
 Authority
| 3.4 | 3 | |
 A Gate at the Stairs
| 3.11 | 5 | |
 Annihilation
| 3.69 | 4 | |
 Mexican Gothic
| 3.77 | 3 | |
 What Comes Next?
| 5 | 5 | |
 Rabbit, Run
| 3.6 | - | |
 Tender Is the Night
| 3.56 | - | |
 Apocalypse Never
| 4 | 4 | |
 I Am Legend
| 3.93 | 4 | |
 The Turn of the Screw
| 3.28 | 4 | |
 Dracula
| 3.86 | 3 | |
 Crime and Punishment
| 4.25 | - | |
 The Grapes of Wrath
| 3.78 | 5 | |
 Sharp Objects
| 3.76 | 3 | |
 The Anatomy of Story
| 4.29 | 4 | |
 Nightwoods
| 3.67 | 5 | |
 Love in the Time of Cholera
| 3.75 | 4 | |
 The Winter of Our Discontent
| 3.69 | - | |
 Varina
| 3.67 | 5 | |
 Wise Blood
| 3.77 | 3 | |
 The End of the Affair
| 3.63 | 4 | |
 Godric
| 4 | - | |
 Wonderful Fool
| 0 | - | |
 The End of the Affair
| 4.2 | 4 | |
 The Moviegoer
| 3.43 | 2 | |
 Quo Vadis
| 3.93 | 4 | |
 Invisible Monsters Remix
| 3.71 | - | |
 The Rules of Attraction
| 3.33 | - | |
 The Girl on the Train
| 3.51 | 4 | |
 Red Notice: A True Story of High Finance, Murder, and One Man's Fight for Justice
| 4.35 | - | |
 Neverwhere
| 4.11 | 5 | |
 Ubik
| 4.02 | 3 | |
 Home
| 4.25 | 5 | |
 Housekeeping
| 4.03 | 5 | |
 Lila
| 4.08 | 5 | |
 Dark Places
| 3.76 | 4 | |
 Only Revolutions
| 2.35 | - | |
 The Heart of the Matter
| 3.75 | 4 | |
 Anagrams
| 3.75 | 5 | |
 The Dragonfly Effect
| 3 | 3 | |
 Dragonfly Effect
| 3 | 3 | |
 Hearing God: Developing a Conversational Relationship with God
| 4.5 | 5 | |
 The Power and the Glory
| 3.85 | 5 | |
 Beautiful You
| 2.93 | - | |
 Gilead
| 3.95 | 5 | |
 The Blind Assassin
| 3.99 | 5 | |
 John Dies at the End
| 3.66 | 3 | |
 Case Histories
| 3.69 | 3 | |
 Oliver Twist
| 3.7 | 3 | |
 House of Leaves
| 4.12 | 4 | |
 Alice's Adventures in Wonderland / Through the Looking-Glass
| 3.99 | 2 | |
 Slaughterhouse 5
| 4.09 | 3 | |
 Thirteen Moons
| 4.67 | 4 | |
 The Orchard Keeper
| 3.23 | - | |
 The Bonfire of the Vanities
| 3.95 | - | |
 Romeo and Juliet
| 3.48 | 5 | |
 The Catcher in the Rye
| 3.61 | 5 | |
 The Crucible | 3.61 | 5 | |
 1984
| 4.21 | 5 | |
 Picasso at the Lapin Agile and Other Plays
| 4 | 4 | |
 Of Mice and Men
| 3.79 | 5 | |
 The Scarlet Letter
| 3.12 | 3 | |
 The Great Gatsby
| 3.74 | 5 | |
 Anna Karenina
| 3.99 | 3 | |
 A Thousand Splendid Suns
| 4.31 | 5 |
