Tender Is the Flesh - Agustina Bazterrica
- Sarah Moses (Translator)
| 2017 | 3.78 |
| 2018 | 3.43 |
| 2023 | 4.12 |
It Lasts Forever and Then It's Over | 2024 | 5 |
By Grand Central Station I Sat Down and Wept | 1992 | 1.83 |
| 1990 | 3.77 |
| 2013 | 3.29 |
| 2023 | 3.67 |
I Heard Her Call My Name: A Memoir of Transition | 2024 | 3 |
| 2023 | 3.3 |
| 2021 | 3.97 |
Once Upon a River A Novel | 2018 | 4.3 |
| 2022 | 4.43 |
| | 0 |
| 2022 | 3.5 |
When Women Were Birds: Fifty-four Variations on Voice | 2012 | 4.5 |
| 2023 | 4.42 |
| 2023 | 4.06 |
| 2022 | 3.5 |
| 2022 | 3.29 |
Briefly, A Delicious Life | 2022 | 3.38 |
| 1844 | 0 |
| 2017 | 4.44 |
Invisible Women: Data Bias in a World Designed for Men | 2019 | 4.25 |
| | 3.74 |
The Will to Change: Men, Masculinity, and Love | 2003 | 4.15 |
| 2023 | 4.44 |
| 2015 | 3.17 |
I Who Have Never Known Men | 1997 | 4.27 |
The Dark Forest - Cixin Liu
- Joel Martinsen (Translator)
| 2008 | 4.22 |
| 2020 | 4.3 |
| 2023 | 3.37 |
The Year of Magical Thinking | 2005 | 4.07 |
| 2013 | 3.87 |
Unscripted - James B Stewart
- Rachel Abrams
| 2023 | 3.63 |
| 2019 | 3.85 |
Paradise Rot - Jenny Hval
- Marjam Idriss (Translator)
| 2009 | 3.27 |
Remarkably Bright Creatures | 2022 | 4.17 |
| 2000 | 0 |
| 2009 | 3.67 |
Abolition Geography: Essays Towards Liberation | 2021 | 0 |
| | 3.41 |
All About Love: New Visions | 1999 | 3.92 |
On Earth as It Is on Television | 2023 | 3.4 |
| 2023 | 4.21 |
| 2023 | 3.91 |
The Heaven & Earth Grocery Store | 2023 | 4.06 |
All This Could Be Different | 2022 | 3.67 |
| 2019 | 3.5 |
Humanly Possible: Seven Hundred Years of Humanist Freethinking, Inquiry, and Hope | 2023 | 4.5 |
Go Tell It on the Mountain | 1953 | 4.06 |
| 1934 | 4.15 |
| 2022 | 3 |
| 2021 | 4.54 |
| 2022 | 4.25 |
Strangers to Ourselves: Unsettled Minds and the Stories That Make Us | 2022 | 3.81 |
| 2022 | 4 |
| 2020 | 3.86 |
The Golden Cage: The Enigma of Anorexia Nervosa | 1978 | 0 |
| 2021 | 3.86 |
| 1817 | 3.82 |
Gut: The Inside Story of Our Body’s Most Underrated Organ | 2014 | 4.11 |
Operation Shylock: A Confession | 1993 | 3.33 |
The Discomfort of Evening - Marieke Lucas Rijneveld
- Michele Hutchison (Translator)
| 2018 | 3.17 |
Nobody, Somebody, Anybody | 2021 | 2.5 |
| 2011 | 4.12 |
| 2020 | 3 |
The Story of My Teeth - Valeria Luiselli
- Christina MacSweeney (Translator)
| 2013 | 3.5 |
Nature Is A Human Right: Why We're Fighting for Green in a Gray World | 2022 | 0 |
| 2020 | 3.56 |
| 2013 | 4.25 |
Abject Performances: Aesthetic Strategies in Latino Cultural Production | 2018 | 0 |
| 2020 | 0 |
| 1970 | 3.7 |
| 2014 | 3.62 |
| 2020 | 3.89 |
Her Body and Other Parties | 2017 | 3.84 |
| 2019 | 3.83 |
| 2019 | 0 |
| 2022 | 3.76 |
Dreaming of You: A Novel in Verse | 2021 | 2.83 |
All the Lovers in the Night - Mieko Kawakami
- Sam Bett (Translator)
- David Boyd (Translator)
| 2011 | 3.63 |
| 2018 | 3.83 |
The Collected Schizophrenias: Essays | 2019 | 4.2 |
| 2020 | 3.91 |
| 1993 | 4 |
Traffic: Why We Drive the Way We Do and What It Says About Us | 2008 | 3.72 |
| 2018 | 3.48 |
| 2018 | 3.3 |
| 2016 | 4.02 |
| 2021 | 4.5 |
Shame Is an Ocean I Swim Across | 2018 | 3.8 |
Kill Shot: A Shadow Industry, a Deadly Disease | 2021 | 5 |
Architects of an American Landscape: Henry Hobson Richardson, Frederick Law Olmsted, and the Reimagining of America’s Public and Private Spaces | | 0 |
| 2020 | 4.36 |
This Town: Two Parties and a Funeral — plus plenty of valet parking! — in America’s Gilded Capital | 2013 | 3 |
The Danger Within Us: America's Untested, Unregulated Medical Device Industry and One Man's Battle to Survive It | 2017 | 0 |
Their Eyes Were Watching God | 1937 | 3.95 |
| 2021 | 3.67 |
| 1997 | 3.68 |