Stuart

Now a major motion picture from Fernando Meirelles, the Academy Award-nominated director of *City of God*

The Constant Gardener is a magnificent exploration of the new world order by one of the most compelling and elegant storytellers of our time. The novel opens in northern Kenya with the gruesome murder of Tessa Quayle--young, beautiful, and dearly beloved to husband Justin. When Justin sets out on a personal odyssey to uncover the mystery of her death, what he finds could make him not only a suspect among his own colleagues, but a target for Tessa's killers as well.

A master chronicler of the betrayals of ordinary people caught in political conflict, John le Carre portrays the dark side of unbridled capitalism as only he can. In The Constant Gardener he tells a compelling, complex story of a man elevated through tragedy as Justin Quayle--amateur gardener, aging widower, and ineffectual bureaucrat--discovers his own natural resources and the extraordinary courage of the woman he barely had time to love.

Amazon.com Review

British diplomat Justin Quayle, complacent raiser of freesias and doting husband of the stunning, much younger Tessa, has tended his own garden in Nairobi too long. Tessa is Justin's opposite, a fiery reformer, “that rarest thing, a lawyer who believes in justice,” whose campaigns have earned her a nickname: “the Princess Diana of the African poor.” But now Tessa has turned up naked, raped, and dead on a mysterious visit to remote Lake Turkana in Kenya. Her traveling companion (and lover?), the handsome Congolese-Belgian doctor Arnold Bluhm, has vanished. So has Quayle's complacency.

Tessa had been compiling data against a multinational drug company that uses helpless Africans as guinea pigs to test a tuberculosis remedy with unfortunately fatal side effects. Her report was destroyed by her husband's superiors; was she? It's all somehow connected to the sinister British firm House of ThreeBees, whose ad boasts that it's “buzzy for the health of Africa!” John le Carré symbolically associates ThreeBees with an ominous buzz in the Nairobi morgue: “Over [the corpses], in a swaying, muddy mist, hung the flies, snoring on a single note.”

The home office tries to take Quayle in out of the cold. He cleverly eludes their clammy embrace, turns spy, and takes off on a global chase to avenge Tessa and solve her murder. Le Carré has lost none of his gift for setting vivid scenes in far-flung places expertly described: London, Germany, Saskatchewan, Kenya. His sprinting thriller prose remains in great shape. And thanks to his 16 years in the British Foreign Office, his merciless send-up of its cutthroat intrigues and petty self-delusions is unbelievably good–or rather, believably so. This is global do-gooder satire on a literary par with Doris Lessing's The Summer Before the Dark.

But you want to know if The Constant Gardener is as good as Tinker, Tailor, Soldier, Spy. Very nearly. Africa's nightmare is more complex than the cold war chess match, and the world pharmaceutical circus is tougher to dramatize than the old spy-versus-spy-versus-spymaster game. Still, le Carré can write a smart, melancholy page-turner, and his moral outrage (the real subject of his books) burns as brightly as ever. –Tim Appelo

As the world seems to move ever further beyond the comparatively clear-cut choices of the Cold War into a moral morass in which greed and cynicism seem the prime movers, le Carr ‘s work has become increasingly radical, and this is by far his most passionately angry novel yet. Its premise is similar to that of Michael Palmer's Miracle CureDcynical pharmaceutical firm allied with devious doctors attempts to foist on the world a flawed but potentially hugely profitable drugDbut the difference is in the setting and the treatment. Le Carr has placed the prime action in Africa, where the drug is being surreptitiously tested on poor villagers. Tessa Quayle, married to a member of the British High Commission staff in corruption-riddled contemporary Kenya, gets wind of it and tries in vain to blow the whistle on the manufacturer and its smarmy African distributor. She is killed for her pains. At this point Justin Quayle, her older, gentlemanly husband, sets out to find out who killed her, and to stop the dangerous drug himselfDat a terrible cost. Le Carr ‘s manifold skills at scene-setting and creating a range of fearsomely convincing English characters, from the bluffly absurd to the irredeemably corrupt, are at their smooth peak here. Both The Tailor of Panama and Single & Single were feeling their way toward this wholehearted assault on the way the world works, by a man who knows much better than most novelists writing today how it works. Now subject and style are one, and the result is heart-wrenching. (Jan. 9) Forecast: Admirers of the author who may have found some of the moral ambiguities and overelaborate set pieces of his last two books less than top-drawer le Carr will welcome a return to his best form. There is a wonderfully charismatic and idealistic heroine, which will bolster female readership, and the appearance of the book shortly after the release of a movie of Tailor (starring Jamie Lee Curtis) is bound to create an extra rush of media attention. Be prepared for the biggest le Carr sales in years.
Copyright 2000 Reed Business Information, Inc.

John le Carré has earned worldwide acclaim with extraordinary spy novels, including The Russia House, an unequivocal classic. Navigating readers through the shadow worlds of international espionage with critical knowledge culled from his years in British Intelligence, le Carré tracks the dark and devastating trail of a document that could profoundly alter the course of world events.

In Moscow, a sheaf of military secrets changes hands. If it arrives at its destination, and if its import is understood, the consequences could be cataclysmic. Along the way it has an explosive impact on the lives of three people: a Soviet physicist burdened with secrets; a beautiful young Russian woman to whom the papers are entrusted; and Barley Blair, a bewildered English publisher pressed into service by British Intelligence to ferret out the document's source. A magnificent story of love, betrayal, and courage, The Russia House catches history in the act. For as the Iron Curtain begins to rust and crumble, Blair is left to sound a battle cry that may fall on deaf ears.

