| #2 |  After Such Knowledge: Memory, History, and the Legacy of the Holocaust
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| #3 |  Remnants of Auschwitz Remnants of Auschwitz: The Witness and the Archive
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| #4 |  Modernity and the Holocaust Modernity and the Holocaust
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| #5 |  Origins Of Totalitarianism
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| #6 |  Images in Spite of All: Four Photographs from Auschwitz
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| #7 |  The Drowned and the Saved
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| #8 |  Concentrationary Cinema: Aesthetics as Political Resistance in Alain Resnais's Night and Fog |
| #9 |  Holocaust Representation: Art within the Limits of History and Ethics
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| #10 |  Birmingham Irish
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| #11 |  Haunted Images: Film, Ethics, Testimony, and the Holocaust
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| #12 |  Traumatic Realism: The Demands of Holocaust Representation
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| #13 |  Fatelessness
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| #14 |  Holocaust Impiety in Literature, Popular Music and Film
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| #15 |  Cinema and the Shoah: An Art Confronts the Tragedy of the Twentieth Century
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| #16 |  The Holocaust as Culture
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| #17 |  Visualizing the Holocaust: Documents, Aesthetics, Memory |
| #18 |  The Complete Maus
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| #19 |  Shoah
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| #20 | Liquidation Liquidation
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| #21 |  Fiasco
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| #22 |  Jewish Identity in Western Pop Culture: The Holocaust and Trauma Through Modernity
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| #24 |  Mourning Becomes the Law Mourning Becomes the Law: Philosophy and Representation
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| #25 |  W or the Memory of Childhood
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| #26 |  The Twilight of Reason: Benjamin, Adorno, Horkheimer and Levinas Tested by the Catastrophe
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| #27 |  The Rise and Fall of the Third Reich
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| #28 |  The Coming of the Third Reich
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| #29 |  After Auschwitz: History, Theology, and Contemporary Judaism
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| #30 |  Historicism, the Holocaust, and Zionism: Critical Studies in Modern Jewish History and Thought
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| #31 |  At the Mind's Limits: Contemplations by a Survivor on Auschwitz and its Realities
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| #32 |  One long night
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| #33 |  Ethics after the Holocaust
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| #34 |  History and Memory After Auschwitz
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| #35 |  Interrupting Auschwitz: Art, Religion, Philosophy
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| #36 |  The Longest Shadow: In the Aftermath of the Holocaust
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| #37 |  Film and the Holocaust: New Perspectives on Dramas, Documentaries, and Experimental Films
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| #38 |  Philosophical Witnessing: The Holocaust as Presence
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| #39 | Representing the Holocaust Representing the Holocaust: History, Theory, Trauma
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| #40 |  Spielberg's Holocaust
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| #41 |  Film and the Shoah in France and Italy
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| #42 |  The Ground of the Image
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| #43 |  Afterimage: Film, Trauma And The Holocaust
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| #44 |  Indelible Shadows: Film and the Holocaust
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| #45 |  Using and Abusing the Holocaust
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| #46 |  Fantasies of Witnessing: Postwar Efforts to Experience the Holocaust
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| #47 |  After Testimony: The Ethics and Aesthetics of Holocaust Narrative for the Future |
| #48 |  Judging 'Privileged' Jews Judging 'Privileged' Jews: Holocaust Ethics, Representation, and the 'Grey Zone'
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| #50 |  Israel's Holocaust and the Politics of Nationhood
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| #51 |  Breaking Crystal: Writing and Memory after Auschwitz |
| #52 | Eichmann and the Holocaust Eichmann and the Holocaust
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| #53 |  Writing and Rewriting the Holocaust: Narrative and the Consequences of Interpretation
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| #54 |  Caught by History: Holocaust Effects in Contemporary Art, Literature, and Theory
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| #55 |  Holocaust and the Postmodern Holocaust and the Postmodern
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| #56 |  Sortir du noir Sortir du noir
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