 A Spy in the House of Love
| 0 | - | |
 Novels and Essays
| 0 | - | |
 This Is Your Mind on Plants
| 3.74 | - | |
 The Art of Doing Science and Engineering: Learning to Learn
| 4.33 | - | |
 Water For Coffee
| 0 | - | |
 Lucky Starr and the Moons of Jupiter
| 4.5 | - | |
 How to Read a Book: The Classic Guide to Intelligent Reading
| 3.8 | - | |
 Something to Do with Paying Attention
| 3 | - | |
 Liberalism and Its Discontents
| 4 | - | |
 Foundation and Earth
| 3.8 | - | |
 Foundation's Edge
| 3.93 | - | |
 Second Foundation
| 4.14 | - | |
 The End of Eternity
| 4.2 | - | |
 Mapping Innovation
| 0 | - | |
 The Founder’s Mentality
| 0 | - | |
 The Innovator's DNA
| 0 | - | |
 On the Road
| 3.38 | 4 | |
 Moonwalking with Einstein
| 3.88 | 5 | |
 So Good They Can't Ignore You
| 3.99 | - | |
 The Chosen
| 4.09 | 5 | |
 How to Keep Your Volkswagen Alive
| 5 | 5 | |
 The Fellowship of the Ring
| 4.38 | 5 | |
 Mere Christianity
| 4.3 | 5 | |
 The 4-Hour Workweek
| 3.59 | 3 | |
 The Voyage of the Dawn Treader
| 3.9 | 4 | |
 The Four Loves
| 4.08 | 5 | |
 The Wisdom of the Desert
| 4.75 | 5 | |
 Out of the Silent Planet
| 3.81 | 5 | |
 Raids On The Unspeakable
| 5 | 5 | |
 Blink: The Power of Thinking Without Thinking
| 3.81 | 4 | |
 The Great Omission
| 3.67 | 5 | |
 The Brothers Karamazov
| 4.37 | 5 | |
 Perelandra
| 3.95 | 5 | |
 The Screwtape Letters
| 4.13 | 3 | |
 Tubes
| 3.67 | 4 | |
 The Last Battle
| 3.68 | 4 | |
 The Abolition of Man
| 4 | 4 | |
 Animal Farm
| 4.06 | 3 | |
 No Man is an Island
| 5 | 5 | |
 Prince Caspian
| 3.76 | 4 | |
 Fahrenheit 451
| 3.93 | 5 | |
 The Two Towers
| 4.45 | 5 | |
 1984
| 4.19 | 5 | |
 The Catcher in the Rye
| 3.62 | 3 | |
 The Hobbit
| 4.29 | 5 | |
 The Culture Code: An Ingenious Way to Understand Why People Around the World Buy and Live as They Do
| 5 | 5 | |
 The 4-Hour Body
| 3.4 | 4 | |
 Ballistics
| 5 | 5 | |
 That Hideous Strength
| 3.74 | 4 | |
 Jane Eyre
| 3.98 | 5 | |
 The Complete Chronicles of Narnia
| 4.07 | 4 | |
 For the Time Being
| 3.75 | 5 | |
 The Tipping Point: How Little Things Can Make a Big Difference
| 3.86 | 4 | |
 Letters from a Stoic
| 4.34 | - | |
 The Problem of Pain
| 4.08 | 4 | |
 The Lion, the Witch and the Wardrobe
| 3.94 | 4 | |
 Traveling Mercies: Some Thoughts on Faith
| 3.64 | 4 | |
 Plan B
| 4.33 | 4 | |
 Pilgrim at Tinker Creek
| 4.36 | 5 | |
 On writing well
| 4.33 | 5 | |
 What Are People For?: Essays
| 5 | 5 | |
 Purple Cow
| 3.7 | 4 | |
 Show Your Work!: 10 Ways to Share Your Creativity and Get Discovered
| 4.15 | 5 | |
 Venture Deals
| 4 | 5 | |
 Crime and Punishment
| 4.27 | 5 | |
 The Prophetic Imagination
| 5 | 5 | |
 Renovation of the Heart: Putting on the Character of Christ
| 4.67 | 5 | |
 Makers
| 3.5 | 5 | |
 Sex, Economy, Freedom, and Community: Eight Essays
| 4.5 | 5 | |
 Sailing Alone Around the Room
| 4.5 | 5 | |
 Horoscopes for the Dead
| 4.5 | 5 | |
 The Alphabet Versus the Goddess: The Conflict Between Word and Image
| 5 | 5 | |
 Startup Communities: Building an Entrepreneurial Ecosystem in Your City
| 2 | - | |
 Knowing Christ Today
| 5 | 5 | |
 Prayer and the Art of Volkswagen Maintenance: Finding God on the Open Road
| 3.5 | 4 | |
 The divine conspiracy
| 4.5 | 4 | |
 Somewhere A Master
| 5 | 5 | |
 Souls on Fire
| 5 | 5 | |
 God in the Dock
| 4.5 | 5 | |
 The Living Bread
| 3 | 3 | |
 Run to the Mountain: The Story of a Vocation
| 5 | 5 | |
 Seeds of Contemplation
| 5 | 5 | |
 Life and Holiness
| 4 | 4 | |
 Mystics and Zen masters
| 4 | 4 | |
 Conjectures of a Guilty Bystander
| 4 | 4 | |
 Zen and the Birds of Appetite
| 4 | 4 | |
 Thoughts in Solitude
| 4.5 | 4 | |
 The Collected Poems of Thomas Merton
| 5 | 5 | |
 New seeds of contemplation
| 3.33 | 5 | |
 The Trouble With Poetry - And Other Poems
| 4 | 5 | |
 The Poetry of William Carlos Williams of Rutherford
| 4 | 4 | |
 Window Poems
| 4 | 4 | |
 Imagination in Place
| 5 | 5 | |
 Standing by Words
| 5 | 5 | |
 Leavings
| 4.5 | 4 | |
 Given
| 4.5 | 5 | |
 The Way of Ignorance and Other Essays
| 4 | 5 | |
 Life is a Miracle
| 5 | 5 | |
 Fidelity
| 5 | 5 | |
 Finally Comes the Poet
| 5 | 5 |
