| 2015 | 3.63 |
| 2024 | 4.5 |
They Came for the Schools: One Town's Fight Over Race and Identity, and the New War for America's Classrooms | 2024 | 0 |
| 2024 | 3.58 |
| 2024 | 0 |
Practical Rules for Cursed Witches | 2024 | 4.5 |
| 2020 | 4.32 |
| 2018 | 3.94 |
The Wisteria Society of Lady Scoundrels | 2021 | 3.62 |
| 2023 | 4 |
| 2009 | 3.78 |
| 2016 | 3.91 |
| 2015 | 4 |
Don't Want You Like a Best Friend | 2024 | 4.07 |
| 2023 | 4.29 |
| 2024 | 4.5 |
| 2023 | 3.89 |
| 2021 | 0 |
Last Night at the Hollywood Canteen | 2023 | 0 |
| 2022 | 4 |
Cinder & Glass - Melissa De La Cruz
- Melissa De La Cruz
| 2022 | 4 |
| 2022 | 0 |
| 2022 | 0 |
Monstrosity, Performance, and Race in Contemporary Culture - Bernadette Marie Calafell
| 2015 | 0 |
| 2021 | 3.67 |
| 2018 | 4.26 |
| 2022 | 4.13 |
| 2023 | 4.33 |
| 2022 | 2.5 |
The Moorings of Mackerel Sky | | 0 |
| 2024 | 3.54 |
Skirts: Fashioning Modern Femininity in the Twentieth Century - Kimberly Chrisman-Campbell
| | 0 |
Off with Her Head: Three Thousand Years of Demonizing Women in Power | 2022 | 4 |
In the Pines: A Lynching, A Lie, A Reckoning | 2023 | 0 |
| 2022 | 3.33 |
Do I Stay Christian?: A Guide for the Doubters, the Disappointed, and the Disillusioned | 2022 | 4 |
| 2022 | 4 |
| 2023 | 3.25 |
| 2023 | 5 |
| 9 | 3.74 |
| 2021 | 4.19 |
| 2024 | 3.75 |
| 2017 | 0 |
| 2024 | 3.5 |
| 2022 | 3 |
| 2024 | 3.25 |
| 2021 | 3.86 |
| | 0 |
| 2023 | 0 |
| 2022 | 3.08 |
Dangerous Rhythms: Jazz and the Underworld | 2022 | 0 |
The Wager: A Tale of Shipwreck, Mutiny and Murder | 2023 | 4.12 |
There's No Way I'd Die First | | 2.95 |
Cool. Awkward. Black - Karen Strong
- Amerie
- Kalynn Bayron
- Roseanne A. Brown
- Terry Benton
| 2023 | 0 |
| 2022 | 3 |
Twin Crowns - Catherine Doyle
- Katherine Webber
| 2022 | 3.95 |
| | 4.1 |
| 2021 | 4.26 |
| 2022 | 0 |
Men, Women, and Chain Saws: Gender in the Modern Horror Film | 1992 | 3 |
| 2022 | 3.78 |
Liar, Temptress, Soldier, Spy: Four Women Undercover in the Civil War | 2014 | 3.71 |
The Witch and the Vampire | | 3.6 |
| 2002 | 0 |
| 2022 | 3.96 |
| 2022 | 3.7 |
| 2022 | 4 |
| | 3.29 |
| 2021 | 3.85 |
The Taking of Jake Livingston | 2021 | 3.73 |
| 2021 | 4.26 |
| 2022 | 3.44 |
The Shame Machine: Who Profits in the New Age of Humiliation | 2022 | 3 |
| 2022 | 4 |
| 2011 | 0 |
| 2022 | 0 |
| 2022 | 3.33 |
| 2023 | 3.33 |
| 2023 | 4.17 |
| 2023 | 3.91 |
| 2021 | 3 |
| 2023 | 3.5 |
| 2022 | 3.3 |
| 2024 | 0 |
| 2023 | 0 |
| 2023 | 3.63 |
| 2020 | 4.08 |
Turning Points in American Church History | | 5 |
The Epic of Gilgamesh - Unknown
- Andrew R. George (Translator)
| -2100 | 3.83 |
| | 0 |
| | 3 |
| 2010 | 3.44 |
| 2019 | 3.78 |
| 1878 | 3.5 |
| 2010 | 3.05 |
Sin in the Second City: Madams, Ministers, Playboys, and the Battle for America's Soul | 2007 | 4.2 |
| 2019 | 4 |
Then Again, Maybe I Won't | | 3.88 |
Middle school, get me out of here! | | 0 |
| 2009 | 3.66 |