From Publishers Weekly

A dissident Soviet physicist asks a down-at-the-heels, jazz-loving London publisher to issue his insider's study of the chaotic state of Soviet defense. “The master of the spy novel has discovered perestroika , and the genre may never be the same again,” observed PW .
Copyright 1990 Reed Business Information, Inc.

A mysterious manuscript purporting to prove the Soviet defense system is unworkable is smuggled out of Moscow. It was intended for a flaky English publisher, a womanizing saxophone-playing boozer, but the smuggler has turned it over to British intelligence. In order to prove its authenticity, they recruit the publisher as an amateur spy and send him to Moscow to reestablish contact with the author. But the “truth” Barley Blair finds there is love and a purpose for his shambles of a life. As always with le Carre, this is a compelling spy story, a marvelous entertainment that is also as intelligent, witty, and brooding as many more self-consciously and less satisfying literary novels. It may not be the equal of The Quest for Karla trilogy or of a A Perfect Spy but it bears all the marks of a master, of the man who has both redefined and reanimated the espionage genre. BOMC main selection.
- Charles Michaud, Turner Free Lib., Randolph, Mass.
Copyright 1989 Reed Business Information, Inc.

Durante los primeros años de la II Guerra Mundial, John Kemp, un joven estudiante de clase humilde, llega desde un pequeño núcleo de provincias a la ciudad universitaria donde cursará sus estudios. En medio de un ambiente lúgubre, deprimido y profundamente intimidatorio elegirá, como salvoconducto emocional, a una chica anónima sobre la que dibujará una identidad alternativa, y la bautizará con el nombre de Jill. A partir de ese momento, comenzará el movimiento feroz de una espiral obsesiva sobre ella hasta que los acontecimientos experimentan un giro sorpresivo que pondrán al protagonista contra las cuerdas. Su vida y sus aspiraciones, así como sus deseos y anhelos darán paso a un relato poético y grandioso de la mano de uno de los maestros de la literatura inglesa del siglo XX.

The undisputed master returns with a riveting new book—his first Smiley novel in more than twenty-five years

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Peter Guillam, staunch colleague and disciple of George Smiley of the British Secret Service, otherwise known as the Circus, is living out his old age on the family farmstead on the south coast of Brittany when a letter from his old Service summons him to London. The reason? His Cold War past has come back to claim him. Intelligence operations that were once the toast of secret London, and involved such characters as Alec Leamas, Jim Prideaux, George Smiley and Peter Guillam himself, are to be scrutinized by a generation with no memory of the Cold War and no patience with its justifications.
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\nInterweaving past with present so that each may tell its own intense story, John le Carré has spun a single plot as ingenious and thrilling as the two predecessors on which it looks back: The Spy Who Came in from the Cold and Tinker Tailor Soldier Spy. In a story resonating with tension, humor and moral ambivalence, le Carré and his narrator Peter Guillam present the reader with a legacy of unforgettable characters old and new.

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An Amazon Best Book of September 2017: John Le Carré, who you may know from the classic George Smiley spy novels, has returned after 25 years to bring us The Legacy of Spies, an interweaving of past and present storylines that allows new readers a way into these (I'm going to say it... perfect ) thrillers and will have longtime fans swooning. I have loved the Smiley series since I first read book one, so I was more than apprehensive when I heard Le Carré was reigniting the storyline with ‘Legacy' after so many years (needlessly as it turns out). Peter Guillam, Smiley's most prized assistant, returns with both grace and vengeance as he evaluates life and the lies he has created to survive. Readers don't need to have read the past titles to understand or enjoy ‘Legacy', but I guarantee you will want to go back and start at the beginning as soon as you turn that final page. –Penny Mann

“[Le Carré's] novels are so brilliant because they're emotionally and psychologically absolutely true, but of course they're novels.”—New York Times Book Review

“[Le Carré] can convey a character in a sentence, land an emotional insight in [a] phrase & demolish an ideology in a paragraph.”
\n—Publishers Weekly (starred)

“Le Carré is such a gifted storyteller that he interlaces the cards in his deck so they fit not simply with this book, but with the earlier ones as well.”—The Atlantic\n
\n“We wish for more complexity and logic in our politics, so we look to make political art that is logical and complex: a genre defined by John le Carré.”—New Republic\n
\n“Any reader who knows le Carré's earlier work, and quite a few who don't, will assume that any attempt to second-guess the mandarins of the Service will backfire. The miracle is that the author can revisit his best-known story and discover layer upon layer of fresh deception beneath it.”
\n—Kirkus

Praise for John le Carré

“One of our great writers of moral ambiguity, a tireless explorer of that darkly contradictory no-man's land.”
\n—Los Angeles Times
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\n“No other writer has charted—pitilessly for politicians but thrillingly for readers—the public and secret histories of his times.”
\n—The Guardian (UK)
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\n“I would suggest immortality for John le Carré, who I believe one of the most intelligent and entertaining writers working today.”
\n—Alan Cheuse, Chicago Tribune
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\n“The constant flow of emotion lifts le Carré not only above all modern suspense novelists, but above most novelists now practicing.”
\n—Financial Times
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\n“A writer of towering gifts.”
\n—The Independent (UK)

I read Norwegian wood the year after I had been to Japan as a teenager, and the book, and that trip combined were responsible for a now 25 year long fascination with and eduction in Japan and Japanese. I dread re-reading it because I don’t think it could ever live up to that kind of impact, but I will always love it for what it did for me as a directionless teenager looking for a sense of direction and for a place t place my passion. I know Murakami is often critiqued for writing the same novel over and over again, but it’s a good novel, and this is perhaps the best version of it.